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Biography & Autobiography. Self-Improvement. Nonfiction. HTML:Rock star, crowdfunding pioneer, and TED speaker Amanda Palmer knows all about asking. Performing as a living statue in a wedding dress, she wordlessly asked thousands of passersby for their dollars. When she became a singer, songwriter, and musician, she was not afraid to ask her audience to support her as she surfed the crowd (and slept on their couches while touring). And when she left her record label to strike out on her own, she asked her fans to support her in making an album, leading to the world's most successful music Kickstarter. Even while Amanda is both celebrated and attacked for her fearlessness in asking for help, she finds that there are important things she cannot ask for-as a musician, as a friend, and as a wife. She learns that she isn't alone in this, that so many people are afraid to ask for help, and it paralyzes their lives and relationships. In this groundbreaking book, she explores these barriers in her own life and in the lives of those around her, and discovers the emotional, philosophical, and practical aspects of The Art of Asking. Part manifesto, part revelation, this is the story of an artist struggling with the new rules of exchange in the twenty-first century, both on and off the Internet. The Art of Asking will inspire readers to rethink their own ideas about asking, giving, art, and love.… (more)
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- her marriage to beloved (and wealthy) author Neil Gaiman
- her Kickstarter campaign that raised $1.2 million to finance her new album, and
- her
Palmer is a polarizing figure. She has a very loyal fan base, but she also has a lot of detractors. I have to admit that am completely unfamiliar with her music. I am more familiar the outrage caused by her "shameless" (her word) behavior.
The Art of Asking is Palmer's apologia pro vita sua. In it Palmer explains that her habit of accepting gifts such as food, places to sleep, and money, is part of a larger philosophy that involves "radical trust" and community-building between her as an artist and her fans. Her fans' material support allows them to be part of her work. It also frees her up to to work on her projects and spend a lot of time connecting with her followers via social media. Some lucky fans even get to scribble on her naked body in exchange.
It's an interesting idea, but I am not entirely convinced.
I came away from this book feeling sorry for Neil Gaiman, who may be the "love of her life", but is portrayed as a sad puppy dog in this book.
This book is beautifully written and constructed. There are several storylines running through it that sustain the narrative, her music, her falling in love, her friends, her Bride. Underneath it all is her philosophy of how she lives her life. It provides immense food for thought.
I really recommend the audio version, which she reads herself like she's just telling you a story.
I’m late coming to the Amanda Palmer/Dresden Dolls party, but better late than never. I’m always in search of new music, preferably the stuff with an edge to it—and I don’t care if it is played on the radio or not. I found her on Tumblr of all places—someone posted a Youtube video of her cover of "Lua" by Bright Eyes and then I found the "Ukulele Anthem", one video after another, I was hooked. But before that, I tripped across her name on Neil Gaiman’s blog when I was looking for new books to read. It was shortly after they were married, and he talked about how proud he was of her, which I thought was so wicked sweet, and its sweet how smitten he is with her. And of course, I heard some grumbling about the song “Oasis” and some other shit, probably the Kickstarter thing, by then, I bought "Theatre is Evil", and was playing the shit out of it, and totally thought it was cool that she did it independent of a record company—as a fan of the little folk singer Ani DiFranco, I’m a fan of anyone who will thumb their nose at “the establishment” and do it themselves.
The major thing I dig about Amanda—she’s the lady who sings songs about the truth—you know, like Phoebe in "Friends", little kids loved her because her songs didn’t gloss over stuff like death and life—or smelly cat. Amanda’s fans love her because she sings about the real stuff that connects with them, the things that hurt and the things that are awesome—life is messy and thankfully, she ain’t afraid to tell it like it is. Some people can’t handle the truth, whether it’s a poem about empathy toward an alleged terrorist, or a song about an abortion, or a blog about having her period, or of all things, armpit hair, to shave or not to shave. There’s always the contingent out there that cringes—my own mother, god bless her, was always on me about—“Why can’t you paint (or write) something nice?” Honestly, I can’t, because that wouldn’t be true. Sorry, Mom, my vision is different from yours. I’ve always had my own vision—my own way of doing things. Everyone does, but of course, not everyone’s vision fits everyone else’s so these differences of visions is divisive and if I find myself in a room or a town full of people who do not see things my way I’m set back to the usual “Okay, who brought the weird girl?” dynamic that is the fucking story of my life.
Amanda has this amazing, genuine vision that is as old as time, yet as innocent as a babe—she’s following her bliss. I want to hug her. It makes me happy to know there’s another inspiring young woman out there sticking her neck out and following her bliss. Lots of her fans tell her they think she’s brave to do what she does—she says no, not at all. Well, sure, she’s got her own dose of uncertainty going on just like the rest of us, and some of the noise she makes has as much to do with being afraid than being brave—this is why her fans love her so intensely—she’s one of us, she dives into the crowd naked and trusts us to take care of her. The Fraud Police and all the assholes who spend their breath or time ticking away on keyboards to tear her down with words—they’re just hypercritical bullies with nothing better to do.
"The Art of Asking" has to be one of the most honest assessments of human nature—why is it so hard for us to ASK for help—in any form. In this book, she’s shared insight in her inner life—what makes her tick—and her “how come?” Unfortunately, when any public figure (or anyone for that matter) especially artists, open up to allow people in, they open themselves up to some of the most unpleasantness humanity has to offer. At the same time that Amanda is genuine and willing to help—she is loaded with self-doubt and vulnerable. I was new to following her while she was writing the book and when I happen to see that she posted questions on Facebook, I pondered my own answers.
"WHAT DO YOU WISH YOU'D ASKED FOR?"
There are times, looking back, I wish I had asked for help more often than I did—life might’ve been easier, but less interesting, I suppose. I just never asked for enough of anything—I rarely asked questions—unless I was really confused because I mentally stepped out the window during the critical moment when I needed to listen. As soon as “Any questions?” was spoken aloud, if I had any at all, they ran away. (Fuckers.) It’s just weird how things work out—if I opened my mouth and asked for help, I might’ve had a much different life—but because I kept my mouth shut, spent time absorbing or being absorbed, head down doing my own thing, I probably wouldn’t have the creativity that I possess to write books and make art. Go figure.
I was always drawing and making stuff, writing stuff, and took pride in what I did, and I loved showing the things that I made to people. I was showing around a drawing of a horse I made and one kid yelled at me “You’re such a show off—you just think you’re hot shit because you can draw!” Why on earth does that still sting after all these years? It just does. It wasn’t a death threat, but for a little kid—it might as well have been. So I was pegged as a narcissistic asshole by a mouthy little jerk early—whatever. Fucking que sera sera.
"The Art of Asking" is Amanda’s experience with Asking—it’s not an academic treatise—it’s personal and a personality, like a diary—it is multi-layered and structured in fragments of time, events, stages, junctures, and phases (the audio is awesome because it has related music in it that makes it even more special, especially “Bigger on the Inside” which is so emotionally crushing, I cried my eyes out.) Inspired by her TED talk, she’s offered her story to give basic tools for contemporary artist survival, but it’s not a how to manual—it’s inspiration, it’s encouragement, it’s insight. The lone artist in the garret doesn’t have to wait for the big break anymore—unless they chose to remain the lone artist in the garret, that’s their choice. It’s true that not everyone is going to have outstanding success going it alone—and a great deal of it does have to do with networking with people, generating interest in what you do, which means sticking your neck out there and presenting what you have to offer to whoever wants to check it out—or not. (This is where shameless self-promotion comes in, but be careful how you do it, cuz people will jump on your sorry ass for filling their email, twitter, dashboards, forums or whatever social media network with your obnoxious advertising.) There’s a dance to learn, a delicate balance to attain before you can even begin to collect a core group of invested followers. It’s not easy. I know that as a self-published-indie author, I am thankful for the deposits that are made to my account from time to time—it’s pocket change—but it’s better than sitting on my manuscripts and receiving rejection letters. Not everyone is going to like what you do, and some are damn mean about it. Sometimes I’m just about crazed with worry about what others think as I put my offerings out there—sometimes I just say “fuck it.” I have to, otherwise, I’d be paralyzed and I’ll never accomplish a single damn thing.
Amanda worries too much about what others think too. Fuck it, Amanda. Do what you gotta do.
PS: That goes for all of us too...
I absolutely love the way that Amanda looks at life. In the Art of Asking she expands on her well-received TED Talk in which she discusses her time as a living statue and her Kickstarter campaign to fund her Theatre is Evil album (which is
Amanda gets surprisingly personal, sharing some stories she never even shared with her fan community (which she has cultivated over years of keeping herself available through e-mail and social media). To her, her fans are friends, and she trusts them completely. In fact, in all the years she has allowed her fans intimate access to her (she has a long history of couch-surfing and asking for favors through Twitter, always with exceptional results), there has only been a smattering of incidents where things have gone wrong (two drunken fans stole her ukulele, later returning it once she alerted her community, and two weird, slightly stalkerish fans got a little too hands-y during an intimate signing party).
If you are in a creative endeavor, or just have a project you want to take part in but realize you need help with, exactly what Amanda teaches here and ask.
Just take the fucking donuts.
Maybe it is because of the spot and place I am current at or maybe it calls to the
Maybe it is simply a fantastic book an inspiration to all artists who ever wanted to succeed and be seen.
Amanda I see you you are FUCKING fabulous.
Not in the way of a sycophantic fan - I truly hardly know your music. I think you are that because you risked so much simply by loving so much and being brave and strong enough to admit that you deserved the dollar bill in you hat or the $1 kickstarter. That your art was worth something.
Must read for all artists and those who want to be or never quite were.
I'm glad I did.
First of all, Amanda and I could hardly be more different. I cannot imagine living her life - on the road all the time, couch-surfing and crowd-surfing with equal abandon, exposing herself physically and emotionally to countless strangers. I'm just an ordinary gal with an office job and a townhouse. But I recognize the Fraud Police and the desire to be seen and the fear of commitment and the importance of art and all the other very human issues that Amanda discusses with a refreshing frankness. I want to shove this book into the hands of a hundred people I know. Highly recommended (obviously).
A note on the audio: The lyrics are printed in the book, but the audio version plays the actual song. It's a different way of experiencing it - you get the original setting for the poetry, but you can't necessarily understand all the words.
I grew up around artists, and have dabbled
I would say that the book isn't really about the art of asking. It's more just a series of reflections on asking–times when it's worked well; times when it hasn't. I'm not sure that the book has contributed to my asking ability, but I still really appreciate Amanda's story.
Her basic take on asking is that it involves an element of risk. If you can't take no for an answer, you're not asking. Asking both requires equality [so that two parties can come together in a collaboration], and inequality [so that one party has something to offer to the other].
From the New Economics standpoint, this book is pretty rudimentary. Although Amanda touches on the idea of gift a number of times in her text, she more often discusses exchange. She would de well to spend some time with the likes of David Graeber and Charles Eisenstein. I'm grateful that she spends time discussing all of the challenges we have in this country surrounding communication and comfort when it comes to money.
I absolutely loved this book. I'll be honest, I hadn't actually heard of Amanda Palmer before seeing this book. I'm not as big into music as I am books and I've rarely gone to Kickstarter, so it's not much of a surprise either. I listened to her TED talk (and I do love TED!), which covers many of the same bases as her book. I'd consider it a really condensed version. Here it is:
[ted id=1682]
The art of asking is really rather genius, though it's not exactly foreign to my life. There's a connection between what Palmer refers to as the art of asking and my husband's work in the church. Churches don't make people pay for their services, they ask. But churches are dying off and Kickstarters are getting more money every day. They seem to have lost the art to it. I have recommended the book to him and I hope he reads/listens to it.
I listened to it, which was definitely the way to go. Palmer narrates the book and she even sings a song between chapters occasionally. For me, it did just as promised in the blurb. It made me rethink some things, specifically what it means to ask instead of demand and to share the process of creating art with those around us.
I hate Twitter but I understand her love of it. I've never been good at starting conversations with people in front of me. I've never been good at being seen or letting others know that I see them. With these in mind, the book has created a degree of fear that I will never get to where I want to be. But then it always comes back in a haunting sort of way. I can get there, but I have to grow first and I have to do the things that need to be done.
Plus, I want connection when I get there, not adoration or whatever. It made me pay a bit more attention to the Twitter feeds of the artists I do admire. It makes me want to connect with them on some small level. I'm working up to it. I followed a few more since reading this, mostly comic creators that I love. Reaching out for connection is a little terrifying. But I think about standing on that box, trying to give someone a flower. I want to try something like that one day.
I loved that the book began with a introduction by Brene Brown. Some of you may recall my love for her and her work. Their messages share that connection can only happen after the risk of vulnerability. It only happens when we've reached out to someone who can reject us, but doesn't. If they are forced, it's not connection.
There were plenty of adorable anecdotes, but the meat of the book rests on just what the title implies. There is an art to asking. The book also dives pretty deeply into the art that can be present in giving. Some give, and some do so artfully. There is a difference. My mother has been one of those who give artfully. She has a way of not making the recipient feel shame, which is also important to connection. Palmer sums it up in "take the donut" or "take the flower". I love food, so I prefer "take the donut". I will also have to work on taking to donut in the future. I tend to be the bashful sort that prefers people keep their donut but totally appreciates the offer.
Has anyone else read this book? Did it make you take another look at asking, giving, receiving, connection, vulnerability.....?
I liked this book.
It was more of a biography and less of an extension of her TED speech than I had anticipated, but in the end this made me enjoy the book more. Amanda Palmer is a pretty amazing woman and the peek into her life was read with pretty big eyes. I am glad there are people like her in
I am a giver that has problems taking, and problems asking. Due to being heavy throughout my life I understand having people seeing me and not being seen. I agree with the authors distinction between the two.
I can also relate to the author on how her marriage works in terms of both space and
I was also once a busker, selling poems to people I would write for them right there on the street, and asking only what they felt the poem was worth under the stipulation that they could only keep the poem if they paid. Mostly I wrote them for free. I never busked in too bad of weather. I also gave up after being insulted one too many times. Chimes of get a job (I had one) amongst other things had me giving up altogether. Even the moments of pure joy I shared with strangers didn’t seem worth sharing my art in this manner. I was a HORRIBLE busker. Most likely because I never quiet learned the art of asking. As you can tell, many things in this book resonated.
Several things also made me uncomfortable and made me question that discomfort, and even changed my opinion. Still, I’m not on board with Amanda’s entire philosophy on crowd sourcing in the manner she does. The author and I clearly have a different set of ethics.
As far as the author, well I have followed her and her music since almost its inception. I’m a fan of the Dresden Dolls, Evelyn Evelyn and Amanda’s solo music. With that said... man she seems exhausting (lol). Wow! She is a bit too needy (the voyeurism and constant spotlight seeking screams look at me, not just see me) , a tad narcissistic, but overall I think her heart is in the right place and I like (for the most part) how she treats and sees her friends as family. That very much came across in the book. I feel
She does seek that connection with her fam base, though I’m not entirely sure who gets the most out of it. I’d venture to say her. I also think people give her too much of a hard time, but such is the times in which we live. Many casting stones because the internet ally is dark enough that no one can see your face to know who threw them. Not to mention we live in a time where everything seems to be made a political outcry.
I recommend listening to this on audiobook so you can get a feel for the authors personality and understand her better. Also because you get treated to her amazing music. I will say this could have been edited down a bit. It was a tad long winded. Still an interesting story overall.
Palmer may not be the best singer, she may have way different ideas than
Please, if you can, find this novel on the audiobook form at your local library...! It's read by Amanda Palmer herself, with a forward and after by a couple friends, who love her dearly, also. It will change you, I think. It did, me.
This novel/audiobook cannot be more recommended, or more highly. I'd like to give it ten stars. A few books have made me tear p at the end, but this......this was different. It was more like I was the Grinch, and my heart grew a few more sizes that day......and Amanda Palmer did this. Please, read it? Better yet, experience it like I did. Give it a try, you might like it. I did.
I've worked in the book industry for a long time and it's been a while since I've been so moved by a book. I felt as if Amanda was inside of me, she knew all my deepest fears and after reading this I know that everything is strangely going to be okay.
I haven't listened to a lot of Amanda's music and to be honest it is something that isn't my particular cup of tea. I just found her to be a very interesting person, a woman who was married to my hero and I wanted to hear more about her. I think after reading this though I owe it to her to go back and listen to her artform.
I couldn't put it better than Caitlin Moran - "Amanda Palmer joyfully shows a generation how to change their lives."
Amazing.
I think I found this book listed on one of those "best of audiobooks" lists and as the author was an accomplished TEDtalker (whose video I hadn't yet seen) and also a human statue(!) I thought I'd try it, so I put my name on the waitlist at my library and
I was pleasantly surprised by how charming Amanda is as a narrator. Her stories are funny and fascinating and beautiful and sometimes sad, and her positivity and maybe even her vulnerability help me cope with other parts of the world being awful. Bonus: inside scoop on Neil Gaiman as a human being who grew up British and didn't know how to act around sick people--their love story and resulting marriage together also make lovely and interesting stories.
I don't know if this book is quite as charming in print (the audio version has all the extras of Amanda's voice, songs from her band, and even her ukulele accompaniment), possibly it might drag a bit, but I would recommend this to anyone looking for something both real and positive.
This book really enhanced an otherwise really stressful commute for the past week. I recommend this book!
I have long enjoyed the music of Amanda Palmer. I admire her awesome piano
If you are an indie artist, an Amanda fan, or simply someone who thinks that asking for help is tantamount to failure, this is a book that you should seriously consider spending some quality time with :)