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Fiction. Literature. HTML:A sharply intelligent novel about friendship, lust, jealousy, and the unexpected complications of adulthood in the 21st century Frances is a cool-headed and darkly observant young woman, vaguely pursuing a career in writing while studying in Dublin. Her best friend and comrade-in-arms is the beautiful and endlessly self-possessed Bobbi. At a local poetry performance one night, Frances and Bobbi catch the eye of Melissa, a well-known photographer, and as the girls are then gradually drawn into Melissa's world, Frances is reluctantly impressed by the older woman's sophisticated home and tall, handsome husband, Nick. However amusing and ironic Frances and Nick�??s flirtation seems at first, it gives way to a strange intimacy, and Frances�??s friendship with Bobbi begins to fracture. As Frances tries to keep her life in check, her relationships increasingly resist her control: with Nick, with her difficult and unhappy father, and finally, terribly, with Bobbi. Desperate to reconcile her inner life to the desires and vulnerabilities of her body, Frances's intellectual certainties begin to yield to something new: a painful and disorienting way of living from moment to moment. Written with gem-like precision and marked by a sly sense of humor, Conversations with Friends is wonderfully alive to the pleasures and dangers of youth, and the messy edges of female friendship. Art © Alex Katz/Licensed by VAGA, New York, NY www.vagarig… (more)
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This novel explores relationships from the intensely personal level while also bringing in societal and cultural factors for the reader to consider. Loyalties are examined (between friends, lovers, and spouses), institutions are questioned (marriage primarily), and reflection is critiqued (self-reflection as well as how things in one's life reflects on them into the world).
There is a certain flat delivery to a large part of the novel that, to me, reflects Frances' response to the world around her. She flattens the world, she tries to make the highs and lows less so in order to not be too engaged. Since the writing style served a purpose, and did so fairly accurately, I have no problem with it being even-keeled throughout. Or as one reviewer here complained, there were no exclamation points. This is perhaps the first time I have heard a complaint about a lack of exclamation points, but so be it.
The idea that friends can cross generational lines shouldn't be so shocking to people, especially when there is a valid reason for the initial excursion, such as a photographer who does profiles finding a pair who perform poetry both photogenic and worth doing a piece on. Thus it isn't simply a married couple finding college students to befriend. The dynamics which develop from this initial encounter propel the story arc so if a photographer finding people interesting, befriending them, then having life happen among all the parties seems implausible to you, well, this might not be for you. But it certainly makes rational sense.
What appealed the most to me was the way Frances seemed to always think about things, approach a level of self-understanding, then veer away just before she might make an unpleasant discovery about herself. She covers this up with what seems to be unfounded yet negative opinions about herself and/or her motives. I think many of us who try to be self aware find ourselves undermining our own investigations, at least I know I do, so this was an element of the novel I could relate to very easily. Of course, that may well be more a negative comment about me than a positive one about the book, but it is what it is.
There are, just like in life, several places where a reader may feel uncomfortable. These will range from things very personal (feeling for a character or finding a situation too similar to what one may have experienced) to things based on societal norms (adultery and such). In every case there is an opportunity for the reader to try to understand how and why things happened and gain empathy for both the characters and humanity in general. This does not mean approving or condoning everything, it means making an effort to understand another human being, in this case fictional.
I would highly recommend this to people who enjoy character driven novels that might not fit neatly into any particular style or genre. Rooney took some chances in her writing style and largely succeeded.
Reviewed from a copy made available through Goodreads First Reads.
The style of writing feels like you are reading someone's diary, and I
The eponymous conversations, were, in my opinion, absolutely raw and real. There was nothing farcical about the words used, the meanings behind them, their purposes. The novel is written from the perspective of the introverted and
The situations felt so realistic, like Frances falling for someone she knows she shouldn't have, but chose consciously or subconsciously to fall regardless. The everlasting tug between right and wrong, and what those words truly mean, if anything at all. If you make each other happy, should you not fall for a person because of extenuating circumstances? Should you stop yourself from happiness because of societal boundaries? This novel pushed so many of those boundaries that we find commonplace and didn't apologize for it, and I loved it.
Thank you to LibraryThing for the opportunity to read this book in advance.
Quite an interesting read. I thought the characters felt fully developed and even if I didn't always agree with them I could understand their motivations.
This is a novel about relationships and Sally Rooney really nails the ebb and flow of intense friendship, especially one complicated by an early romantic relationship. She's insightful about the emotions involved in falling in love when one is both young and doing one's best to not admit to any sort of emotional entanglement. This is a brilliantly written book about some very flawed people. It reminded me of Eimear McBride's The Lesser Bohemians, a book I adored. I'm glad her next novel is already out so that I don't have to wait to read more by this gifted author.
I would like to thank First to Read and Hogarth/ Random House LLC for the ARC of "Conversations with Friends" by Sally Rooney for my honest review. The genres for this novel are Contemporary Fiction and Women's Fiction. I would rate this book as 3.5.
I appreciate that Sally Rooney brings
The characters are complex, complicated, and flawed. Most are not likeable. There is betrayal and secrets. There is also lack of communication, lack of self-esteem and self-worth. I found it difficult to relate to any of the characters.
The story-line is about two college students, who get involved with a married couple. One is a writer. Both are friends, former lovers, and read poetry together at gatherings. At time the story is slow-moving. I was surprised at the ending, and possibly disappointed.
I would recommend this novel as a controversial read.
This book gave me so many feels. It was a roller coaster of emotions. For some reason I really connected to this book. There was something so captivating about it.
I felt like this book would make a great movie or miniseries on
The characters felt very real and I think that's what I liked most about it. I loved Nick. He was so different from what I had expected.
Overall, I'm obsessed with this book.
I received an ARC of this novel from a giveaway listed on Library Thing, and it was my least favorite of all the aforementioned novels. Frances is a young, tough woman who lives in Dublin with her friend and former lover Bobbi. They perform spoken word poetry together and catch the attention of an older artist and writer, Melissa, who befriends them, and invites them to her house where they meet her husband, Nick. He's a B-list actor, and somewhat shiftless and charming, and for some reason Frances embarks on a messy affair with him, to the chagrin of Bobbi and Melissa.
This novel is almost an exact replication of Lesser Bohemians, but with none of the charm and none of the intricate prose. Of course, this means it is much easier to read, but the story isn't much to speak about. It was OK, but for being so much like such a recent publication, it made itself look paltry by comparison. If you can't make it through Lesser Bohemians, I guess you could read this book instead, since it's the exact same story.
The ending was pretty lame too, which was also my complaint with Lesser Bohemians and Tender.
Authors seem to find it irritating when readers become curious about how autobiographical a novel is. And yes, I have this curiosity because, if Sally Rooney is not Frances, it takes a lot of skill to inhabit a character so completely.
I've never understood why one has to like the main character to like the book. Frances has a lot of problems and is very immature - but is this a well-written book or not? My answer is yes, though I did miss that Irish sense of place.
When I find a book that I wish to hang onto for
Wouldn't read again or probably recommend to others. Feeling a bit like I could've spent the time reading something else.
I found Frances unrelatable but still somewhat sympathetic. The plot itself is rather non-existent, perhaps that is why Rooney is the "voice of her generation". Nothing much happens, really. But still life seems dramatic to oneself. Perhaps I'm getting old?
This book felt like a "How to be an angst ridden hipster" starter pack. The characters, any of them, just pick one, lacked any quality that would make them even remotely like-able. The first 2/3 of the book saw a lot of changes, which could have