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War is everywhere. Not only among the firefights, in the sweat dripping from heavy armor and the clenching grip on your weapon, but also wedging itself deep into families, infiltrating our love letters, hovering in the air above our heads. It's in our dreams and our text messages. At times it roars with adrenaline. While at others it slips in silently so it can sit beside you until you forget it's there. Join Joe Haldeman, Linda Nagata, Karin Lowachee, Ken Liu, Jay Posey, and more as they take you on a tour of the battlefields. From those hurtling through space in spaceships and winding along trails deep in the jungle with bullets whizzing overhead, to the ones hiding behind calm smiles, waiting patiently to reveal itself in those quiet moments when we feel safest. War Stories brings us 23 stories of the impacts of war, showcasing the systems, combat, armor, and aftermath without condemnation or glorification. Instead, War Stories reveals the truth. War is what we are.… (more)
User reviews
I received a review copy of War Stories: New Military Science Fiction
But there were some good stories in there, mostly the middle and later sections. Some inventive technology and a recognition of biology changing the way we think of weapons. The WarHosts and War Dog were particularly clever. There were plenty of thoughts along the lines of drones, augmented robots, the fallibility of AI, and the re-occurring soldier ported into another body to fight on. There were no stories about the glory of war from a distant perspective. Which given that these were all written by those invovled with the forces in some way is probably the most telling commentary of all.
As ever it's hard to tell who the intended audience for this book is, not me. Probably that small sub-set of forces involved people and families who also like SF. But those may well enjoy it, as I didn't feel any of the stories were bad, mostly just not aimed at me.
For a large collection, I was pleasantly surprised by how few of the stories weren't quite up to what I expected. In general I was very pleased, and enjoyed reading the various viewpoints expressed by the authors. I
As a collection, the theme of "war" is simply too wide-spread, and I found it fatiguing to jump from one short story to another with wildly different assumptions and contexts -- this is one of the challenges of
As a veteran, I know that there is a vast range of responses to the "other" with whom we do battle. These range from seeing them as "wholly other" - zombies, robots, "Buggers" or stereotypical jihadists or 'gooks' -- to the near-comradeship sense of being fellow warriors who are not understood by non-combatants and civilians. This can explain some of the Rambo-like approaches, as well as the almost blase descriptions of the enemy; both are typical.
The collection, like any collection, varies in quality and interest, and your mileage may vary. It would have benefitted from a much stronger Introduction to set more clearly a theme or the reasons for inclusion of some of the pieces, and possibly a brief introduction (say, the author's bio) to aid in the transition from one story to the next.
Their decision to group the stories into sub-genres doesn't help. The first section is about
Another oddity is the opening, ungrouped story by Joe Haldeman. Again, it doesn't really fit SF, and I suspect the only reason for its inclusion is Haldeman's reputation. It's a very interesting, short vignette, with a slight horror theme, but ultimately it's an historical story about Vietnam. (And I don't mean that allegorically.)
In short, like many anthologies, there are a few gems here, but it really would have been helped by not grouping the stories in the way they did.
War Stories is a group of well written short stories that are all related in some way to War or related activities. There are stories within that should appeal to many fans of this genre, including several that I
4 Stars for enjoyable reads and perfectly suited for any fan of the military or military SF genres.
The stories are divided in four groups according to its theme (Wartime Systems, Combat, Armored Force and Aftermath), which a priori seemed a good idea, so I read them in order. But if I were to read this book again, I would probably jump from one group to another, to avoid a slight feeling of repetition.
Despite the aforementioned problems, I enjoyed most of the stories, and my favorites were those by Ken Liu, Yoon Ha Lee, Carlos Orsi and Keith Brooke. All in all, an interesting and worth-reading anthology for any SF fans, although not memorable.
It has long been my contention that writing a "good" short story is harder than writing a "good" book. In a short story you cannot "waste" pages supplying a back story,
As a result, many anthologies are rather a hit and miss affair. And so is this collection, but thankfully not only are there more hits than misses, but the number of stories contained in it (23) means that once you have finished all the stories the misses tend to be swept under the carpet by better stories.
The stories are divided into four grouped themes: Wartime Systems, Combat, Armoured Force, and Aftermath. Traditionally my tastes in science fiction would generally have followed this order if I had to state my preferences for sub-themes.
It was therefore somewhat surprising and to discover the first story in the Aftermath section, "War Dog". This story is simply amazing, with the reader discovering on every page a change in direction and theme, until the final, sorrowful yet strangely beautiful, ending. It is a story that should be approached with an open mind, and no preconceived hint of its content.
Also of note are "Suits", "In Loco", "Black Butterflies", and the story which serves as an introduction to the book, "Graves" by Joe Haldeman.
The overall theme? War is us, and we are all scarred by it.
You will run the gambit of emotions with this one, and after finishing one short story, you want to immediately tear into the next one as there are no dogs here. Each author, in their own unique way, kidnaps your attention.
This is an easy five star in my mind – something I never do lightly. Just buy the book. You won’t regret it.
Too many of the stories strained my credulity, with military technology I had a hard time believing in. I guess this is a difficult in general of military sf, as contemporary warfare moves increasingly toward drones-- how do we maintain the human element necessary for storytelling? Many stories accomplishes this by having the combat drones used human bodies and/or human minds in some integral way, but I often found this hard to buy. The AI in Susan Jane Bigelow's "The Radio," for example, had implausibly few instructions on what to do if separated from her unit. "Invincible" by Jay Posey had the typical armored suits that go back to Starship Troopers, I guess, which felt a little trite. A few stories used these, so many that the book actually has a section devoted to them, but they began to blend together after a while. Some authors gamely tried to come up with new spins on them, like Carlos Orsi's "In Loco," but I found that story somewhat contrived, to be honest.