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Fiction. Science Fiction. Alfred Bester's first science fiction novel since The Stars My Destination was a major event--a fast-moving adventure story set in Earth's future. A band of immortals--as charming a bunch of eccentrics as you'll ever come across--recruit a new member, the brilliant Cherokee physicist Sequoya Guess. Dr. Guess, with the group's help, gains control of Extro, the super-computer that controls all mechanical activity on Earth. The plan to rid Earth of political repression and to further Guess's researches--which may lead to a great leap in human evolution to produce a race of supermen. But Extro takes over Guess instead of turns malevolent. The task of the merry band suddenly becomes a fight in deadly earnest for the future of Earth. Sequoya Guess, whom they love, must be killed. And how do you kill an immortal?… (more)
User reviews
Let go and join the flow. Don't try to figure out the science or the slang or any of
This is not, as Bester said in an interview, an undefined failure.
The story works in terms of interest after a slow start. The novel picks up after the murder of Fee-5 Grauman's Chinese. It is without the more strained typographical
It's interesting to see how Bester repeatedly uses certain elements at certain points in his writing career. Here the ecological themes and idea of a computer run society echo Bester's "Somebody Up There Likes Me", a violent America and Indians show up in his "The Four-Hour Fugue" and Golem100. (I liked his witty satire and rioting, illiterate students.)
I didn't, after awhile, mind the contrived romance between Curzon and Natorna. I'm even able to overlook lapses in plot logic. (Why go to Titan to get the Neanderthal immortal to fool Extro? Why not just go back to the salt mine and detain Guess by force so he can't serve as Extro switchboard by surfacing from the salt mine?.) I liked the brilliant, colorful group of immortals. But the story didn't work nearly as well The Stars My Destination or The Demolished Man. Both these novels were, especially the former, rather grim books. In Bester's latter novels, his wit and urbanity overwhelm his emotional effects, make the story an exercise in plot mechanics and cleverness with no emotional depth. In these latter books -- especially Golem100 -- typographical devices are not as well integrated, seem to be present more out of habit than need. To be sure, the glibness, wit, and superficiality of this book's story was due to the nature of the narrating character but that makes it no more effective
I remembered a few things from the earlier reading, but didn't really remember the story. Which is OK; the story's pretty flimsy.
A note, though: It's not a casual read. You need to