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"With the scope of Dune and the rousing action of Independence Day, this near-future trilogy is the first chance for English-speaking readers to experience this multple-award-winning phenemonenon from China's most beloved science fiction author. In Dark Forest, Earth is reeling from the revelation of a coming alien invasion--in just four centuries' time. The aliens' human collaborators may have been defeated, but the presence of the sophons, the subatomic particles that allow Trisolaris instant access to all human information, means that Earth's defense plans are totally exposed to the enemy. Only the human mind remains a secret. This is the motivation for the Wallfacer Project, a daring plan that grants four men enormous resources to design secret strategies, hidden through deceit and misdirection from Earth and Trisolaris alike. Three of the Wallfacers are influential statesmen and scientists, but the fourth is a total unknown. Luo Ji, an unambitious Chinese astronomer and sociologist, is baffled by his new status. All he knows is that he's the one Wallfacer that Trisolaris wants dead"--… (more)
User reviews
As one of them (Luo Ji, an astronomer and sociologist who seems to know very little about either astronomy or sociology) finds out, this can be a curse and a blessing. You can't not be a Wallfacer (because people will assume everything you do is part of the plan, including saying you have no plan) but you can also do whatever you want (because people will assume everything you do is part of the plan, though eventually they will get suspicious if you just buy a lot of fine wine). The social implications about how to plan a mass evacuation and such are also pretty interesting, and the various Wallfacer plans for Earth defense pretty epic. Unfortunately, Luo Ji isn't a great character, and outside of him, there are so many other characters that I struggled to keep track of them all. There's especially this weird, long subplot about a really weird romance Luo Ji has that had some pretty questionable aspects.
The last third of the novel, which jumps ahead two centuries (several main characters use suspended animation) really picks up, especially once the first alien probe arrives, and I found myself engrossed once more. There are multiple events that made perfect sense that I did not see coming, and the idea of the "dark forest" and the way it is used by Luo Ji is pretty interesting and clever. Not as good as The Three-Body Problem, but it contains the scientific and social inventiveness of the best epic hard sf.
I seldom read science fiction anymore, but I made a point of reading Cixin's trilogy. They were huge bestsellers in China when they came out ten years ago, and it's easy to see why. They are furiously imaginative hard sci-fi. Cixin approaches many old science fiction tropes with a new perspective. For instance, he uses game theory (although it isn't mentioned as such in the book) to examine the problem of alien contact, giving a credible solution to the Fermi Paradox. His solution isn't worked out in detail, but merely hinted at.
At times, his techno-babble gets on my nerves. I'm still not sure what an infrasonic H-bomb is, or why sound waves at frequencies below human perception (which is what infrasonic means) would cause a fireball to sparkle with infrasonic energy. Still one must give the authors of sweeping science fiction stories some leeway for storytelling.
The book is definitely told from a post-Maoist, Chinese point of view. That's a plus, not a minus, in my opinion. It's an interesting view into the zeitgeist of today's China. It's definitely worth a read.
If I rated this book for the concept and ideas alone, this would be a five star read. However, those aren't the only things I look for in a book, so I can't in good conscience rate this for those alone.
Overall, this is a decent book. What it lacks for me is any kind of emotional anchor.
I felt no connection to any of the characters and felt pretty uncomfortable with how women were regarded throughout the book. Women were either muses, mothers, or deceivers with little to no agency of their own. This was something that was addressed in glancing way during the future years, but even that was done pretty poorly.
I'll definitely read Death's End this year, but I'm going to take a little break from this universe before getting started on that one.
It dragged on a lot.
As I said to a friend while reading it:
"The author likes writing about stuff he imagines, which is fine, that's the point of a lot of sci-fi, but like, incorporate it into the story, have characters experience things."
Interestingly, this book and one of the Culture books both feature spaceships with featureless walls that can grow furniture when needed. I want to compare the two descriptions when I have time to look them both up.
So anyway I was going to give it 2 stars, but then some more dramatic interesting things happen and then it has a pretty cool unexpected ending, so ok, it gets 3 stars. But really I'm just reading it to find out what happens. Hopefully the third book is better.
{Wait, have I seriously been reading this since AUGUST? Ugh.]
I did get a bit frustrated with one of the main protagonists - Luo Ji, who takes some time to come into his own, and finally start acting in the manner that as a reader you hoped he would. Also, once the book leaps ahead to a certain point in the future, the 'new' humans there for want of a better term, are idiots!
The ending of this story is well worked out. So well worked out, that I'm left wondering what direction the last book will take.
With all of that said, I feel strongly that The Dark Forest may be the best work of science fiction I have ever experienced. I read the English translation of Cixin Liu’s Chinese science fiction novel, The Three Body Problem. I thought that it was very good, but not excellent. I was sufficiently intrigued to proceed on to the second novel of the trilogy, The Dark Forest, and I am eternally grateful that I did. I am just floored by how good this novel is, on so many levels.
I have read so many science fiction novels that are little more than spaceships and aliens, with poor underlying stories or character development. The Dark Forest is an outstanding piece of literature, above and beyond its label as a work of science fiction. It has very thoughtful themes, touching on philosophy, anthropology, sociology and psychology. The advanced technology and elements of hard science fiction are outstanding, second to none. The underlying story is absolutely captivating, as are the characters.
At the conclusion of the Three Body Problem, we are left with an alien race, the Trisolarans, who have embarked on a four hundred year long trip across the galaxy, ostensibly to conquer and inhabit the Earth. Through use of their advanced technology, they have arrested the technological development of the human race and are able to eavesdrop on every aspect of life on Earth. Faced with this scenario, how does the human race respond? As the years pass and different generations are tasked with coming up with strategies to face the threat, the author continues, time and again, to impress with his vision and the elements of human psychology and philosophy that he employs.
Most impressive to me is the author’s ability to deal with these philosophical and technological themes in such a way that the reader can easily follow and appreciate. To me, he walks the perfect line between being intellectually challenging, yet approachable (unlike some of Frank Herbert’s work, which was more than I could handle).
So, if you have read The Three Body Problem and are trying to decide whether to proceed on to this second installment, I cannot encourage you strongly enough to do so. If you have not read the Three Body Problem, I urge you to do so, with the knowledge that the follow up book will be worth the effort. The Dark Forest wraps up very nicely and could easily be the end of the story; however this is a trilogy, so I will gladly continue to the final chapter, hoping not to be disappointed. The Dark Forest is a terribly difficult act to follow.
Cixin Liu has an imagination - an ability to extrapolate out from a setup - that reminds me of William Gibson's work - particularly Pattern Recognition. It's a future world where you're always trying to figure out the details, but you are able to hold the big picture in your mind as you go with it - like the difference between standing close to Impressionist painting and taking a few steps back.
The texture of future beijing reminded me of Rudy Rucker in the worst way possible. Silly, frivolous,
Wicked spaceship stuff.
I will try the third, though, hoping it might miraculously be in the same league as the first.
It's interesting that the characters make much of the axioms of cosmic sociology (1. that survival is the primary need, and 2. that civilisation grows and expands but matter remains constant) and...
well, for one thing don't notice that #2 is in fact two axioms, the first of which is nowhere proven;
and come to think of it I don't think they discuss whether it matters how many civilisations there are. After all if a million civilisations, growing exponentially, is too many for one universe, then so is one civilisation growing exponentially; it'll just take a few years more to reach the too-big point. In fact having multiple civilisations competing, each checking the growth of the others, could be the best outcome in a Darwinian sort of way;
but more importantly, when they realise that this means that when two civilisations come into contact, they must by necessity be competitors for the finite matter in the universe, they decide that there's no way around this except a) hiding or b) crushing said competitor. Which may be true if there are only two civilisations. But as soon as you realise that the universe is a "Dark Forest" filled with civilisations facing the same dilemma - and though they only formally realised this towards the end of this book, it follows by induction from the fact that there are two! - then you have to realise that there is room for alliances. And if there is the possibility of an alliance then there is the necessity for an alliance, lest the next competitor you come across be part of an alliance that will crush you.
I'm really hoping some of this gets explored more in the third book of the trilogy, because I do enjoy the speculation of cosmic sociology, I just think it's so far incomplete.
Since the only advantage humans have over Trisolarians is that they cannot read our minds, the primary defensive tactic taken on Earth is to select 4 brilliant people as "Wallfacers." The 4 Wallfacers are each charged with devising and preparing a strategy for the defeat of the Trisolarians, all the while concealing the plan from everyone else and the Trisolarians, using deceit and evasive tactics as necessary. Three of the chosen Wallfacers are well-known scientists/intellectuals. The fourth, however, is Luo Ji, an unknown Chinese astronomer. The only thing that is known about him is that he is the one person on Earth the Trisolarians want dead above all others. Over the next couple of hundred years, the plans of the three other Wallfacers are exposed (by individuals working for the Trisolarians known as "Wallbreakers") and fail. An advance probe by the Trisolarians destroys most of the Earth's fleet. It is then left to Luo Ji--will he be able to come up with a plan to save the Earth?
When I first finished this volume, I had decided I wasn't going to read the final volume of the trilogy. The story seemed to be becoming focused on space battles and military techniques, which I don't usually care for. However, I have since read several reviews highly laudatory of the final volume, and how it ties everything together, so I will probably finish the series. Recommended for space science fiction fans only.
3 stars
As Charles Eisenstein describes in his latest book, "Climate," it is not an end to civilization that we must fear, but rather, a dead planet. Liu would seem to agree.
Much of the book focuses around the
The concept of wallfacers seems a uniquely authoritarian concept. The concept illustrates an extreme concentration of power.
The concept that we can never know if wallfacers actions and words reflect their truths; this bears striking similarity to all people. People regularly behave in either unpredictable or counterintuitive ways. It is one of their attributes that makes communication so challenging.
The most disturbing aspect of this books is Liu's assertion that life expands endlessly towards domination. Most indigenous peoples don't exhibit this behavior, nor do other forms of intelligent life. It is a dangerous kind of capital-centrism—a world view that ascribes all civilizations across the universe to have capitalistic tendencies.
The ideas we explore—fiction or otherwise—have a magnet pull. You might think of Liu's book as propaganda for a dead earth, and because of this, I don't like it.