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On a cold October night, five people gather in a run-down motel on the Jersey shore and begin preparations to break into the Paragon Hotel. Built in the glory days of Asbury Park by a reclusive millionaire, the magnificent structure--which foreshadowed the beauties of art deco architecture--is now boarded up and marked for demolition. The five people are "creepers," the slang term for urban explorers: city archaeologists with a passion for investigating abandoned buildings and their dying secrets. On this evening, they are joined by a reporter who wants to profile them--anonymously, as this is highly illegal activity--for a New York Times article. Frank Balenger, a sandy-haired, broad-shouldered reporter with a decided air of mystery about him, isn't looking for just a story, however. And after the group enters the rat-infested tunnel leading to the hotel, it becomes clear that he will get much more than he bargained for. Danger, terror, and death await the creepers in a place ravaged by time and redolent of evil.… (more)
User reviews
Up front, let me say that I apportion some of the
That said, even in print the story wouldn't really have appealed to me. First, the whole plot felt like it was constructed out of clichés. Without spoilers, think of "horror-type" thriller movies out there and you'll be able to put together a lot of the elements of this one—the scarred-by-the-past psychopath, the "don't leave the group!" moments, the "don't go in there!" scenes. Second, it felt rather contrived...you know, the violent lightning storm breaking out just when the characters need their cell phones type of thing? Third, Mr. Morrell needed to heed Chekhov's advice and tighten up the loose strands of the plot. There were too many plot elements introduced that went nowhere, such as the love quadrangle that was observed repeatedly in the beginning but ended up being irrelevant and largely forgotten by the end of the story.
However, the real cause of my reaction is mostly due to the constant use of two techniques I absolutely hate. First, everyone speaking in dangling sentences to create "tension":
We've got to..."
No.
But, if we don't, he'll...
It was endless. It drove me crazy.
The second was the constant "As you know, Bob" moments of the first half of the book. Put in a darn prologue if you want to info-dump and stop making people sound like characters in CSI: Miami.
Finished it in three days.
The story
The characters didn't seem well-developed and were quite cliche: the knowledgeable professor; the handsome young man; the handsome young man's beautiful wife; the wife's ex-boyfriend who isn't quite over losing his girlfriend to the guy she's now married to; and the protagonist--a new-comer to the group.
The professor and the protagonist are at least a little bit developed--not much--but the other two men are very flat and Cora, the woman, is pathetic. It seems like the two women in this story are just there to be pretty, scream at rats, and be victims. Cora even falls into a state of catatonic psychosis that Ophelia from Shakespeare's "Hamlet" would be envious of.
In some places, the dialogue sounds like it's being recited from an encyclopedia, such as when the characters start discussing the Art Deco period. The villains, like Rick and Vinny, are poorly developed.
Morrell crafts an excellent adventure, peppered quite liberally with good description of the surroundings that enhances, rather than diminishes, the action. The pacing and writing pulled me in and had me turning pages as fast as I could.
As
You won't be able to put this one down. Fast-paced, exciting, and has movie blockbuster written all over it. Highly recommend
The book starts off well enough with an introduction to the underground world of 'creepers' and the main characyers of the book.
There are many many twists
I love thriller and horror stories that work this way: put the characters in an already dangerous situation (such entering a deathtrap hotel full of rotting floors and other life threatening risks), then intensify with something worse.
From page one, the story unsettled, a general eerie feeling. As the story progressed, I found myself increasingly sucked into the story and to a point of near anxiety. I don't remember the last time I've been this close to being genuinely frightened by a horror tale. Though the fear went a way as the story moved into more well-trodden territory storyline-wise and the action sequences took over. Still, I couldn't put it down until I reached the end. It was a fast, enjoyable read.