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Fiction. Mystery. Suspense. Thriller. HTML: �The Lynley books constitute the smartest, most gratifyingly complex and impassioned mystery series now being published.��Entertainment Weekly When thirteen-year-old Matthew Whately goes missing from Bredgar Chambers, a prestigious public school in the heart of West Sussex, aristocratic Inspector Thomas Lynley receives a call for help from the lad�s housemaster, who also happens to be an old school chum. Thus, the inspector, his partner, Detective Sergeant Barbara Havers, and forensic scientist Simon Allcourt-St. James find themselves once again outside their jurisdiction and deeply involved in the search for a child�and then, tragically, for a child killer. Questioning prefects, teachers, and pupils closest to the dead boy, Lynley and Havers sense that something extraordinarily evil is going on behind Bredgar Chambers�s cloistered walls. But as they begin to unlock the secrets of this closed society, the investigation into Matthew�s death leads them perilously close to their own emotional wounds�and blinds them to the signs of another murder in the making. . . . Praise for Well-Schooled in Murder �George is a master . . . an outstanding practitioner of the modern English mystery.��Chicago Tribune �A spectacular new voice in mystery writing.��Los Angeles Times �A compelling whodunit . . . a reader�s delight.��Daily News, New York �Like P.D. James, George knows the import of the smallest human gesture; Well-Schooled in Murder puts the younger author clearly in the running with the genre master.��People �Ms. George may wind up creating one of the most popular and entertaining series in mystery fiction today.��The Sun, Baltimore.… (more)
User reviews
The Book Report: Inspector Thomas Lynley is called to a snobby uppercrust English school by his Old Etonian pal, now a schoolmaster in the place, to investigate the disappearance of scholarship boy Matthew Whately. All too soon comes the moment when the disappearance becomes a
In the end, of course, the proper person is brought to justice. But the wrack and ruin of all the lives that touch this murer investigation is the truly chilling part of this story. Everyone, literally everyone, in the purview of the investigation is changed by it, not always for the better. No matter how awful the fate of that first murder victim, at least he will never have to live out the rest of his life broken, exposed, pitilessly scrutinized by uncaring and unsympathetic strangers.
Odd to envy a murdered person; I suspect several of these characters end up doing so.
My Review: Time for a rant: Pedophilia is very, very awful. My mother was one, so I know firsthand. And let me tell you something...the *vast* majority of pedophiles are heterosexual men. The idea that gay guys are pedophilic is a grave misconception. A vanishingly small percentage of the men who end up in law enforcement's tender ministrations for child sex crimes are NOT straight married men. So when George uses homosexual pedophilia in her plot, it grates like a woodrasp on my already frayed nerves. /rant
Okay. Well, a lot happens in this book, and not a single bit of it is unmitigatedly good. Surprise, right? George is so well known for her sunny, cheery, cozy books! But this is unusually grim. Havers and Lynley suffer some nasty personal blows. They come face-to-face with unsettling truths about themselves, less so about each other, but absolutely every single twist and turn in this plot is believeable because George makes sure it's grounded in what the characters think and feel. It's a very, very well-crafted book. It's unsettling, as a murder mystery should be if it pretends to accuracy. It's hard at times to read, but in the end, the reader emerges with a profound belief that nothing on this EARTH could make committing a crime worth the risk...therefore it promotes the health of the commonweal. Long may Lynley and Havers investigate!
It takes considerable skill to
For once, I am not surprised that the book was considerably re-written for its outing as a television programme but, as so often is the case, the book exceeds the TV version by a fair margin. Four hundred plus pages flew by and I was more thoughtful than depressed at the conclusion.
The murder in this story is of a young boy, a scholarship boy in a British Boarding School who turns up in a graveyard miles away from the school, naked and dead. Lynley knows one of the teachers from his school days.
As the story unravels there's layers upon layers and things, while pretty predictable, are well drawn out.
This is a series I really will have to start reading. I got enough from the characters that reading things out of sequence doesn't seem to matter much but I think I may start at the beginning and work my way through things.
Not a keeper but close.
We also see some development of the regular characters, as Saint James and his wife Deborah struggle through a rough patch in their marriage, and Thomas Lynley pines for Helen, away on a greek escape. And Barbara Havers struggles to keep her home life going.
The
I also enjoyed a glimpse into the workings of an English upper-crust school along the lines of Eton, Harrow--or Hogwarts and how the old unwritten code played into the mystery of a young murdered boy--how it even ties into Lynley's own school ties since a schoolmaster involved was a schoolmate of the detective. I also continued to enjoy Havers, and how the two play off each other--the privileged golden boy aristocrat and the unglamorous working class Havers.
If there's anything I didn't care for, it's how the St James fit into the book. In the first book, it was a stretch how the couple just happened to be honeymooning near where the detectives were investigating. In the second book, I had to swallow that Lynley's love Helen just happened to be visiting in a remote Scottish manor where Lynley has been brought into investigate. In this novel, Deborah St James just happens to stumble upon the boy's body. There's also a soap opera-like plot regarding the St James that has nothing to do with the mystery and I could have done without.
Mind you, I do like that the detectives in the series have lives, and that those lives and biases impinge on their investigations. Lynley isn't some Poirot or Marple who just drops into a case and brilliantly solves it without being affected and staying the same through a dozen mysteries. I do like that--but the St James/Helen subplots feel contrived to me in the way the main mystery plot--or even Havers own circumstances do not.
That said, although I wouldn't say this measures up to the top classic mystery stories of a Christie or Tey or Sayers, stacked against the current crop of contemporary mysteries in the mystery section of the store, this series continues to be among the best.
There are numerous clever twists and turns in this mystery. You will change your mind more than once on who the real murderer is and why. If you want a fast and easy read this is probably not for you. The various plots become complex and multiple clues lead you on a path from suspect to suspect as Lynley unravels the mystery. The upper-crust school life is given an acerbic look by Havers and a conflicted one by Inspector Lynley.
This book continues to explore the personal lives of Lynley and Havers and how their social standing affects their motives in the investigation. This is a series that is best read in order. The relationship of Lynley and Havers is a complex one and grows in each book. Likewise, in my opinion, the story of Simon Allcourt St. James, his wife Deborah, and his forensic consultant, Helen Clyde, doesn't make much sense when read out of order.
Reputation is everything to the school and the old boys will go to great lengths to preserve the facade of the well-ordered academic institution. As always in a George mystery, the past plays a significant part. Blackmail and drugs and possibilities of perversion smear the walls of the school halls and something much worse may lay within the boarding rooms. No one is above suspicion, no alibi is sound enough to withstand further scrutiny, but some how our dynamic trio stop the perversion of justice that lays within the hallowed halls of education.
Furthering the complexity of the case are the old school ties between Lynley and the boy’s headmaster. They had been best of friends back at Eton. Now Lynley wonders if his being asked to investigate might be the old chum’s manner of glossing over the crime, or at least turning the focus away from himself.
The series is really starting to fully find its feet with this outing. Well written with unexpected plot twists and an ingenious finale give this a certain flair that I found missing in the first two books.
Onward into the heart of the series! After all, I’ve got no place to go for a few months and all the time in the world to get there. Remember to stay at home to held those who are woking to make the world a safer place. And be kind to one another, please.
This was… not great? The
Spoilers and angry ranting below.
On top of this, the author is hugely judgemental about premarital sex and abortion.
A key theme running through the whole book is the way pupils of public schools stick together, through a sort of unwritten honour code, that prevents them from speaking out when a classmate has done something wrong. In practice, it becomes a way for multiple characters to act like absolute hysterical idiots and the author to just shrug and go, ‘eh, they have to protect THE OLD SCHOOL TIE’.
The more I think about this, the more disgusted I am with the author. (Plus this series has been adapted for TV - I’d be curious to know what they did with this episode, because I can’t imagine
Also some of these characters are teenage boys who aren’t exactly known for sober and sensible decision making, but still.
The only thing making me want to read more of this series is the teasing hints to what’s happened in the past between the main characters. I want the backstory but I don’t trust the author not to hand up another steaming pile of shit as the centrepiece mystery.
The primary theme of the novel is
As usual, the tension between the characters of the aristocratic Inspector Lynley and working class Sergeant Havers adds to the drama of the central mystery. The trope of the upper-class detective and lower-class assistant(s) has been previously explored by classic authors such as Dorothy Sayers (Lord Peter Wimsey, who I detest), Margaret Allingham (Albert Campion, who is hit or miss), and Ngaio Marsh (Inspector Roderick Alain, who I quite like), but I think Elizabeth George does it best. Lynley's privileged position is as much of a hindrance as a help, and Barbara Havers's shoulder chip and struggles to take care of her aging parents make them both very relatable. My quibble is that Havers doesn't have a very big role in this case, and in general I prefer her to Lynley.
Throughout the novel, George's evocative writing style enriches and illuminates the narrative. The pacing does get a little tedious at times, especially with the subplot featuring Deborah and Simon St. James. I thought that whole part could have been eliminated. Also, there are a few too many twists in the plot for my taste. But even with these criticisms, I still very much enjoyed Well Schooled in Murder.