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Fiction. Mystery. Suspense. Thriller. HTML:He seems like such a nice man. You�??d never guess what was going on in his mind�?� Art history professor James Qatar has a hobby: he takes secret photographs of women to fuel more elaborate fantasies. When he�??s alone. Behind locked doors. Then one day, he goes a step further and... well, one thing leads to another. Qatar has no choice. He has to kill her. And you know something? He likes it. When Deputy Chief Lucas Davenport takes the case, he assumes it�??ll be straightforward police work. He couldn�??t be more wrong. As the investigation trail takes some unexpected turns, it becomes clear that nothing is straightforward about this killer, his victims, or his motives. And to stop him Lucas has no choice but to walk right into his lair. WITH A NEW INTRODUCTION BY… (more)
User reviews
Also, the victims weren’t really focused on. They just sort of existed as props to the story. And Lucas’ personal life took center stage too much. Sure, we have to have some domestic goings on but enough is enough with the making a baby crap. Jeez. I’m starting to lose my respect for Davenport. I used to like his casual sex and his casual existence. Now that he’s ‘daddy’, the tough guy persona is hard to take seriously. Ugh. As usual, kids ruin things!
I do think that the fall out over Ellen's actions was too minimal, but that's my only quibble with the book.
It's the one with the art historian killing many small athletic blonds, and how they catch him. I really felt for his mother, the smart old bat, as the police referred to her.
In some of the chapters, including the first, the narrator is the deranged killer. Thus the reader gets a direct insight into the mind of a psychopath.
Sanford is adept at describing the interplay among the various policemen and detectives working on the case as they try to identify the killer. Somewhat surprisingly, they focus on the actual killer as a suspect about two-thirds through the book, and then the rest of the book deals with their building the evidence for a compelling criminal prosecution. I was a little disappointed in the structure of the plot in that the final “smoking gun” of evidence is found in a manner reminiscent of a deus ex machina. This is particularly annoying in that we are often allowed into the mind of the killer, but not when he hides the key evidence.
I would characterize the book as more of a police procedure story and character study than a thriller, but Sanford does interject a bit of suspense at the end. Over all, I rate this a pretty decent read, but not the kind you just can’t put down.
(JAB)
There are two major problems with the ending to Chosen Prey. The more important one involves the woman intended to be his final victim, whom we meet at the same time as the killer, early in the novel. James Qatar has already decided to kill her when a chance remark intrigues him enough to spare her. She continues to play a significant role throughout the story and yet, as events wind down and Qatar slips his surveillance with the intention of killing her, their confrontation happens “off-screen.”
The second problem is lessened because it is preceded by the breach of faith recounted above. It still stands out. Essentially, the surprise twist is not much of a surprise.
Skill is a double-edged sword in Chosen Prey. I enjoyed most of the trip, I always enjoy the company, but disappointment remains. Rare disappointment; say one--maybe two--out of the twelve Davenport novels I’ve read to date. Not disappointment enough to keep me from recommending the novel based on its other strengths. But bear in mind that I’m a big fan and I fully expect a return to form next time out.
The suspense is in watching Davenport hunt down this very clever murderer. Davenport is not a super-cop. He works hard, thinks hard, is sometimes lucky, sometimes not. He is doggedly persistent and was quite the womanizer as well in the earlier "Prey" novels. All in all, Lucas Davenport is a constantly evolving character.