Status
Call number
Series
Genres
Collection
Publication
Description
Fiction. Romance. Historical Fiction. HTML:The first book in the Carsington Family series from award-winning romance author Loretta Chase! Alistair Carsington really, really wishes he didn�??t love women quite so much. To escape his worst impulses, he sets out for a place far from civilization: Derbyshire�??in winter!�??where he hopes to kill two birds with one stone: avoid all temptation, and repay the friend who saved his life on the fields of Waterloo. But this noble aim drops him straight into opposition with Miss Mirabel Oldridge, a woman every bit as intelligent, obstinate, and devious as he�??and maddeningly irresistible. Mirabel Oldridge already has her hands full keeping her brilliant and aggravatingly eccentric father out of trouble. The last thing she needs is a stunningly attractive, oversensitive and over-bright aristocrat reminding her she has a heart�??not to mention a body he claims is so unstylishly clothed that undressing her is practically a civic duty. Could the situation be any worse? And why does something that seems so wrong feel so… (more)
User reviews
From the start it’s clear that Mirabel is an intelligent, capable woman. All the work she does, all the responsibilities she shoulders are very evident in the book, so she’s not one of those “bluestocking” heroines who make vague references to doing math-type things, but never really do anything. She’s genuine and practical, has given up a lot to run the estate, but she doesn’t whine about it. She made her choice years ago to commit herself to this certain path, and though she’s not above missing the fun of her youth, she doesn’t turn her actions into a huge, dramatic sacrifice. Despite (or perhaps because of) being antagonists with regards to the canal, she and Alistair have great chemistry as they disagree, resist each other, and eventually work towards a solution to the obstacles that stand between them. Alistair’s reactions to Mirabel’s sartorial offenses are particularly funny and endearing.
Other reviews of Miss Wonderful are kind of mixed and I can understand how the sedate pacing of the book and its premise might be considered drawbacks. The circumstances under which the hero and heroine meet don’t particularly scream "romantic." Alistair is in Derbyshire for business, and that business is a big part of the book. It’s the plot, what brings the characters together, what everyone talks about a lot of the time. The building of the canal is tied up with the industrial revolution transforming the landscape of rural England at the time, so Miss Wonderful is not your typical balls and tea parties romance. Some might find it tedious, but I thought the author integrated these issues very well with the development of Alistair and Mirabel’s relationship. Alistair is invested in the canal venture because it’s his first chance to stand on his own and make something of himself, let alone save his brothers from ruin. Mirabel is emotionally tied to the land and has made great sacrifices for it. Loretta Chase writes so well that I was never bored with the canal business.
My only objection was the book’s descent into stereotype with the awkward introduction of a devious villain near the end, a kidnapping, the doddering old father, and the heroine’s initial determination to have one night of passion with the hero (because they can never be together) which she will hoard away for the rest of her dreary life. Even though it isn’t the best of books, Miss Wonderful was still a fun, sexy read.
There's a lot of humour and moments that really made me smile. Especially as even though they had indulged in some intimacy, they still addressed each other as Miss O and Mr C. The ancillary characters were also used very well and given full personalities.
The villain of the piece was the tiniest bit pantomimey, but that's a minor point and doesn't really detract
This story was a bit of a dissapointment. At the beginning, it was set up well and was very entertaining, but it fizzles out towards the end. She gives away her character's "secrets" (such as they are) too early, and there is no real climax to the book. It just kind of drifts in the direction it's going without any real purpose. And this was a great dissapointment, because it had a good deal of potential. Mirabel, also, was riding the line of an "Amazon" woman - one of my greatest pet peeves when it comes to women in Regency novels. She was not ~quite improper, but she certainly did not seem the least bit concerned about her reputation, which I felt to be a bit unrealistic. Alistair was a good character, but I think that he should have had some major revelation, or actually let us know what happened to him at Waterloo, rather than his major revelation being something as pitiful as admitting he was afraid. Well, duh. Also, I didn't like the sex scene right before the wedding, with them coming to their wedding all rumpled. I found it rather unrealistic that people wouldn't be absolutely horrified at that. And think that Mirabel was quite a slut.
It was a huge surprise to discover a decidedly non-cozy and complex story in which the romance between Waterloo veteran Alistair and Derbyshire heiress Mirabel almost takes second place to meticulously researched local and historical colour. Not that the romance between two such apparently mismatched protagonists isn't fascinating in itself. It is, but it never overwhelms the background story of the planning and building of a canal, in the course of which we meet a host of intriguing and eccentric characters, and a few token villains.
Ms Chase clearly did her homework in researching Matlock Spa and the Peak District, as well as the procedure for obtaining funding, approval and permission for the building of a canal or a more modern tramway or railway.
I love books that leave you not just happy and satisfied, but also a little wiser about something you didn't know too much about. This was definitely one of those books.
Grade A
Wow never read someone described so poetically "Her eyes were blue, twilight blue, and for a moment she seemed to be the beginning and end of everything, from the sunrise halo of hair to the dusky blue of her eyes." Uh, sigh. Sign me up to be waxed poetically over.
No idea how to take this book. Alistair is constantly distracted by how atrociously Mirabel is dressed, hard for me to connect with a male character so incredibly into fashion. I think it was suppose to be funny, but it just weirded me out.The author does an incredible job with her secondary characters, reminds me of Carla Kelly. Captain Hughes was awesome, I absolutely loved how he could turn anything into nautical terms.
Alistair's PTSD from the battle of Waterloo and the memories is very heartbreaking to read but the author somehow manages to keep things light and write Alistair's comments and feelings to keep the story from being weighed down in the ugliness of war. Alistair is not the typical scarred war hero, he has a calmness, lightheartedness, and unflappability to keep him from being dark.
Ok the canal business started to become tedious halfway through and I was grudgingly trying to understand its importance to the story.
Oh man the scene where Mirabel is stripping and Alistair tries to keep looking at his boots starts off funny and then shifts into "make your heart clench in your chest" when Alistair realizes Mirabel has felt ignored for so long and he final gives in and then says "I see you".
The last five or so chapters of the book were kind of boring for me. I was annoyed at how stubborn Mirabel was about the canal, which I again want to say took up way too much of the story and the Caleb Finch villain who kidnapped Mirabel's dad seemed like an unnecessary part to add. Mirabel and Alistair's relationship lost some of its spark and I just think the story could have wrapped up sooner. There are some great funny and heart clenching moments throughout but because of the canal and ending not a keeper.
B-
Their banter is one of the best parts of this book. They really are a wonderful pairing in a very smart story. I also liked seeing the setting in Derbyshire, a lovely area of England neglected by a lot of historical writers. I was happy to read this book again and will continue to reread the entire series.
This story was a bit of a dissapointment. At the beginning, it was set up well and was very entertaining, but it fizzles out towards the end. She gives away her character's "secrets" (such as they are) too early, and there is no real climax to the book. It just kind of drifts in the direction it's going without any real purpose. And this was a great dissapointment, because it had a good deal of potential. Mirabel, also, was riding the line of an "Amazon" woman - one of my greatest pet peeves when it comes to women in Regency novels. She was not ~quite improper, but she certainly did not seem the least bit concerned about her reputation, which I felt to be a bit unrealistic. Alistair was a good character, but I think that he should have had some major revelation, or actually let us know what happened to him at Waterloo, rather than his major revelation being something as pitiful as admitting he was afraid. Well, duh. Also, I didn't like the sex scene right before the wedding, with them coming to their wedding all rumpled. I found it rather unrealistic that people wouldn't be absolutely horrified at that. And think that Mirabel was quite a slut.
So apart they were bland and together even more so. I didn't really see why either of them liked the other and the chemistry between them was non-existent. And there was very little plot to occupy 300 pages. I did like Alistair's solution to the canal problem