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In a critically acclaimed memoir, a correspondent for The New York Times recounts growing up in the Alabama hill country, the son of a violent veteran and a mother who tried to insulate her children from the poverty and ignorance of life. This haunting, harrowing, gloriously moving recollection of a life on the American margin is the story of Rick Bragg, who grew up dirt-poor in northeastern Alabama, seemingly destined for either the cotton mills or the penitentiary, and instead became a Pulitzer Prize-winning reporter for The New York Times. It is the story of Bragg's father, a hard-drinking man with a murderous temper and the habit of running out on the people who needed him most. But at the center of this soaring memoir is Bragg's mother, who went eighteen years without a new dress so that her sons could have school clothes and picked other people's cotton so that her children wouldn't have to live on welfare alone. Evoking these lives--and the country that shaped and nourished them--with artistry, honesty, and compassion, Rick Bragg brings home the love and suffering that lie at the heart of every family. The result is unforgettable.… (more)
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My mother and father were born in the most beautiful place on earth, in the foothills of the Appalachians along the Alabama-Georgia line. It was a place where grey mists hid the tops of low, deep-green mountains, where redbone and bluetick hounds flashed through the pines as they chased possums into the sacks of old men in frayed overalls, where old women in bonnets dipped Bruton snuff and hummed "Faded Love and Winter Roses" as they shelled purple hulls, canned peaches and made biscuits too good for this world. It was a place where playing the church piano loud was near as important as playing it right, where fearless young men steered long, black Buicks loaded with yellow whiskey down roads the color of dried blood, where the first frost meant hog killin' time and the mouthwatering smell of cracklin's would drift for acres from giant bubbling pots. It was a place where the screams of panthers, like a woman's anguished cry, still haunted the most remote ridges and hollows in the dead of night, where children believed they could choke off the cries of night birds by circling one wrist with a thumb and forefinger and squeezing tight, and where the cotton blew off the wagons and hung like scraps of cloud in the branches of trees.
Bragg, in his Prologue, states:
This is not an important book. It is only the story of a strong woman, a tortured man and three sons who lived hemmed in by the thin cotton and ragged history in northeastern Alabama, in a time when blacks and whites found reason to hate each other and whole lot of people could not stand themselves.
Bragg writes very well. Clean, direct, declaratory language, but with strong descriptive powers, and an ability to reach beyond, to place human tragedy in a broader context, to see the threads, the hopes and fears that connect us all as human beings, regardless of class, race, power, money. He grew up hard, in a hard world of the poor white class, and by his own admission carried a huge chip on his shoulder for many years. He was the most "successful" of the three boys, driven by an ambition, and an ability to write and, he would be the first to admit, good luck. The memoir is an honest one in terms of Bragg's own faults: his inability to form any lasting relationship with any woman, and his touchiness based on a suspicion that it was all too good to be true and could turn to dust at any moment, just like the workers in the textile mills at home who would see a steady job and a regular pay check disappear in layoffs. It is also a story about him coming to terms with his father, who abandoned his young, uneducated wife with three small children and who was never a father to the boys. It is a very human, honest, well-written story of a group of lives that, as Bragg himself says, could be told by any number of people. It compares very well with two other popular memoirs that I've read: Angela's Ashes and The Color of Water. Interesting, but not surprising, that in all three books, it is the mother who is the central pillar of strength, who sacrifices herself and her own comfort but never her principles, and who keeps the family together and motivated.
Bragg's focus is on his strong and yet victimized mother. The only nagging thing that bothered me is
I will read his other books because the writing is so crisp and clean.
I dunno, I prefer humility in writers. Self promotion is an instant turn off so this was not a 4-5 star book for me.
This memoir is heart-wrenching to say the list. The poverty of people in Alabama—as bad as it was—was still not as bad as the African-Americans in the same time and place. Rick Bragg’s story is of his long-suffering mother, Margaret, and his brothers Sam and Mark. Charles, the father, was an alcoholic, who appeared in and out of the lives of his family. He never offered any help to the wife and children, and only occasionally saw his sons. Bragg writes, “Anyone could tell it who had a momma who went eighteen years without a new dress so that her sons could have school clothes, who picked cotton in other people’s fields and ironed other people’s clothes and cleaned the mess in other people’s houses, so that her children didn’t have to live on welfare alone so that one of them could limb up her backbone and escape the poverty and hopelessness that ringed them, free and clean” (xii). Bragg claims, “This is no sob story. While you will read words laced with bitterness and killing anger and vicious envy, words of violence and sadness and, hopefully, dark humor, you will not read much whining. Not on her part, certainly, because she does not know how” (xiii). This is a portrait of one of the strongest women I have ever read about much less encountered.
Bragg also mentions the plight of African-Americans as well. He writes, “White people had it hard, and black people had it harder than that, because what are the table scraps to nothing? This was not the genteel and parochial South, where monied whites felt they owed some generations-old debt to their black neighbors because their great-great-grandfather owned their great-great-grandfather. No one I new ever had a mammy. This was two separate states, both wanting and desperate, kept separate by hard men who hid their faces under hoods and their deeds under some twisted interpretation of the Bible, and kicked the living [crap] out of anyone who thought it should be different. Even into my own youth, the orange fires of shacks and crosses lit up the evening sky. It seems a cliché now, to see it on movie screens. At the time. It burned my eyes” (4-5). As I read this passage, I recalled the all too recent image of white supremacists marching with torches, shouting racial epithets.
Rick Bragg’s bitter portrayal of poverty in the deep south is heart-wrenching and difficult to turn away. It proves the axiom that when some people are oppressed, many others are likewise. Racism is a cancer we must eradicate. All over but the Shoutin’ is a story only the most hard-hearted can ignore. We will never have justice or peace, until everyone knows justice and peace. 5 stars.
--Jim, 1/15/18
I love Rick Bragg's writing, but his story is just a little bit too 'me, me, me' to feel comfortable while reading it. That may sound like an odd objection to a memoir, but the pride in his family and his people that shone through in 'Ava's Man' is somehow tainted here by the way Bragg regurgitates his Pulitzer Prize winning news stories and leaves his long-suffering mother behind in Alabama. Neither his pride nor his modesty are misplaced - he admits to being selfish and driven by his own personal demons to succeed - but it does get tiresome after a point. His early childhood with Abigail (Ava) and his brothers is the best part, mixing Bill Bryson with 'The Grapes of Wrath'. After that, I would have lost interest, but for the occasional narrative gem. I don't know why, but this exchange with a laconic fishing guide named Jimmy had me in stitches: 'I've et dog,' he said, unsolicited. 'Why?' I asked. 'It was in my yard,' he said, and that was it for a while. I am not making any of this up.' Like his grandfather Charlie, Bragg can tell a good story with comic timing. He can also convey honest emotion in his journalism, and I must admit I was nearly brought to tears on a couple of occasions, too.
It's the way he tells 'em.
He also has a wonderful story to tell. Brought up in a poor family, and not a particularly good student, he found an outlet in writing and turned it into a career -- eventually winning a Pulitzer prize for journalism.
Definitely worth reading
Bragg's sincerity, charm, and wit - on full display during his talk - is doubly prevalent in his memoir about growing up in the South. But his memoir is about so much more than that; it's about the people and a place that you can never fully leave, even when you're in another country writing newspaper articles about the horrors you witness. Bragg frames his memoir around his "momma", a strong, sacrificing woman who did not leave her Alabama town until she accompanied Bragg to his Pulitzer Prize dinner (and you best believe I got teary-eyed at that bit).
There's so much to like about this book and I can go on and on about its merits, but instead I'll just encourage everyone to give it a read. I can think of no better way to try to understand what it means to be a Southerner than to read this book. Amazing, heartbreaking, lovely.
Read more on my blog: Barley Literate by Rick
Back Cover Blurb:
This haunting, harrowing, gloriously moving recollection of a life on the American margin, is the story of Rick Bragg, who grew up dirt-poor in northeastern Alabama, seemingly destined for either the cotton-mills or the
But at the center of this soaring memoir is Bragg's mother, who went eighteen years without a new dress so that her sons could have school clothes and picked other people's cotton so that her children wouldn't have to live on welfare alone. Evoking these lives - and the country that shaped and nourished them - with artistry, honesty, and compassion, Rick Bragg brings home the love and suffering that lie at the heart of every family. The result is unforgettable.
I'm not able to do this one justice, but it's marvelous.