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Fiction. Romance. HTML: Dumped by her boyfriend and demoted from WBBB's prime-time spot, radio producer Allie McGuffey has nowhere to go but up. She plans to make her comeback by turning temporary DJ Charlie Tenniel into a household name. And if he's willing to help cure her breakup blues with a rebound fling, that's an added bonus. Charlie just wants to kick back, play good tunes and eat Chinese food. He's not interested in becoming famous. But he is interested in Allie. And after all, what harm is a little chemistry between friends? But suddenly their one-night stand has become a four-week addiction. Night after night on the airwaves, his voice seduces her...and all the other women in town. He's a hit. It looks as if Charlie's solved all Allie's problems...except one. What is she going to do when he leaves?… (more)
User reviews
Instead, I found out how it's not supposed to be written.
Okay, in all fairness the book itself wasn't all that bad. To give Crusie credit, I really did enjoy her writing style and her voice. My main problem was that there was no development of the love relationship between Charlie and Allie. It was basically a case of boy and girl meet cute, boy and girl fall instantly into lust and sleep together the first night, some conflict comes up, and then one minute they're in love with each other and yet I as the reader have no idea why they love each other.
Call me crazy here, but part of the appeal of romance is seeing the romance develop, experiencing the entire act of falling in love with someone--from the first time the heroine meets the hero to the first electrifying kiss to the first time they end up in bed together to the end when they finally admit they love each other. Those are the Big Parts. The Important Parts. The things every romance writer knows she must have in her book.
But it's the little things in between the Big Parts that really make the story, that really develop the characters and the relationship between them. And for me, those little parts are the real meat of the story. We all know the characters are going to end up together, it's the HOW they end up together that's so interesting. And for me, the HOW was definitely missing a little bit of meat.
Basically, after meeting each other and sleeping together the first night (and after Charlie gives Allie the cliched "first ever orgasm with someone other than herself"), they continue to sleep together while being in a working relationship--literally. See, Charlie's the new DJ at the radio station Allie works at, and she's been demoted to his producer since her ex boyfriend has decided his new girlfriend (and Allie's protege) would be a more fitting producer for his self-obsessed morning show. Stuck in the night time slot, Allie tries to make the most of it, and is determined to make Charlie the Next Big Thing in their sleepy little town. Charlie, however, wants none of that since he's only in town to help solve a mystery for the station's owner.
After a heated argument regarding the battle of the sexes, Charlie and Allie decide to stop having sex and to actually become...wait for it...friends. Yeah, they decide now might be a good time to get to know each other (and again, in all fairness, sometimes the urge does overtake you and you sleep with someone without really knowing them). While this is all well and good, and actually makes sense, the problem is that I saw none of the "getting to know you" stuff. Instead, I read scenes where Allie would discuss the situation with her best friend (who's the station's accountant and her roommate) and tell HIM all the things that were so great about Charlie and how they were spending so much time together and getting to know each other so well... And I kept finding myself paging back, trying to figure out if changing time zones had somehow caused entire parts of the book to be lost in some weird space time continuum warp or something or other (I was flying from Dallas to San Diego while reading this). But nope, I hadn't missed anything.
It's a peeve of mine, I'll admit, but I also think it's lazy writing to tell rather than show, especially when the thing you're telling is the most important part of the story.
Don't get me wrong, I liked the characters. And like I said earlier, I really enjoyed Crusie's writing style and her voice, it just irked me that more attention wasn't given to the development of the romance between Allie and Charlie. I didn't want Allie and Charlie telling me why they loved each other, I wanted to SEE why they loved each other.
Overall, I wouldn't say this was a bad book, just highly disappointing. I will be fair, though, and give Crusie another chance. If she does this to me again, though, I will be more than happy to stick to the other Queen of Romantic Comedy*.
*SEP does not call herself this, but rather it is the humble opinion of this reviewer.
But the love scenes were on the awkward side and for most of the story, especially the ending, I had the feeling as if I was missing parts of the story.
I am one of those people who can’t sleep on a plane no matter what. How sad for me that I’m on so many red-eye flights! Of course, I’m not really all that coherent either, so I can’t bring along anything too challenging to read. On a recent flight, I packed
The novel itself is a light romantic comedy about a DJ on the late-night shift and his female producer. There are all sorts of subplots, but I can’t muster the enthusiasm to write a synopsis. I’ve enjoyed Crusie’s work in the past, but this particular story started out dumb, moved on to contrived, and traveled downhill from there. The plot got more and more silly—not funny, silly—and the behavior of the characters was simply unbelievable. Oh, I finished the book, but not even the ending was all that satisfying. As you can see, I was pretty “meh” about the whole experience. Unhappy skies for me!
Hot, sexy, and humorous, Crusie sets another couple at each others' throats (and buttons) in another trademark fast, fluffy read.