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Young Adult Fiction. HTML: The Weetzie Bat series, by acclaimed author Francesca Lia Block, was listed among NPR's 100 Best-Ever Teen Novels. This collection brings together the five luminous novels of the series: Weetzie Bat, Witch Baby, Cherokee Bat and the Goat Guys, Missing Angel Juan, and Baby Be-Bop. Spinning a saga of interwoven lives and beating hearts, these postmodern fairy tales take us to a Los Angeles brimming with magical realism: a place where life is a mystery, pain can lead to poetry, strangers become intertwined souls, and everyone is searching for the most beautiful and dangerous angel of all: love. The Weetzie Bat books broke new ground with their stylized, lyrical prose and unflinching look at the inner life of teens. The New York Times declared Dangerous Angels was "transcendent." And the Village Voice proclaimed "Ms. Block writes for the young adult in all of us.".… (more)
User reviews
Block takes stories and distils them down to their essence, slight images and words that
These fairy tales don't end with happily ever after, they end with life - life that will be happy and sad, easy and difficult, but life that has to be lived. Again and again we see love, between families, friends, lovers, and the risks we have to take to experience love, and the joys and pain it can bring.
Just splendid.
This book follows Weezie Bat's family. Each book is done from a different character's point of view. More than anything the books
What makes this book different and special is the way it is written. Block throws in so many crazy ways of describing things that it will leave your mind reeling. She tries to explain the taste of a picture, the sound of a smell, the texture of a sight. The novels are decadent purely because of the descriptions...there is so much glitter, so many feathers, petals falling, raindrops touching. With her descriptions Block turns LA into a fantasy world where one doesn't really exist. She uses this over-describing to give her characters personality. Weezie Bat is full of sunshine and everything she touches seems to turn to gold. Baby Witch is dark and chaotic and when she tells the story it is in shades of grey.
Overall I thought these were unique and interesting stories. They weren't what I expected. The characters didn't have a goal or a plot to follow, outside of obtaining their own happiness. Unfortunately like a really rich dessert, the decadent descriptions and frivolous characters started to be too much. By the end of the book, I just wanted to be done with it. The lack of a plot, the characters inability to make anything other than rash emotional decisions, and the amount of time it takes for Block to describe anything started to bug me. I know that these characters are supposed to be teaching life lessons, but they just seemed very immature. And though I enjoyed the novelty of Block's writing in the beginning, by the last story I was sick of it. I would imagine Block's books are something best taken in small doses.
Will I read another book by Block? Probably not, unless I am in the mood for something over the top, decadent, and wandering.
There's an air of era to this book, but in a mixed-up all-eras way. There are so many references to different eras and cultures, it smooths over the fact that these books were written a while ago.
The stories
This really is a book of love. The lyrical and mystical stories deal with real-life issues; they sing the songs in our hearts, crying with tears of sorrow and of joy. Colourful and imaginative, descriptive
The five stories are Weezie Bat - a short story that introduces the main characters in the story and their relationships with each other. Witch Baby which explores one of the children; Cherokee Bat and the Goat guys is about what happens when the parents go to make a film and the kids get involved in a band with some magical items. Missing Angel Juan is about Witch baby following her love Angel Juan to New York and finding that maybe letting go is true love. And Baby Be Bop is about Dirks' past.
Overall, it is interesting and I could see where it would influence me if I was younger but I think I was a little spoilt by the hype.
These stories are beautiful and magical.
It’s hard reading this as an omnibus because the first three books—Weetzie Bat, Witch Baby and Cherokee Bat and the Goat Guys —are incredibly weak. I do think Francesca Lia Block’s a fantastic writer, and there’s some beautiful descriptions throughout the whole series. But the first three volumes don’t do anything for me. There’s really not much to the plot and characters and a lot of the narration reads as “And then this happened. And then this happened.” It can be pulled off, but it doesn’t really work here. I also don’t like the strong emphasis on the magical aspect. There are moments of darkness sprinkled throughout the whole series, but it feels like Block has to shoehorn this fairyland of Hollywood glamour where nobody hurts. It’s part of the reason why I liked Missing Angel Juan the most, as it’s the only story to actually have its characters confront the darker aspect of the real world. With Weetzie Bat and most of the other characters, I feel like none of them ever progressed beyond the emotional age of nine years. Witch Baby feels like the only character who grows throughout the series, and the only who’s willing to leave said fairyland of Hollywood glamour. The thing I’ve liked about Block’s other books is that she’s able to blur the line between fantasy and reality a little more, and not this very overt “MAGIC MAGIC MAGIC.” And also, her dialogue feels so unnatural to me. Maybe it’s because I don’t live in SoCal in the late eighties, but I don’t get the feeling people actually talk like Weetzie and her friends. And sometimes, the slang feels like it’s saying, “Pfft, you can’t keep up with our slinkster-cool talk, you lanka.”
I really wanted to love these books, but I just couldn’t get into the story right away, which really lessened my enjoyment of the volumes I did like. And then I feel disappointed in myself because I don’t know if I’m missing something and I feel like an idiot. I don’t know.
I read all the Weetzie Bat books during one summer in college ... I think it's about the only fond memory I have from that summer!
I gave this book a 3P by current standards. I think that there were times that this may have warranted a 5P, especially when it was fresh, new, and radical. I think that there is still an audience for it today, but not as large with other things more on teens’ minds. I would risk recommending to any teen that had recently read and loved Melissa Marr’s "Wicked Lovely" series.
I assumed the ultimate goal of these stories was to raise awareness in young adults about homosexuality and other issues. I also
I coudln't handle the juxtaposition or the use and disuse of consonants in random places. If you are a young adult who usually only focus on the story than this would be an excellent book for you, if you need deep rich writing, perhaps not.
Weetzie Bat:
This one was far better than I remembered. This was my fourth reading, and I enjoyed it as much now as I did the first time. Block is a daring, unconventional author who manages to evoke a
I highly recommend this, but it's definitely not for everyone. Block's writing is disjointed, and it can be difficult to get a sense of the story's chronology. She also disregards many technical rules in order to create particular effects. Those with an interest in surreal stories and magical realism are most likely to enjoy this. People who prefer their books a bit more linear and grounded probably won't like it. (4 stars)
Witch Baby:
I'd read this twice before, and while I found it interesting enough it never really spoke to me. It did this time through, and in a big way. I think I'm finally in the perfect place to really understand Witch Baby.
Block does a wonderful job of fleshing out this misunderstood soul who feels like an outsider within her own family. Witch Baby's situation came alive for me. I could feel the tension between her and the others, and I could see what drove her to act as she did. The book was a beautiful portrait not only of this one character but of unconventional family life as a whole. I found it deeply affecting.
It affected me on such a personal level, in fact, that I'm not sure I can write a proper review for it. Suffice it to say that it meant a lot to me. The book finally clicked. (4 stars)
Cherokee Bat and the Goat Guys:
While I enjoyed Witch Baby quite a bit more the third time through, Cherokee still didn't really do it for me. The book is much more linear than the previous two; there are clearly defined scenes that flow into one another with a definite sense of chronology, compared to the fragmentary approach Block used in the first books. There's quite a lot of buildup, and the metaphors are more obvious. It made for an enjoyable read, but not a truly affecting one. My favourite thing about Block is the way that she layers events and lets the reader determine what they mean to her. I didn't feel as though this book allowed me to become as involved as I did with Weetzie Bat or Witch Baby, and my enjoyment suffered because of it.
I sound like I didn't enjoy it. I did. It just suffers in comparison to the rest of the series. (3.5 stars)
Missing Angel Juan:
The story has a wonderful immediacy. Block uses first person present tense, which draws the reader straight into Witch Baby’s head and lets her live the story alongside the protagonist. There’s some gorgeous imagery as Witch Baby wanders the streets of New York, following Angel Juan’s trial and hobnobbing with her ghostly almost-grandfather. I couldn’t put it down the first time through. I felt everything Witch Baby felt. I went everywhere she went. Her search became my own. I emerged from the book in tears, certain that this was my favourite of the Weetzie Bat books.
I still gloried in the imagery this time through, but I found it difficult to sink all the way in. I’d be hard into the story, then a stray idea would shove me right back out again. Block gets rather abstract at times; when you’re involved with the story, it’s easy to glide right over these bits, but when you’re hovering slightly above the action they come across as much more vague and distanced.
Perhaps this is the sort of story that means more when you don’t know how it ends. Since I already knew where Witch Baby’s quest would lead here, I didn’t have that desperate need to see my worst fears confirmed or denied. Or perhaps I’ve reread it at the wrong time. Either way, it didn’t mean as much to me this time through. I could appreciate Witch Baby’s journey in an intellectual sense, but she didn’t speak to me as she once did. (3.5 stars)
Baby Be-Bop:
This one still did.
It's just gorgeous. Block's very best books illuminate her characters' inner lives in such a way that the reader can instantly relate to them, and I think this might be the best one of all.
There's so much to love. Dirk is an easy character to relate to; while not every reader will have dealt with the same issues he tackles here, I doubt there are many people who couldn't relate to his desire to find acceptance and love. Block handles these themes beautifully, and she dresses the whole package up in some of the nicest imagery around. Her vision of Los Angeles is a treat, as always, and some does some amazing things with Dirk's family stories.
I can't recommend it highly enough. And since it's a prequel, you don't have to have read the rest of the series in order to get something out of it. (4.5 stars)
Longer reviews of both Missing Angel Juan and Baby Be-Bop are available on my blog, Stella Matutina.