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An instant New York Times bestseller--from the award-winning author of the Graceling Realm series--about adventure, grief, storytelling, and finding yourself in a world of seemingly infinite choices. "A wild gift for readers who like books that take them to unexpected places."--Melissa Albert, author of The Hazel Wood Jane has lived a mostly ordinary life, raised by her recently deceased aunt Magnolia, whom she counted on to turn life into an adventure. Without Aunt Magnolia, Jane is lost. So she's easily swept away when a glamorous, capricious, and wealthy acquaintance from years ago asks Jane to accompany her to a gala at the extravagant island mansion called Tu Reviens. Jane remembers her aunt telling her: "If anyone ever invites to you to Tu Reviens, promise me that you'll go." What Jane doesn't know is that the house will offer her five choices that could ultimately determine the course of her life. One choice leads Jane into a heist mystery. Another takes her into a spy thriller. She finds herself in a gothic horror story, a space opera, and an extraordinary fantasy realm. She might fall in love, she might lose her life, she might come face-to-face with herself. Every choice comes with a price. But together, all the choices will lead her to the truth. One house. Five choices. Limitless possibilities. Read Jane, Unlimited and remember why The New York Times has raved, "Some authors can tell a good story; some can write well. Cashore is one of the rare novelists who do both."… (more)
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Cashore has written five books in one, because each of Jane's possible choices leads her to a different style of story: mystery, thriller, horror, science fiction, and fantasy. And yet, each story builds on and intertwines with the ones before, so that the reader can put together the details and solve all of the mysteries by the time Jane reaches the satisfying end of the final story.
This is nothing like Cashore's Graceling trilogy, but don't let that put you off! It owes a debt (as Cashore acknowledges in her author's note) to Rebecca and Jane Eyre. I'd also recommend it to those who enjoyed E. Lockheart's We Were Liars. But really, I think just about anyone will find something to like in this fascinating amalgam of genres.
Jane has a simple but lonely life. Her aunt’s death compounds her loneliness, but she accepts an invitation to go to Tu Reviens when her former tutor, Kiran, invites her. Her aunt insisted that if an invitation were ever to be
The novel has six parts. After the first part, each subsequent selection is another way Jane’s life could go if she makes a different decision. Each section, however, ends the same way--with possibility. In each part, the reader learns different things about the people in the house--their secrets--and/or about a news story where some children are missing after their parents tried to rob a bank.
One of my favorite novels is Fire by Kristin Cashore. I was so excited to read this new novel by her, but I was terribly disappointed. The first half of the novel would be mystery, I guess, and the last part science fiction, which really threw me off. I had to make myself pick up the book. I didn’t like having different stories--I want a linear story to go from beginning to end. To me, the novel never ended. It was just the same ending in each part, which isn’t an ending. You think, “Okay, it’s getting interesting. What will happen next?” That’s when we get another version of what could have happened. Where each section ends doesn’t finish, so when the final section ended, I didn’t feel like the novel was complete. I didn’t care for the characters, particularly. No one seemed redeeming. It’s just a house of chaos--characters running about a house and keeping secrets. I honestly don’t know who I would recommend this novel to--it did not appeal to me at all. I won’t be ordering it for the library.
The island, which is solely owned , and its house and occupants are all a mystery.
The book begins with a general description of
Having made it through 1 1/2 alternatives, I couldn't go on. The book is too long and the premise is a bit shaky, at best. I was hoping for more from Kristen Cashore. Oh well.
This book was so much fun. Riffing on both the ideas of the multiverse with hints of a choose your own adventure, Cashore creates a novel whose different pathways feed off each other in ways that are sure to delight regular readers of fantasy or sci fi as well as those who just enjoy Cashore's writing. Playing with different genres in different timelines, there's a little bit of everything in this novel, which as noted in the author's final end notes was heavily influence by both [Rebecca] and [Jane Eyre], although familiarity with those texts isn't required to enjoy the novel. A fun exploration of how our decisions make us who we are, this is a delightful novel that I'll be recommending all over the place.
Jane, devastated when her Aunt Magnolia, an underwater photographer, dies during a trip to Antarctica, fails biology and drops out of college. An old acquaintance, Kiran Thrash, finds Jane miserable and working in the college bookshop, and invites her to Tu Reviens, the Thrash family’s island mansion. Tu Reviens is preparing for the spring gala and Jane quickly has unanswered questions about the goings-on of the family, the other guests, the servants and even the basset hound. There’s missing artwork, a missing child, a missing stepmother… And why did Aunt Magnolia make Jane promise to never turn down an invitation to Tu Reviens?
There’s a point in the story where Jane has to decide which mystery to pursue first. What follows is a series of possible adventures, in which Jane makes a different choice and uncovers different secrets. Each is stranger than the one before, each a different genre.
I loved them all - with the notable exception of the third one, a horror story involving a creepy library, a warped copy of Winnie-the-Pooh and Beatles songs. I suspect I found it all the more disturbing, because it took things I love and twisted them. Or maybe I would have been disturbed by it no matter what it twisted? Horror is NOT my genre. It was the only point where I regretted listening to the audiobook, because I couldn’t just skim-read through it.
Each of these stories is a different genre, but as the novel continues, it becomes possible for the reader to see how, often unbeknownst to Jane, the other stories are going on in the background. Even if sometimes they unfold very differently if Jane doesn't become involved. (Fortunately the horror-element is pretty much limited to the third story.) And as each unfolds, different sides to the characters are revealed - which can be fascinating and surprising.
Although each story is different, Jane continues to be Jane. She wears Doctor Who pyjamas and quotes Winnie-the-Pooh and makes unusual, handmade umbrellas. She is immediately connects with Ivy, one of the servants, and Jasper, the basset hound. She grieves for her Aunt Magnolia.
This is a highly usual story, full of surprises and characters I cared about. It's compelling and I'm really am glad I read it (in spite of the horror).
Christopher Robin and Winnie-the-Pooh set out to sea once in an umbrella, Jane remembers. During a flood, to save Piglet.
Maybe, she thinks to herself, she should take her umbrellas down to the water, turn them upside down like boats, and send them off on the waves, carrying nothing. Maybe if they carried away all the nothing, she’d be left with something.
A note on the audiobook: The only downside is that you don’t get the maps of the house, and this was the sort of story where I really wanted to consult the maps. But I found an online preview of the book which included the maps easily, so that worked out. Floorplans! I love floorplans for fictional buildings!
This structure is fascinating to me, creative and a lot could be done with exploring it, but I have a lot of issues with Cashore's execution which led to me rating this novel with only two stars.
First, I don't understand why each choice leads to a different genre. The first two are a mystery and a spy thriller, but the other three are horror, science fiction, and fantasy. So the last three are much, much harder to be believable are happening in the background of the other plots, especially the horror plot which involves
Second, I don't think Cashore does a good job in representing each genre. Short fiction doesn't seem to be a strong suit of Cashore's, but each of these multiverse stories is, essentially, a short story which does not entirely belong in the genres they represented. For instance, in the first plot, the mystery, one of the generic requirements of the mystery genre is that the reader is left with enough clues in order to solve the mystery on their own, so at the end you have one of those "I should've figured that out!" moments, or the delight of having outsmarted the detective. Jane is not a good detective and she fully admits her conclusion to the mystery basically comes from intuition. There are similar problems in each of the other genres as well. Cashore attaches a large number of the trapping of certain genres to her plots--spaceships in the science fiction plot, magic in the fantasy plot, spies in the spy thriller, stolen valuable goods in the mystery--but does not seem to really understand how these genres fundamentally function.
Third, although the novel's trajectory hinges on Jane's choice she doesn't make a lot of active choices; her choice is ultimately who to follow and which plot to watch unfold. Although she does make some active choices along the way, she is a fairly reactionary character. I found myself much more interested in other characters--especially Kiran--than in Jane. She sort of fades into the background as only a conduit for the reader to observe. Cashore says on her blog that she originally wrote this in second person as more of a choose-your-own-adventure and that presents, to me, even more problematics, of turning a living human being into a tool for her story, not just paper and ink people.
I love Cashore's other books (the Graceling Realm trilogy) and have even written about them in my academic career, so I was disappointed that this new offering from her was not more fleshed out. I think she is an imaginative writer, but I think she needs to still hone her craft more.
Jane has been living knowing her Aunt Magnolia would never come back for a
Cashore had me hooked with the art heist and spy twist but after the third retelling of the same characters and backgrounds, it felt like I was reading some type of fanfiction AUs. Don't get me wrong, I LIVE for fanfiction but only if they're of my already favorite fandoms featuring my favorite characters. Jane was not one of them I'm afraid so I lost interest.
There's a lot of good stuff in this book. Little bits and pieces from each story tell the whole picture so it was fun picking them up along the way. If you want some diversity this one would be perfect for you. The AU with the talking dog was super cute. When it got too much for me to finish I found the audiobook in my local library and it was read by Rebecca Soler and she always delivers. I never got into The Graceling hype so I wasn't expecting much from this book and while I wouldn't recommend this book I still wouldn't tell anyone to steer clear from it.
I won this advance reading copy through Goodreads so thank you to the publisher and I'm sorry I didn't like it more.
Jane is endearing and stubbornly funny. Her umbrella artistry is fascinating. Her adventures in Tu Reviens are multiple and vary in their degree of happiness -- I've decided to go with the first or the final possibilities, because they make me happiest, but I also long to know how some of the scenarios might continue to play out after the first choice is made, because surely Jane doesn't forget all the other things altogether? Is she aware as the choices are mapped out? Does she choose? Kiran's experiences seem to indicate maybe yes. And that is why I love Kristin Cashore -- implications and explorations without making all the decisions for the reader, and with a cunning illustration of mirror universes. Nicely done.