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Fantasy. Fiction. Literature. Moored in a coastal fishing town so far north that the highways only run south, the unnamed narrator of The Seas is a misfit. She's often the subject of cruel local gossip. Her father, a sailor, walked into the ocean eleven years earlier and never returned, leaving his wife and daughter to keep a forlorn vigil. Surrounded by water and beckoned by the sea, she clings to what her father once told her: that she is a mermaid. True to myth, she finds herself in hard love with a land-bound man, an Iraq War veteran thirteen years her senior. The mesmerizing, fevered coming-of-age tale that follows will land her in jail. Her otherworldly escape will become the stuff of legend. With the inventive brilliance and psychological insight that have earned her international acclaim, Samantha Hunt pulls listeners into an undertow of impossible love and intoxication, blurring the lines between reality and fairy tale, hope and delusion, sanity and madness.… (more)
User reviews
The lyrical and spellbinding story is narrated by a 19 year-old girl (she does not seem anything like a woman) whose father drowned himself 11 years earlier and who thinks that he is still alive in the sea and that she is a mermaid. The novel is amazingly inventive with whimsical wordplay and imagination from beginning to end, telling the story of the girl's increasingly precipitous descent into her own world as she pursues a relationship with an emotionally damaged older man who returned from the war in Iraq.
Ultimately as much as one wants to believe that her father still loves her, that the older man knowingly sacrificed himself for her, that the blue lights following her car as it speeds along are the ocean and not the police, Hunt makes it nearly impossible and it is hard to escape the tragic conclusion that this is a sympathetic portrait of a wonderfully inventive but ultimately deeply depressing insanity, not a beautiful fantasy of a girl who is protected by her merman father who lives an enchanted life in otherwise dreary surroundings.
Samantha Hunt also wrote The Invention of Everything Else, a fictionalized account of the last days of Tesla as he befriends a chambermaid, which is also a window into madness and very highly recommended. Looking forward to more books by her.
A major theme in The Seas is unrequited love. For example, our narrator is in love with Jude, a Gulf War veteran who was 13 years older than her. Jude would hang out with her, protect her at times, but never date her. Jude was emotionally scarred, and he drank heavily and screwed around to hide his issues. The narrator's mom also was caught up in unrequited love. She finally met the man of her dreams, married and bore his child, before he took a walk into the water, Virginia Woolfe-style. The tiny glimpses of their marriage showed us their uneven romance, which lived on long after the dad's disappearance.
The Seas is not your ordinary little book. It's humorous, enchanting, troubling and depressing. While the narrator's delusions of being a mermaid were quaint, at the same time, you wish someone would help her. While you knew Jude was bad news, you hoped he would pay attention to the narrator. This tumbling combination of feelings makes The Seas as quirky and wonderful as its characters.
The best way to make a recommendation would be this: if you liked Little Miss Sunshine, then you will probably like The Seas. Just like the movie, this book won't be for everyone.
1. I was drawn to this book because I liked Hunt's contribution to Tin House's Fantastic Women issue, a short story entitled "Beast." I spent the first hundred pages of The Seas wishing she had stuck to the shorter format--it is repetitive in a way that is not especially
2. Isn't it just the height of preciousness to make all these allusion to Language and its Importance but never really go anywhere with them? Oh, her mother grew up on an island full of deaf people, and her grandfather is a typesetter. Well, fabulous. Maybe I just need to pay more Attention so I can Understand Better. I do enjoy all the visceral images of ears in the book, notably when the mother tries to catch deafness by pressing her ear to her friend's, and when the heroine finally tastes Jude's earwax. Mmm.
3. This book is clearly inspired by two songs I loved as an adolescent, which are good songs but probably inspire a lot of girls did who grow up to write novels based on fairy tales, which is endearing but potentially trite. To wit: "The Ocean" by Dar Williams* and "Silent All These Years" by Tori Amos.**
*I wanted to show you that I was more land than water...
It's where we came from, you know, and sometimes I just want to go back
After a day, we drink 'til we're drowning, walk to the ocean, wade in with our workboots...
You don't know how I am the one
**what if I'm a mermaid?
The supernaturally inflected, often dream-like story describes her troubled friendship with a local
The lyrical and spellbinding story is narrated by a 19 year-old girl (she does not seem anything like a woman) whose father drowned himself 11 years earlier and who thinks that he is still alive in the sea and that she is a mermaid. The novel is amazingly inventive with whimsical wordplay and imagination from beginning to end, telling the story of the girl's increasingly precipitous descent into her own world as she pursues a relationship with an emotionally damaged older man who returned from the war in Iraq.
Ultimately as much as one wants to believe that her father still loves her, that the older man knowingly sacrificed himself for her, that the blue lights following her car as it speeds along are the ocean and not the police, Hunt makes it nearly impossible and it is hard to escape the tragic conclusion that this is a sympathetic portrait of a wonderfully inventive but ultimately deeply depressing insanity, not a beautiful fantasy of a girl who is protected by her merman father who lives an enchanted life in otherwise dreary surroundings.
Samantha Hunt also wrote The Invention of Everything Else, a fictionalized account of the last days of Tesla as he befriends a chambermaid, which is also a window into madness and very highly recommended. Looking forward to more books by her.
The basic idea is this. The unnamed narrator, a young woman, believes she is a mermaid. Her father used to tell her that she was, before he walked into the ocean and never returned. She is in love with an older man who was damaged by war. He is her only friend, but will not be with her, instead sleeping with nearly every other woman in town, making her incredibly desperate until she comes to believe that the sea will have its revenge on him -- the land-locked man who has captured her heart, keeping her on land, even as he does not love her.
Everything is from her point of view, which leaves the lines extremely blurry. Is she a mermaid? Is there magic? Or is it as most everyone else in the town believes -- that she is mentally ill?
There isn't much in the way of happiness in this book, or clarity, but it is so very spell-binding. It is as strange and powerful as the ocean that rules her tiny coastal town. As hard to fight when it has you in its grasp.
A marvelous achievement.
1. Samantha Hunt is prodigiously talented and I am very much looking forward to seeing what she does next.
2. This is not actually a very good novel.
There's some really good stuff here and some really choppy, disconnected stuff. I believe this is
I read as little as I could about this book but read enough to know I was so completely in love with the idea. I don't have any really words to describe
Also how can you go wrong with mermaids?
[The Seas] is the story of a young woman as she approaches adulthood. She lives in a small coastal town with the highest rate of alcoholics in the nation. Her father walked into the ocean and she and
I know it all sounds crazy but it works so beautifully. It's smart and sad and fantastical and real. Quite a feat for a debut novel.
The Seas is a rare piece of fiction in American
This was a fresh and dark text, very emotional, but it avoided the trap of being sentimental. I loved how Hunt plays with words and text in general. As is expected with texts like this, it is a little bit pretentious at times.