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Margot Harrington, an American volunteer in Florence, is an expert at book conservancy. While struggling to save a waterlogged convent library, she comes across a fabulous volume of sixteen erotic drawings by Giulio Romano, accompanying sixteen steamy sonnets by Pietro Aretino. When first published over four centuries ago, the Vatican ordered all copies destroyed. This one--now unique--volume has survived. The abbess prevails upon Margot to save the order's finances by selling the magnificently illustrated erotica discreetly--meaning without the bishop's knowledge. Margot's other clandestine project is a middle-aged Italian who is boldly attempting radical measures to save endangered frescoes. She is 29 and available; he, older and married. He shares her sense of mission and soon her bed in this daring story of spiritual longing and earthly desire. "From the Trade Paperback edition."… (more)
User reviews
What this book is, is an engaging exploration of Margot's personal growth, relationships and sexuality, and also of Italy, Roman Catholicism, literature and the importance of the preservation of literary heritage. Some of these themes are handled extremely well, while the resolution of others is a little less satisfying - but on whole these themes are tackled both deftly and sympathetically.
hmmmm....
Margot, the heroine discovers a volume of illustrated love poems showing what are generally regarded as pornographic sketches of the 16 pleasures referred to in the poetry. The book is bound within a prayerbook and is on the shelves of the convent where she is boarding. The Abbess asks her to restore it and then see if she can sell it without the bishop knowing since his Eminence would then take away the book and either destroy it, or sell it and keep the money.
Margot meets an urbane romantic Italian (natch!) although to me he is the typical bodice ripping Italian stud.. they embark on a romance while restoring the book, and trying out the 16 pleasures themselves. The blurb calls this an erotic book about an erotic book. Using my limited Italian, I'll wave my hand side to side up and down, and say mezzo, mezzo Not all that erotic, and I'm really not sure I care for the ending. It was worth reading for the memories of Florence and the info about how the books were saved.
Margot first lovingly restores the book and then entrusted by the, surprisingly worldly, Abbess attempts to sell the volume to help the abbey. Her lover tries to undermine her sale to make a profit for himself. The Abbot, to whom the Abbess reports, forbids her to sell the banned book and life itself seems to be throwing out roadblocks every step of Margot’s way. Never one to be daunted, Margot persists with her quest leading to some interesting adventures.
From the title of the book and the “blurb” I read describing it I expected this book to be an “erotic” adventure. And, in a small way it was, but it was mostly about Margot finding herself. I enjoyed the story but as so often happens in works of historical fiction, I enjoyed the descriptions of Florence, the flood and the restorations even more, particularly the book restorations and the “peeling” of the water damaged frescoes.
This was ok. I found the book conservation parts of it interesting, but I really didn’t like Margot, nor any of the other characters, except for the nuns. It was a bit difficult to figure out right at the start, as it flipped back and forth in time and was a bit hard to tell where we were (in time), but that didn’t last long. It was pretty slow-moving, but it was ok. An author's note would have been nice.
There are many interwoven threads in this novel, which are addressed in lengthy detailed passages, such as techniques of book and art restoration, reflections on convent life, and the methods by which a canonical court decides whether to grant an annulment. At the same time, we follow Margot’s initial thoughts of joining a convent, then veering into a sexual relationship with Alessandro. We learn about her family’s history.
I enjoyed very much the manner in which Margot (eventually) resists being controlled by men who want to take advantage of her and get their hands on the manuscript. My favorite parts were the descriptions of life in the convent. I was less enamored of the sexual relationship with a much older man. Hellenga’s writing is elegant and witty. It is a novel of devotion to craft, passion, and the fortitude to change one’s life for the better.
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