Status
Available
Series
Publication
DAW (1995), Edition: First Edition, 256 pages
Description
An instant cult classic upon first publication, Suzette Haden Elgin'sNative Tongue trilogy has earned wide critical acclaim, shocking and captivating a loyal readership among science fiction and women's literature audiences alike. InEarthsong, the trilogy's long-awaited finale, the interplanetary Consortium has decided to abandon the incorrigibly violent Earth to economic and ecological disaster. As the Consortium prepares to euthanize the diseased planet, the women of the Lines are offered one last chance to change the men's destructive behavior and cancel the planet's annihilation.
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User reviews
LibraryThing member Aerrin99
I enjoyed this third volume slightly more than the second, but again, it's a far cry from the first. The dramatic shift here is a bit unsettling - the first two books focus on earth, and on the women of the Lines trying to create a women's language and spread it to the world in the hopes that
By this third book, they've given up. Laadan came, it went, it was a failure. I can't help but feel that the novel echoes Elgin's own experiences with Laadan, and the whole thing comes off with a bit of a bitter note.
Now earth faces a new challenge: all the aliens have disappeared, and with them their trade. The technology humanity has come to rely on is starting to crumble, and civilization is in chaos.
It's been several weeks since I read this and by this point I can't actually recall what it was that I enjoyed somewhat here. The plot is thin, the characters weak, and the 'science' that goes with the fiction is so laughable that it's hard to even take it seriously as a thought experiment.
Nazareth is dead, and one of her granddaughters uses mystical Native American rituals to communicate with her about a life-altering problem: all the aliens have left. More importantly, earth can no longer trade for their technology. Nazareth tells her granddaughter that in order to solve the problem, humanity must conquer hunger, and so the women take up a new project.
*SPOILERS*
Eventually they discover that /sound/, when paid proper attention, can nourish the human body. Yeah, you read that right. We don't really need food. We just need to listen to some opera. Elgin goes so far as to suggest that the obesity epidemic at the end of the 20th century was related to the sudden abundant availability of portable music.
The problems in this idea are so numerous I trust I do not even have to begin to explain them. I'm willing to forgive a lot for an interesting idea - and Elgin /tries/ to make the idea interesting. The point of music-as-food is that creating a generation which has never had to kill so much as a vegetable to survive will be less violent in the end (violence being the reason the aliens had pulled away from earth), which is an interesting concept but-- it's simply too much, too poorly drawn and too poorly explained.
I suppose I'm glad I finished this trilogy but-- for the rest of you, stick with the first and leave the rest alone.
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Laadan will bring about change. By this third book, they've given up. Laadan came, it went, it was a failure. I can't help but feel that the novel echoes Elgin's own experiences with Laadan, and the whole thing comes off with a bit of a bitter note.
Now earth faces a new challenge: all the aliens have disappeared, and with them their trade. The technology humanity has come to rely on is starting to crumble, and civilization is in chaos.
It's been several weeks since I read this and by this point I can't actually recall what it was that I enjoyed somewhat here. The plot is thin, the characters weak, and the 'science' that goes with the fiction is so laughable that it's hard to even take it seriously as a thought experiment.
Nazareth is dead, and one of her granddaughters uses mystical Native American rituals to communicate with her about a life-altering problem: all the aliens have left. More importantly, earth can no longer trade for their technology. Nazareth tells her granddaughter that in order to solve the problem, humanity must conquer hunger, and so the women take up a new project.
*SPOILERS*
Eventually they discover that /sound/, when paid proper attention, can nourish the human body. Yeah, you read that right. We don't really need food. We just need to listen to some opera. Elgin goes so far as to suggest that the obesity epidemic at the end of the 20th century was related to the sudden abundant availability of portable music.
The problems in this idea are so numerous I trust I do not even have to begin to explain them. I'm willing to forgive a lot for an interesting idea - and Elgin /tries/ to make the idea interesting. The point of music-as-food is that creating a generation which has never had to kill so much as a vegetable to survive will be less violent in the end (violence being the reason the aliens had pulled away from earth), which is an interesting concept but-- it's simply too much, too poorly drawn and too poorly explained.
I suppose I'm glad I finished this trilogy but-- for the rest of you, stick with the first and leave the rest alone.
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LibraryThing member annbury
The third in the "Native Tongue" trilogy by Suzette Elgin, and the weakest of the lot. The first book is in my view a terrific novel, chockfull of fascinating ideas and with a compelling plot that makes the book's greatest weakness (a political agenda that to my mind weakens characterization) a
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minor quibble. The second book is a good sequel to the first, developing aome of the ideas introduced earlier, but the "good women/bad men" gets more grating. The last book is difficult to follow (or was for me) and didn't hold my interest. I finished it out of loyalty, but next time I will just reread "Native Tongue" Show Less
Awards
Otherwise Award (Long list — 1995)
Language
Original language
English
Original publication date
1993
ISBN
0886775922 / 9780886775926