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"Brighton, 1950. The body of a girl is found cut into three pieces. Detective Inspector Edgar Stephens is convinced the killer is mimicking a famous magic trick--the Zig Zag Girl. The inventor of the trick, Max Mephisto, is an old war friend of Edgar's. They served together in a shadowy unit called the Magic Men, a special ops troop that used stage tricks to confound the enemy. Max is on the traveling show circuit, touring seaside towns with ventriloquists, sword-swallowers and dancing girls. He's reluctant to leave this world to help Edgar investigate, but advises him to identify the victim quickly -- it takes a special sidekick to do the Zig Zag Girl. Those words come back to haunt Max when the dead girl turns out to be Ethel, one of his best assistants to date. He's soon at Edgar's side, hunting for Ethel's killer. Another death, another magic trick: Edgar and Max are sure the answer to the murders lies in their army days. And when Edgar receives a letter warning of another "trick" on the way -- the Wolf Trap -- he knows they're all in the killer's sights" --… (more)
User reviews
Unusual in my case, I realized the murderer's identity well before the story was in the final stages. Having re-read the chapters preceding that understanding, I'm still not sure what gave away this person. I did not anticipate the final twist in the plot, however. This 'reveal' was quite amusing and unexpected.
Griffiths' writing in this novel did not measure up to the fluidity or succeed in developing the same engaging atmosphere which I encountered in her Ruth Galloway series. Part of the problem may be the clumsy intrusion of too much backstory; while the information was important, it wasn't adroitly included. Side excursions with other people (Edgar's Mother; various pubs with bit players) didn't move the story forward either. So a 4 ★ idea became a 3½ ★ rating.
When the head and legs of a young woman are
The Zig Zag Girl is set largely in Brighton, England during the 1950’s and Griffiths skilfully evokes the post war era and the shabbiness of the neglected seaside town. Griffiths is said to have drawn on her own family history – her grandfather was a music hall comedian and her mother grew up ‘backstage’ – to authentically recreate the variety theater scene of the time.
Edgar is a likeable character, a little reserved and weary but thoughtful and steadfast. Max is more flamboyant, befitting a magician, and the two make a good team. The world of the theater allows Griffiths to introduce some additional colourful characters, and the ‘Magic Men’ are a quirky lot too.
The mystery is well thought out, using several red herrings to distract the reader from identifying the murderer too quickly. A little humour and a touch of romance lighten the more gruesome criminal elements of the story, and the background of the Magic Men provides added interest.
A clever, entertaining mystery, I really enjoyed The Zig Zag Girl, I think I need to make room in my schedule for The Crossing Places sooner, rather than later.
The tone was dryly
I rapidly fell under the book's spell. Griffiths brings to life the atmosphere of the post-war variety theatre (better known as vaudeville in the US) in all its slightly seedy, slightly down-at-heel, on-its-way-out glory. Television will soon supplant these magicians with their beautiful assistants in skimpy spangles, these ventriloquists, and comedians. In the near future all these performers are going to have to find another way to make a living.
As in her other series, Griffiths has created a superb cast of characters. Edgar the innocent, Max the knowing, and "Diablo" the wily old soak were the Magic Men during the war, using their wits and knowledge of stage tricks and illusions to build things on Scotland's northern coast that would keep the Germans from accurately projecting the area's fortifications and firepower. They haven't always gotten along, and each man has his own particular set of strengths and weaknesses. They just have to get used to working as a team again, and it's a pleasure to watch them do so.
Speaking of strengths, one of Griffiths' is portraying that wonderfully annoying sense of overdone gentility-- especially with Edgar's mother. Magicians like Max and Diablo are looked at with suspicion. They aren't really socially acceptable, which makes their work more difficult in some quarters and easier in others. That's why Detective Inspector Edgar Stephens is so important. He's "official" and more welcome with the lace curtain set!
There was only one tiny disappointment (and I mean tiny) in reading this book. It involves the death of a certain character, and I won't go any further into the matter other than to say that it made the lightbulb go off over my head, and snap! I knew the identity of the killer. Fortunately The Zig-Zag Girl is much more than a whodunnit. It is a rich, character-driven portrait of an age and of a dying way of life-- with murder and deduction front and center. I can't wait for the next installment.
Post WWII
Stephens has kept his distance from the unit in the years following the war. But this murder and his investigation inevitably reunite him with the Magic Men. Notably Max Mephisto - the inventor of the Zig Zag Girl trick.
What I absolutely love about Griffith's books are her characters. They're appealing, unusual and engaging. Each has a rich background and personality - I liked them immediately and look forward to seeing them again. Edgar and Max each have a voice in the Zig Zag Girl, so we get a view from each of their perspectives.
What I also liked was that the mystery has to be solved the 'old fashioned way' - without the use of cell phones, computer databases and modern technology. Instead we're along for the ride as Stephens and Mephisto follow the clues and connections, making their own deductions.
Griffiths uses misdirection, one of a magician's tricks, to keep the mystery going, sending the reader's suspicions in the wrong direction. (But clever readers will suss it out) The setting is fascinating - the world of variety shows and magicians was fun and full of detail.
The Zig Zag Girl was a great introduction to a new set of characters - this reader will be looking for the second in this series. (But Ruth is still my favourite!)
The atmosphere of this novel is authentic and wonderful. So much about magic shows and the theater, even knowing that a magicians greatest friend is misdirection did not help me solve this case. I did have a few ideas but I guess I am just not clever enough. The characters are colorful, Max and Diablo alternately amusing or melancholy. Secrets from past, clues to follow left by the killer, murders done in ways mimicking magic acts, all leaving a trail, but remember red herrings and misdirection. The historical details are an additional bonus, all helping to immerse the reader in both this case and the time period.
A brilliant start to what I hope is a new series, by Galloway.
The investigation of this bizarre murder throws Edgar and Max together as the victim turns out to have a connection to Max. As the bodies start to mount it becomes clearer that there is some connection between their shared history in the army and current events. We follow Edgar and Max as they track down their motley crew of show men and army folk who came together in a secret mission.
The Zig Zag Girl is a very traditional form of murder mystery, which is fitting for its setting of 1950s Britain. The narrative switches between the points of view of Edgar and Max as a way of fleshing out the world of both the police investigation and the magician circuit. I really enjoy the Ruth Galloway series that Elly Griffith writes and I thought this was a wonderful start to a new, interesting mystery. It was a fast-paced read, with unexpected twists that takes you by surprise. I read that Elly Griffiths meant this book to be a tribute to her grandfather, and I have to say, it is a great one.
Meanwhile, another former member of 'The Magic Men' is also in Brighton. This is Maximillian Massingham, known professionally as Max Mephisto, one of the leading stage conjurers of the day, and he is top of the bill in one of Brighton's theatres. Recognising the black chests as similar to those used by conjurers, Stephens makes use of this coincidence to seek Max's advice about the murder. They renew their friendship and start investigating the crime together.
This may all sound like fairly ordinary fare for crime investigations, but Elly Griffiths delivers her story with style, and holds the tension admirably. The period descriptions of post-war yet still austerity-bound Brighton give a suitably grim backdrop to the story, and the vignettes of music hall life are entertaining. I see that there are furthr novels in this series, and I shall certainly look forward to them.
The book is set in post-World War II England and
Edgar seeks out Max for advice, and Max is able to identify the dead woman as one of his former assistants. Furthermore, when they go to query another member of the Magic Men, he too is found dead by a murder resembling a magic trick. It begins to look like the Magic Men themselves as well as those associated with them are being targeted. Edgar and Max set out to find the other members of their crew and warn them, never knowing if they will be too late, or will themselves be the next victims.
Discussion: Griffiths did her research well as usual, and did a great job of bringing the post-War world to life, as well as the world of magicians and what it was like to perform on the road at that time. Also, as with her other series, she limns characters with complex psyches showing a mix of self-awareness, self-delusion, and self-deprecation that make them seem like actual people we all can recognize. For me, the characterizations are so good, they make the plot almost irrelevant.
Evaluation: This clever story employing the “misdirection” of magic as a criminal tactic as well as a plot device (in the sense of red herrings and other false trails) introduces some great characters as well. I look forward to more stories in this series.
Fans of historical mysteries and cozies will find a lot to like in this book. Through in some interesting characters and I am counting down to the release of book two, Smoke and Mirrors, which comes out this October.
The novel is told from the perspective of either Edgar or Max. As the two visit the remainder of the Magic Men, I tried to discern the secret that connected the Magic Men that might reveal who the murderer was.I enjoyed this Christie-like mystery. The characters were well-developed but the plot was weak without much depth. However, if there is a sequel with the Magic Men, I will probably pick it up.
Set in post-WWII Britain it opens with the gruesome murder of a young woman in Brighton. The circumstances of the murder remind Edgar Stephens, the Detective Inspector in charge of the case, of a magic trick invented by an old friend of his. This prompts him to seek out that friend, Max Mephisto, a magician with whom he worked during the war as part of a secret service team building illusions to fool the enemy into thinking the Allies had more resources than was actually the case. It soon becomes clear to the two men that the murder, and others which follow it, are directly linked to their wartime experiences.
Essentially what a reader has to do with fiction is accept the version of the world that the author has created. Sometimes there is a lot of disbelief to suspend, sometimes only a little. But always some. Otherwise it wouldn’t be fiction. In this case I just couldn’t do it. I never, for example, understood why a brutal murder of a young woman was left to one middle-ranking copper and his civilian friend to solve. Even today such an event would warrant more involvement from authorities than that so surely 65 years ago it would been a higher profile case than is depicted. And when Edgar and Max’s wartime experiences were told in flashback there just seemed to be too many implausibilities and inaccuracies for me to buy into it all. To top it off the secret at the heart of the story seemed blindingly – screamingly – obvious to me so there wasn’t much in the way of suspense.
The characterisations were a little more successful than the plot though somewhat flat and distant. For me it was the difference between hearing a story about a couple of people who are acquaintances of friends rather than being engrossed in a story about people I care about.The main characters are all men of roughly the same age and none of them really stand out from each other. I don’t imagine I’ll be able to remember a single thing about Edgar or Max in a couple of months.
I applaud the author for having a go at something different but it won’t be a series I follow so I hope there is something else on the horizon from Ms Griffiths. This one was just too full of awkward and unlikely coincidences for me and the reality didn’t live up to the promise of the premise.
I did like the book. For me it was 3 stars all the way through and I enjoyed it more and more as I read on. I thought the parts toward the end were stronger than those that came more toward the beginning.
The characters were kind of hard to tell apart/remember for a long time. Hilary used the term “they blend in a bit” and that is a perfect way of describing it. As I read I did care about them and their stories but I didn’t feel emotionally invested in them the way I do with books I tend to love and really like, such as those in this author’s Ruth Galloway series. The last chapters I got more interested in them and I loved the twist about two of them and how they were related.
I did guess the identity of the culprit and some of the reasoning, additional storyline about the murderer. They were my first choice from very early on. I was never sure though until close to the reveal. It was rather clever.
I see how this series might go, 4 particular connected characters solving crimes. Maybe 5, or 6, or more. I know more minor characters might keep appearing in the books. HUGE spoiler! Do not read if you haven’t read this book 1 and might someday: (view spoiler)
ETA: I realized I missed not having any dog and cat characters. So far they've appeared in other books I've read by this author.
I had previously enjoyed Ms. Griffiths' Ruth Galloway mystery series and thought that I'd try this new series. I was delighted to find that it did not disappoint and am now looking forward to subsequent installments.
Synopsis (from author's website):
Brighton, 1950. When the body of a girl is found, cut into three, Detective Inspector Edgar Stephens is reminded of a magic trick, the Zig Zag Girl. The inventor of the trick, Max Mephisto, is an old friend of Edgar’s. They served together in the war as part of a shadowy unit called the Magic Men. Max is still on the circuit, touring seaside towns in the company of ventriloquists, sword-swallowers and dancing girls. Changing times mean that variety is not what it once was, yet Max is reluctant to leave this world to help Edgar investigate. But when the dead girl turns out to be known to him, Max changes his mind. Another death, another magic trick: Edgar and Max become convinced that the answer to the murders lies in their army days. When Edgar receives a letter warning of another ‘trick’, the Wolf Trap, he knows that they are all in the killer’s sights…
Edgar and
This story takes place in 1950 and the members of the Magic Men have long since dispersed back to their regular lives. Edgar joined the police. Max continues to travel the circuit doing his magic act. Tony has become a comedian and insists that he will soon be famous in America. Diablo is an aging magician down on his luck and alcoholic.
Max happens to be in Brighton when the boxes of woman are discovered, and Edgar goes to him for insight in solving the crime. Max becomes more closely involved when it is learned that the woman was once his favorite assistant. He helps Edgar investigate when Tony is found dead in yet another version of a magic trick and a letter comes threatening the rest of the Magic Men.
I enjoyed this historical mystery and liked both Edgar and Max who, finally, years after their service are ready to plan for their futures. I'm eager to see where this series goes next.
Worth a read, I enjoyed this, it was not the same ol' thing.
Will read more.