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Fiction. Literature. Mystery. HTML:The first book in Kate Atkinson's Jackson Brodie Mysteries series, called "The best mystery of the decade" by Stephen King, finds private investigator Jackson Brodie following three seemingly unconnected family mysteries in Edinburg. Case one: A little girl goes missing in the night. Case two: A beautiful young office worker falls victim to a maniac's apparently random attack. Case three: A new mother finds herself trapped in a hell of her own making - with a very needy baby and a very demanding husband - until a fit of rage creates a grisly, bloody escape. Thirty years after the first incident, as private investigator Jackson Brodie begins investigating all three cases, startling connections and discoveries emerge . . .… (more)
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Kate Atkinson, my new favorite author, starts her very fascinating novel with three case histories (cold cases) and we
Its Atkinson’s total control of language that moves the narrative forward and paints a visual image that you can’t forget. At the end of the scene with the axe murder she gives us this:
“When you chopped logs with the axe and they split open they smelled beautiful, like Christmas. But when you split someone’s head open it smelled like an abattoir and quite overpowered the scent of the wild lilacs you’d cut and brought into the house only this morning, which was already in another life.” (Page 44)
Atkinson also brings to life the theme of survival: people will sustain themselves even in the aftermath of incredible loss. And in telling this heartbreaking story, she demonstrates tremendous sympathy and foresight and, at the same time, is very, very funny in that recognizable British way. Very highly recommended.
After that bit of stage-setting, Jackson Brodie is brought in to investigate a situation related to the first case. Amelia and Julia are two sisters; 30 years ago their 3-year-old sister Olivia went missing. The sisters discover something that causes them to question their version of events. Meanwhile, another client contacts Jackson seeking more information about his daughter's death from apparently random violence. Intertwined with these two stories is a third about a young woman who killed her husband and left a young daughter to be raised by her sister.
The story-within-a-story format was a great way to introduce a diverse cast of characters but still develop them fully. While the intensity diminishes after the first three chapters, each case still strikes an emotional chord and it would be impossible not to get wrapped up in the characters' lives. I also enjoyed the way Kate Atkinson gradually revealed the truth, usually through tiny details or snippets of conversation. She kept me guessing by throwing in a couple of red herrings, but also created several satisfying "aha!" moments when puzzle pieces fell into place. This was everything a good mystery should be.
The book begins with three seemingly discrete vignettes, three individual crime scenarios - three case histories - which have delivered lasting, devastating trauma and tragedy to the affected participants; and which remain unsolved or unreconciled after many years. Due to recent events, from a sudden desire, or from pure impulse, those involved decide to seek answers not previously forthcoming; independently, and coincidently, each approach a private investigator, Jackson Brodie, to achieve what, on face value, appears near impossible. As the details emerge, as the stories unfold, as we follow this unruly, but innately decent man, his investigations slowly knit together the randomness and disparity of each case, until all are intertwined with the other; eventuating in plausible, convincing and credible juxtaposition!
And yet, it is not the mysteries, nor their outcomes, which are the main strength of this novel. Despite the need to find the answers, despite the wish to produce a closure of sorts, it is the depth and detail of each character, so vividly etched, so superbly rendered, that delivers the mastery of this literary piece. Kate Atkinson supplies a cast of engaging, interesting players, fundamentally damaged to such an extent by earlier ordeals they now shape and colour their personalities; collectively exposing such a level of complex family drama that it resonates through the whole of the book and out into today's society. Very adroitly the author applies light, witty touches to desperate, heartbreaking situations until an elegant balance between comedy and tragedy is achieved, sustaining the intensity of the story-line and the reader’s interest to the very end.
I was absolutely captivated by this book: the utter simplicity of the interweaving of the individual circumstances, the rich and compelling plot devices and the gritty, beautifully-realised characters combined to provide, in my mind, an exceptionally well-crafted work. This author is a talent; a splendid novelist with an astute intelligence, and a writing style such that the story leaps off the page, directly into the reader’s psyche, from the very first word – so well-written that, at the end, it immediately invokes a demand for more. Thankfully there is...
"Case Histories" did not disappoint me! The uniquely told story begins with three seemingly unrelated cold cases... We are then introduced to Jackson
I heard another LT'er describe Atkinson's ability at depicting family dynamics as impressive. I would agree... many of the characters and the family relationships are dysfunctional and complex. There were two characters I wanted to hear less of, but as the story progressed Atkinson's winding of the plots became clear.
I will definitely be reading more Atkinson in the future. I would recommend this one for fans of literary fiction and/or mysteries.
The book begins with three case histories of unsolved murders that are seemingly unconnected -and yet, if you’ve read some Atkinson, you know nothing ever remains unconnected! Three-year-old Olivia Land disappeared over thirty years ago. Eighteen-year-old Laura Wyre was killed in a law office massacre ten years previously by an unknown perpetrator. And 25 years ago, eighteen-year-old Michelle Fletcher, in over her head with a demanding baby and husband, went to prison for murdering her husband with an ax; what become of the child is unknown.
All of these cold cases are brought by the survivors to Private Detective Jackson Brodie, 45, divorced, and father of an eight-year-old, Marlee, whose affections he fears he is losing to his wife’s new partner. In spite of his preoccupations, however, he struggles to do his best by his clients, even though he is often profoundly perplexed by what they really want from him.
Each chapter is told from a different narrative viewpoint, and some of them cleverly replicate events of a previous chapter but from a different perspective. In this way, gradually the veils covering the truth about the past are unwound, and through Jackson, all the seemingly disparate strains join together in a karmic weave of chance and circumstance.
Discussion: What makes Atkinson’s books truly memorable is her facility with language, and her ability to capture so adroitly the essence of a character. Similarly, she is impressive for her astute and sobering portrayal of the quotidian concerns and existential ironies in the lives of ordinary (and not so ordinary) people.
Some examples of Atkinson’s writing prowess:
"[re Josie, Jackson Brodie’s ex-wife, who “spent much of her working day modifying the behavior of five-year-old boys.”] When they were married she would come home and do the same to Jackson (‘For God’s sake, Jackson, use the proper words. It’s a penis’) during their evenings together, cooking pasta and yawning their way through crap on television. She wanted their daughter, Marlee, to grow up ‘using the correct anatomical language for genitalia.’ Jackson would rather Marlee grew up without knowing genitalia even existed, let alone informing him that she had been ‘made’ when he ‘put his penis in Mummy’s vagina,’ an oddly clinical description for an urgent, sweatily precipitate event that had taken place in a field somewhere off the A1066 between Thetford and Diss, an acrobatic coupling in his old F Reg BMW (320i, two-door, definitely a policeman’s car, much missed, RIP).”
"Jackson could feel the ache in his jaw starting up again. He was currently seeing more of his dentist than he had of his wife in the last year of their marriage. His dentist was called Sharon and was what his father used to refer to as ‘stacked.’ She was thirty-six and drove a BMW Z3, which was a bit of a hairdresser’s car in Jackson’s opinion, but nonetheless he found her very attractive. Unfortunately, there was no possibility of having a relationship with someone who had to put on a mask, protective glasses, and gloves to touch you. (Or one who peered into your mouth and murmured, ‘Smoking, Jackson?’)”
"Jackson [again at the dentist’s and eying the surgical instruments] tried not to think about this, nor about that scene in Marathon Man, and instead worked on conjuring up a picture of France. He could grow vegetables, he’d never grown a vegetable in his life, Josie had been the gardener, he’d carried out her orders, Dig this, move that, mow the lawn. In France, the vegetables would probably grow themselves anyway. All that warm fertile soil. Tomatoes, peaches. Vines, could he grow vines? Olives, lemons, figs – it sounded biblical. Imagine watching the tendrils creeping, the fruit plumping, oh God, he was getting an erection (at the idea of vegetables, what was wrong with him?)."
Evaluation: Although there are crimes in this book, it is more a story about people and what motivates them than about mysteries. It is as if you are experiencing the tale holographically – the characters present themselves to you in all their dimensions, and you can’t dismiss any of them as caricatures. Atkinson is a writer for people who appreciate the craft, and who love discovering just how much depth can be bestowed to characters in a short space, and how much meaning can be packed into a deceptively simple paragraph.
Nothing is as it seems in this book, which makes the case for never assuming you know what's going on and to never judge a... yeah, I'll say it, a book by its cover. Case Histories is about secrets and human frailties, misconceptions and inner strength and what people are truly capable of, good and bad. Jackson might not get all the answers to be had, but the reader does, in a most satisfying manner. It's rare that I jump into another book by the same author without mixing something different in first, but the sequel to Case Histories is next on my reading list.
The story wove around three "cold cases" - the disappearance of a little girl
While the story line was good, I think the allure of this book rests with its characters. Jackson is very likeable. His awesome sense of humor adds brevity to the sadness of each case, including his own tragedies. I also liked the many women who were part of Case Histories: Deborah the crusty secretary, Marlee who was Jackson's precocious daughter and the Land sisters, who huffed and flirted their way into Jackson's heart.
Will I be reading the rest of the books in this series? You bet! I can't wait to see what Jackson is up to next. If you love mysteries and character-driven novels, make sure to add Case Histories to the top of your reading list.
The story revolves around Jackson Brodie, a private investigator, as he tackles three cold cases. A little girl gone missing from her back yard, a young woman brutally murdered in a senseless act of violence, and a young, depressed new mother who goes to jail for murdering her husband. The author Kate Atkinson delivers complex, intelligent mysteries but where this book shone for me was in her characters. Each one has a complete and interesting backstory, a reason to be involved and their own individual identity.
I heartily recommend this book, but be ready, this author's talent draws you into the story and doesn't let go until the end of the book. And then, you just simply want more.
3 setting where the book took place or characters I met
* Setting: London, England, present day
* Jackson Brodie is an ex-cop turned private detective. He’s bitter about his recent divorce and his downgrade to part-time dad for his little girl Marlee.
* Brodie’s clients are a diverse bunch. We have the quarreling, eccentric pair of sisters, Amelia and Julia, who are seeking Brodie’s help in locating their beloved baby sister who disappeared mysteriously when she was only 3 years old. We also meet Theo―an overweight sad sack of a man who cannot move past the murder of his beloved daughter more than 10 years earlier by a killer who was never found. Finally, we meet a woman who wants to locate her long-lost sister―a woman with a past she wants to keep hidden at all costs.
4 things I liked or disliked about the book
* I liked how Atkinson structured the book. At the beginning, we’re presented with three case histories that tell us about crimes that were committed in 1970 (A Family Plot), 1994 (Just A Normal Day) and 1979 (Everything from Duty, Nothing from Love). Each case history is about 10 or so pages and plunges you directly into a story about a time when things went terribly, horribly wrong. Yet in just those few pages, Atkinson creates an amazingly detailed sketch of the dynamics and personalities involved. I was amazed how quickly I was drawn into these case histories―I wanted to know more! But then Atkinson introduces Jackson Brodie, and we begin to get involved with his life. At first, I was a little confused about what was happening, but once it started coming together, I fell in love with this approach. Along with Jackson, we keep finding out a bit more about each case history―with Atkinson writing each chapter from a different character’s point of view.
* Atkinson has a wonderful sense of humor that permeates the entire book. Despite stories dealing with sad and awful things, I found myself frequently laughing out loud. (In a way, the tone of the book reminded me of Catherine O’Flynn’s novels, What Was Lost and The News Where You Are.) I particularly got a kick out of the relationship between Julia and Amelia. The dynamics between those two were endlessly amusing. I love how Atkinson managed to write both a gripping mystery book while also taking the time to develop her characters and giving them personalities and lives. It makes a much more interesting read than just working your way through a heavily plotted mystery.
* I loved how Atkinson ended the book―particularly since it leaves the door wide open for a sequel (which, lucky for me, was already published as One Good Turn. And yes, I already have it!) I got quite attached to Jackson and some of the other characters so I was excited to learn that this wasn’t the end of line for them. Plus, Atkinson tosses Brodie a rather large bone that just opens up the possibilities for the second book.
* Although I like the realism of having a detective working multiple cases at once (just like it would be in real life), naturally some of the cases/story lines worked better for me than others. Of the three case histories, I thought the one dealing with Caroline was the least effective and compelling―most likely because it was the most isolated of the three stories and felt almost unresolved at the end. Yet it is minor complaint, and it shouldn’t really stop you from reading this book.
5 stars or less for my rating:
I’m giving the book 4.5 stars. I just loved this book to pieces. It isn’t often that you find a novel that skillfully weaves together several mysteries, presents a diverse array of interesting and flawed characters, and has just the right combination of humor and wit to make it a pleasure to read. This was an immensely satisfying read, and I’d highly recommend it to just about anyone! Kate Atkinson … come on down! You’ve just earned a place on my favorite author list!
“If he killed Josie, it would have to be done in a ‘calculated, cold-blooded killing’ – fire, explosives, a gun. A gun for preference, an L96 A1 sniper with a Schmidt and Bender scope, so you could be as far away as possible – he couldn’t do an intimate killing, something close up and personal like strangling or a knife, he couldnt’ be there, watching the blood stop pumping around her cheating heart, couldn’t watch the life fade from her eyes. And not poison. Poison was for psychopaths and deranged Victorian women.” (Ch 14)
Atkinson is delightful! Must have more Jackson Brodie!
Rating: 2* of five (p102)
First of the hugely popular Jackson Brodie series of mysteries set in Scotland, this book comes super-positively blurbed by Stephen King, recommended by site royalty, and could not possibly have left me more flat, uninterested,
"The rain's easing off," he said, and Caroline said, "Yes, I think it is." He stood up and escorted her outside. The dogs had been asleep and now made a great performance of welcoming Caroline's appearance, although she knew they couldn't care less really.
"Good-bye, then," John Burton said and shook her hand again. She felt a little flutter, something long dormant coming back to life. He climbed on his bike and cycled off,turning once to wave, an action that made him wobble ridiculously. She stood and watched him moving away from her, ignoring the overexcited dogs. She was in love. Just like that. How totally, utterly insane."
And that, laddies and gentlewomen, is where I said sayonara cookie monster. It's okay writing. The rubbish about the dogs is ridiculous, but the wave, the wobble, and the swoon are pretty good. But this is as good as it's gotten in 102pp. This is as much a wowee toledo as Uncle Pervy here has received.
Your story or your storytelling has to wow me more than this by p102, and as neither has, onto the scrap-heap of history with you. *briskly dusts hands*
The tale is well told, with the author doling out information a little at a time until the reader finally learns the "truth" behind all of the various mysteries. I understand Atkinson is writing (or has written) other books with the same detective, Jackson Brodie. I'd be interested in reading them; he is a character I enjoyed getting to know.
This novel is really a series of episodes, some of which could almost be short stories. It's a crime novel, but nothing like the genre standard. It has murders, but they are all cold cases and slowly the plots and characters intersect. Jackson Brodie
Jackson appears in the latest Atkinson novel and I'm getting it soon.