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Shirley Jackson's third novel, a chilling descent into multiple personalities Elizabeth is a demure twenty-three-year-old wiling her life away at a dull museum job, living with her neurotic aunt, and subsisting off her dead mother's inheritance. When Elizabeth begins to suffer terrible migraines and backaches, her aunt takes her to the doctor, then to a psychiatrist. But slowly, and with Jackson's characteristic chill, we learn that Elizabeth is not just one girl--but four separate, self-destructive personalities. The Bird's Nest, Jackson's third novel, develops hallmarks of the horror master's most unsettling work: tormented heroines, riveting familial mysteries, and a disquieting vision inside the human mind. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.… (more)
User reviews
This book is about Elizabeth, a
As with all of the Jackson novels I've read, the writing is just perfect. Subtle and clear and precise. And the creepy factor is always there, below the surface of what could appear normal. I was a little annoyed that the (male) doctor's voice becomes prevalent for a while in the middle of the book, and I felt like (female) Elizabeth was being overshadowed, but Jackson brings things back around to her women characters satisfactorily.
I found this to be rather dated and very much of its time. I didn't enjoy it as much as I've like other books I've read by Shirley Jackson, but by all means go for it if the subject interests you.
(I remember devouring the multiple personality book Sybil 35 or 40 years ago. I was never compelled to pick this one up, and had to force myself to finish it.)
2 stars
The writing is tight and precise, and yet there is a mystery at the center that is never quite fully explained: what exactly happened to Elizabeth's mother, and what happened with, or to, Robin? There's suggestion and innuendo, from unreliable narrators, but no clarity. The ending is also ambiguous, when Elizabeth, after all her treatment, is somehow left as something less than the sum of her parts.
There's no heroes or villains in this story, only authentic humans with all their faults and foibles, and Jackson makes us feel sympathy for the most unlikable characters. In my opinion, Shirley Jackson is one of the most sadly overlooked authors in the American canon.