Publication
Indiana University Press (2011), 224 pages
ISBN
0253222958 / 9780253222954
Collections
Notes
CONTENTS
Preface and Acknowledgments
Introduction: The Modernity of Heritage
1 - Heritage as Source: Histories and Images of Osun Osogbo
2 - Heritage as Novelty: Revitalizing Yoruba Art in the Spirit of Modernism
3 - Heritage as Project: Hybridity and the Reauthentication of the Osun Grove
4 - Heritage as Style: Travel, Interaction, and the Branding of Osogbo Art
5 - Heritage as Spectacle: Image and Attention in the Osun Osogbo Festival
6 - Heritage as Remembrance: History, Photography, and Styles of Imagination
7 - Heritage as Control: From Art and Religion to Media and Mediation
Coda: A Final Note on Heritage as Presence
Notes
Bibliography
Preface and Acknowledgments
Introduction: The Modernity of Heritage
1 - Heritage as Source: Histories and Images of Osun Osogbo
2 - Heritage as Novelty: Revitalizing Yoruba Art in the Spirit of Modernism
3 - Heritage as Project: Hybridity and the Reauthentication of the Osun Grove
4 - Heritage as Style: Travel, Interaction, and the Branding of Osogbo Art
5 - Heritage as Spectacle: Image and Attention in the Osun Osogbo Festival
6 - Heritage as Remembrance: History, Photography, and Styles of Imagination
7 - Heritage as Control: From Art and Religion to Media and Mediation
Coda: A Final Note on Heritage as Presence
Notes
Bibliography