Public Art, Memorials and Atlantic Slavery

PART I Museums, Public Art and Artefacts
1. Atlantic Slavery and Traumatic Representation in Museums: The National Great Blacks in Wax Museum as a Test Case
2. ‘Am I Not a Man and a Brother?’ Phrenology and Anti-slavery
3. Remembering Slavery in Birmingham: Sculpture, Paintings and Installations
4. ‘Speculation and the Imagination’: History, Storytelling and the Body in Godfried Donkor’s ‘Financial Times’ (2007)
5. Doing Good While Doing Well: The Decision to Manufacture Products that Supported the Abolition of the Slave Trade and Slavery in Great Britain
6. Sally Hemings in Visual Culture: A Radical Act of the Imagination?

PART II Memory, Slavery and Commemoration
7. Interspatialism in the Nineteenth-century South: The Natchez of Henry Norman
8. ‘A Limited Sort of Property’: History, Memory and the Slave Ship Zong
9. Other Peoples’ History: Slavery, Refuge and Irish Citizenship in Dónal O Kelly’s The Cambria
10. Facing Slavery’s Past: The Bicentenary of the Abolition of the British Slave Trade