Publication
I.B. Tauris (2014), Edition: 1, 290 pages
Collections
Notes
CONTENTS
Foreword: Celebrating Nelson's Ships
Introduction: Some Problems with History and its Treatment of Black-British Artists.
1 The Pioneering Generation of Caribbean Artists
2 Early Contributions by South Asian Artists
3 The Significance of the 1970s
4 Uzo Egonu and Contemporary African Art in Britain
5 The Earliest Black-British Practitioners
6 South Asian Stories
7 The 'Black Art' Generation and the 1980s
8 The Rise and Fall of The Black-Art Gallery
9 The Emergence of Black Women Artists: Arguments and Opinions
10 Sonia Boyce and Other Black Women Artists
11 Substantial Sculpture: The work of Sokari Douglas Camp, Veronica Ryan, and Permindar Kaur.
12 Black Artists of the 1990s Generation
13 The Triumphant Triumvirate: Yinka Shonibare, Chris Ofili, and Steve McQueen.
Epilogue: The New Generation
Foreword: Celebrating Nelson's Ships
Introduction: Some Problems with History and its Treatment of Black-British Artists.
1 The Pioneering Generation of Caribbean Artists
2 Early Contributions by South Asian Artists
3 The Significance of the 1970s
4 Uzo Egonu and Contemporary African Art in Britain
5 The Earliest Black-British Practitioners
6 South Asian Stories
7 The 'Black Art' Generation and the 1980s
8 The Rise and Fall of The Black-Art Gallery
9 The Emergence of Black Women Artists: Arguments and Opinions
10 Sonia Boyce and Other Black Women Artists
11 Substantial Sculpture: The work of Sokari Douglas Camp, Veronica Ryan, and Permindar Kaur.
12 Black Artists of the 1990s Generation
13 The Triumphant Triumvirate: Yinka Shonibare, Chris Ofili, and Steve McQueen.
Epilogue: The New Generation
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