Publication
Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 2021.
ISBN
9780674052819
Collections
Notes
CONTENTS
Introduction
Side A
1. Toward a Black Feminist Intellectual Tradition in Sound
2. “Sister, Can You Line It Out?”: Zora Neale Hurston Notes the Sound
3. Blues Feminist Lingua Franca: Rosetta Reitz Rewrites the Record
4. Thrice Militant Music Criticism: Ellen Willis & Lorraine Hansberry’s What Might Be
Side B
5. Not Fade Away: Looking After Geeshie & Elvie / L. V.
6. “If You Should Lose Me”: Of Trunks & Record Shops & Black Girl Ephemera
7. “See My Face from the Other Side”: Catching Up with Geeshie and L. V.
8. “Slow Fade to Black”: Black Women Archivists Remix the Sounds
Epilogue: Going to the Territory
Notes
Acknowledgments
Credits
Index
Introduction
Side A
1. Toward a Black Feminist Intellectual Tradition in Sound
2. “Sister, Can You Line It Out?”: Zora Neale Hurston Notes the Sound
3. Blues Feminist Lingua Franca: Rosetta Reitz Rewrites the Record
4. Thrice Militant Music Criticism: Ellen Willis & Lorraine Hansberry’s What Might Be
Side B
5. Not Fade Away: Looking After Geeshie & Elvie / L. V.
6. “If You Should Lose Me”: Of Trunks & Record Shops & Black Girl Ephemera
7. “See My Face from the Other Side”: Catching Up with Geeshie and L. V.
8. “Slow Fade to Black”: Black Women Archivists Remix the Sounds
Epilogue: Going to the Territory
Notes
Acknowledgments
Credits
Index