Publication
Abingdon, Oxon ; New York : Routledge, 2021.
ISBN
1351029827 / 9781351029827
Collections
Notes
CONTENTS
Foreword: Deyan Sudjic, Emeritus Director, Design Museum, London
Introduction: Fleur Watson
Curating and collecting contemporary design in the local / global context. Aric Chen (Hong Kong/Beijing, China) in conversation with Kayoko Ota (Tokyo, Japan)
1. Design as Exhibit (Curator as Space-maker)
Meta-curation for inclusion and diversity. Catherine Ince (London, UK) in conversation with Prem Krishnamurthy (New York, US/Berlin, Germany
2. The Prosthetic (Curator as Interloper)
Fridge in a tree: On curating and memory, remembrance and representation. Brook Andrew (Melbourne, Australia) in conversation with Carroll Go-Sam (Brisbane, Australia)
3. The Mediator of Process / Research(Curator as Translator)
Curating ‘potential’. Rory Hyde (London, UK) in conversation with Eva Franch i Gilabert (London, UK)
4. The Hybrid to the Digital(Curator as Speculator)
Curatorial labour. Mimi Zeiger (Los Angeles, USA) in conversation with Marina Otero Verzier (Rotterdam, Netherlands)
5. The Advocate/Activist(Curator as Agent)
The design of cultural agency. Zoë Ryan (Chicago, USA) in conversation with Beatrice Leanza (Lisbon, Portugal)
6. The Event as Performance(Curator as Dramaturge)
Performing nd exhibiting ‘design ideas’. Paola Antonelli(New York, USA) in conversation with Fleur Watson (Melbourne, Australia)
Conclusion: The New Curator: Towards a Specialised Practice
Independence as a disruptive curatorial practice in the global south. Patti Anahory (Praia, Cabo Verde Islands) in conversation with Paula Nascimento (Luanda, Angola)
Afterword: Professor Leon van Schaik AO, Emeritus Professor, RMIT University
Selected Bibliography
Credits and Acknowledgements
Index
Foreword: Deyan Sudjic, Emeritus Director, Design Museum, London
Introduction: Fleur Watson
Curating and collecting contemporary design in the local / global context. Aric Chen (Hong Kong/Beijing, China) in conversation with Kayoko Ota (Tokyo, Japan)
1. Design as Exhibit (Curator as Space-maker)
Meta-curation for inclusion and diversity. Catherine Ince (London, UK) in conversation with Prem Krishnamurthy (New York, US/Berlin, Germany
2. The Prosthetic (Curator as Interloper)
Fridge in a tree: On curating and memory, remembrance and representation. Brook Andrew (Melbourne, Australia) in conversation with Carroll Go-Sam (Brisbane, Australia)
3. The Mediator of Process / Research(Curator as Translator)
Curating ‘potential’. Rory Hyde (London, UK) in conversation with Eva Franch i Gilabert (London, UK)
4. The Hybrid to the Digital(Curator as Speculator)
Curatorial labour. Mimi Zeiger (Los Angeles, USA) in conversation with Marina Otero Verzier (Rotterdam, Netherlands)
5. The Advocate/Activist(Curator as Agent)
The design of cultural agency. Zoë Ryan (Chicago, USA) in conversation with Beatrice Leanza (Lisbon, Portugal)
6. The Event as Performance(Curator as Dramaturge)
Performing nd exhibiting ‘design ideas’. Paola Antonelli(New York, USA) in conversation with Fleur Watson (Melbourne, Australia)
Conclusion: The New Curator: Towards a Specialised Practice
Independence as a disruptive curatorial practice in the global south. Patti Anahory (Praia, Cabo Verde Islands) in conversation with Paula Nascimento (Luanda, Angola)
Afterword: Professor Leon van Schaik AO, Emeritus Professor, RMIT University
Selected Bibliography
Credits and Acknowledgements
Index