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She soars above a world of warriors, kings, and priests. The daughter of Belgarath and the shape-shifter Poledra, she has fought wars, plotted palace coups, and worked her powerful magic for three thousand years. Now, Polgara looks back at her magnificent life, in this fitting crown jewel to the saga that is the Eddings' Belgariad and Mallorean cycles. Her hair streaked white by her father's first touch, her mind guided by a mother she will not see again for centuries, Polgara begins life in her Uncle Beldin's tower, and in the prehistorical, magical Tree that stands in the middle of the Vale. There, she first learns the reaches of her powers. There she assumes the bird shapes that will serve her on her adventures. And there she starts on the path toward her destiny as Duchess of Erat, shepherdess of the cause of good, adversary of Torak the One-Eyed Dragon God, and guardian of the world's last, best hope: the heir to the Rivan throne. Here is the legendary life story of a woman of wit, passion, and complex emotions, a woman born of two majestic parents who could not have been more unlike one another. Ordained to make peace and make war, to gain love and lose love, Polgara lives out her family's rich prophecy in the ceaseless struggle between the Light and the Dark. Polgara is the epic culmination of a magnificent saga, and a fitting farewell to a world which, once experienced, will never be forgotten.… (more)
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This is the same as Belgarath, but with a slightly different point of view. No improvement though.
The sexism. This is the Eddings' chance to expound at appalling length their various opinions about the hard-wired differences between men and women, leading women to be conniving, emotional, good in the kitchen and with children, completely irrational in love, and made for making babies. Now, in their defense, this does not (in any of their books) prevent women from doing all sorts of interesting and significant things, but good god this pernicious 1960s thinking makes me flinch away from the page about every fourth paragraph.
The voice. This would have been the perfect opportunity to really develop Polgara's distinct voice - she's something of a restrained and mysterious figure throughout the books-with-plots, and her perspective should be unique. Instead, she sounds exactly like Belgarath throughout. Her audience-directed asides are even more irritating, if possible, but that's about the only distinguishing factor - except, of course, the frequent remarks about the differences between men and women.
Not a book I would recommend to anyone, really. The amusing Arendish political escapades do not make up for the serious commitment to eyerolling required.
Eddings could be almost terse in his storytelling with Garion's two sagas, but Pol's book is
Pol's relationship with her father is a key element of the Belgariad and Malloreon, and it is founded on their love of Beldaran. The telling of that unique relationship leads to the revelation of Pol's character because she builds it entirely on the affection and grief that embodies her feelings for her twin sister. Beldaran's loss spurs the story on to round out Pol's personality so that she will be ready when the time comes for her to take up her role as Guardian of the line of Riva, and what a journey it is! From the Vale to Vo Wacune and Vo Mimbre, and finally to Faldor's Farm, Polgara blossoms into the powerful, charismatic and arresting sorceress who commands the worship of all Eddings' readers.
Had Eddings and his wife never composed this singularly sumptuous account of Polgara, the entire collection of the Belgarion novels would be less for it. This is a true achievement.
I did like Polgara's voice most of the time, but when she started generalising it made my hackles rise. I liked how her long life had made her cynical and that she regularly enjoyed herself, I don't remember reading Belgarath the Sorcerer, and I'm sure there's a lot there that is annoying too.
Still it was interesting to revisit my teenage years, I wonder how well the original series would live up to re-reading or would it really annoy me. I have reserved book one to see.
Honestly, David Eddings had one story in him and he kept re-writing it for a long time in various different clothes.