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Multiple award winning, #1 New York Times bestselling author Neil Gaiman returns to dazzle, captivate, haunt, and entertain with this third collection of short fiction following Smoke and Mirrors and Fragile Things-which includes a never-before published American Gods story, "Black Dog," written exclusively for this volume. In this new anthology, Neil Gaiman pierces the veil of reality to reveal the enigmatic, shadowy world that lies beneath. Trigger Warning includes previously published pieces of short fiction-stories, verse, and a very special Doctor Who story that was written for the fiftieth anniversary of the beloved series in 2013-as well "Black Dog," a new tale that revisits the world of American Gods, exclusive to this collection. Trigger Warning explores the masks we all wear and the people we are beneath them to reveal our vulnerabilities and our truest selves. Here is a rich cornucopia of horror and ghosts stories, science fiction and fairy tales, fabulism and poetry that explore the realm of experience and emotion. In Adventure Story-a thematic companion to The Ocean at the End of the Lane-Gaiman ponders death and the way people take their stories with them when they die. His social media experience A Calendar of Tales are short takes inspired by replies to fan tweets about the months of the year-stories of pirates and the March winds, an igloo made of books, and a Mother's Day card that portends disturbances in the universe. Gaiman offers his own ingenious spin on Sherlock Holmes in his award-nominated mystery tale The Case of Death and Honey. And Click-Clack the Rattlebag explains the creaks and clatter we hear when we're all alone in the darkness. A sophisticated writer whose creative genius is unparalleled, Gaiman entrances with his literary alchemy, transporting us deep into the realm of imagination, where the fantastical becomes real and the everyday incandescent. Full of wonder and terror, surprises and amusements, Trigger Warning is a treasury of delights that engage the mind, stir the heart, and shake the soul from one of the most unique and popular literary artists of our day.… (more)
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* Shadder (hidden in the foreword)
* Making a Chair
* A Lunar Labyrinth (Gene Wolfe homage)
* The Thing About Cassandra - Locus Award for Best Short Story, 2011
* Down to a Sunless Sea
* 'The Truth is a Cave in the Black Mountains ...' - Locus Award for Best Novelette, 2011; Shirley Jackson Award for Best Novelette, 2010
* My Last Landlady
* Adventure Story
* Orange
* A Calendar of Tales (twelve shorter stories, each themed to a month)
* The Case of Death and Honey (Sherlock Holmes story / Arthur Conan Doyle homage) - Locus Award for Best Short Story, 2012
* The Man Who Forgot Ray Bradbury (Ray Bradbury homage)
* Jerusalem (William Blake tribute)
* Click-Clack the Rattlebag
* An Invocation of Incuriosity (Dying Earth story / Jack Vance homage) - Locus Award for Best Short Story, 2010
* 'And Weep, Like Alexander' (an Arthur C. Clarke tribute)
* Nothing O'Clock (Doctor Who story about the Eleventh Doctor and Amy Pond)
* Diamonds and Pearls: A Fairy Tale (a story from "Who Killed Amanda Palmer?")
* The Return of the Thin White Duke (a David Bowie tribute)
* Feminine Endings
* Observing the Formalities (Sleeping Beauty story)
* The Sleeper and the Spindle (Snow White / Sleeping Beauty story)
* Witch Work
* In Relig Odhráin (the tale of Saint Oran and Saint Columba in 548 AD)
* Black Dog (an American Gods story, set after "The Monarch of the Glen") - Locus Award for Best Novelette, 2016
* Scared of His Own Shadow (Tweet-length story, hidden in the Extras)
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The first time I read this book, I was swept away with the pure joy of the reading experience. Of course, when the book ended, I felt a big let down. I wanted more stories. We human animals must have some innate longing for myth and fantasy; Gaiman’s stories seem to quench that longing in some essential and primal way. That’s the deep-seated urge that must draw me to his books.
I certainly don’t want to give the impression that I was overjoyed with each and every story. Isn’t it true that none of us ever love every chocolate in a box, every song in an album, or every story in a collection? Some stories are better than others, and a few I didn’t like at all, but in the balance, I was besotted…and that’s coming from a reader who doesn’t particularly like short stories in the first place. But I do love Gaiman, and reading him is all about being transport to another realm of reality, about having your normal everyday emotions disturbed (yes, here’s that word again), about being tipped off balance into a state of wonder, humor, terror, suspense, spine-tingling chills, or a delightful mixture of all of that, and more.
Every one of the stories in this collection was new to me, but as the author explained in the introduction, most have been published before. There are only three totally new stories. The remaining twenty-one were published one or more times in some other venue or media. But few people have been exposed to them there even though a few are major award winners. Most had a previous life as part of a multi-author anthology dedicated to a specific overarching theme. Five stories had a previous life in a multi-author anthology celebrating a famous author, namely: Gene Wolf, Ray Bradbury, Jack Vance, Sherlock Holmes, and Arthur C. Clarke. Two were collaborations with musical drama and performance artist Amanda Palmer. Four were published as stand-alone stories: one for a literary magazine, another for a newspaper, a third for a year-long interactive fan-based Twitter experiment, and a fourth for a BBC Radio 4 production. All are captivating and unique glimpses into the staggeringly creative mind of Neil Gaiman.
Most of the previously published stories in this book probably escaped notice by the lion’s share of Gaiman fans. In today’s world, relatively few people read short stories, especially when they’re published in obscure anthologies. By pulling together all his most recent short stories and selling them in one volume, Gaiman will be able to reach a far larger audience. When done well, short stories are the gems of the literary world. Gaiman’s short fiction deserves to be read and treasured. I rediscovered that while reading this book. I’d forgotten how marvelous short stories can be when they’re told by a master storyteller.
The collection is aimed at adults, but I’m sure Gaiman’s legions of young adult fans will love this book, too. None of the stories in this collection are appropriate for young children: this is not because they may cause nightmares, but rather because they deal with adult themes that children will not comprehend.
I loved this book. It was full of enchanting stories that delightfully disturbed my senses and inhabited my heart.
For those of you who may have encountered a good number of Gaiman’s short stories elsewhere, here a list of the stories in this book:
Making a Chair
A Lunar Labyrinth
The Thing About Cassandra
Down to a Sunless Sea
“The Truth Is a Cave in the Black Mountains…”
My Last Landlady
Adventure Story
ORANGE
A Calendar of Tales
The Case of Death and Honey
The Man Who Forgot Ray Bradbury
Jerusalem
Click-Clack the Rattlebag
An Invocation of Incuriosity
“And Weep, Like Alexander”
Nothing O’Clock
Pearls: A Fairy Tale
Kether to Malkurth
Feminine Endings
Observing the Formalities
The Sleeper and the Spindle
Witch Work
In Relig Odbráin
Black Dog
That is a long way to say I received this book for free.
Trigger Warning is a collection of poetry, fairy tales, science fiction-y stories and the like. It’s bits and bobs of Gaiman.
If you’re a fan you’ll like it. If you’re not a fan already, I wouldn’t start with this one, though I enjoyed every piece in it. It does showcase his ability to write in an array of genres, so if the reader isn’t interested in one piece they can skip to the next.
Something I particularly liked was, at the beginning of the book there was information about each piece–what inspired it, where he was when he wrote it, something. I find that sort of thing interesting so I’d read each section then go back and read the paragraph or so about the ‘making-of’ that bit. I wish more books had that. What fun.
The entirety of A Calendar of Tales is in the book, which was an interesting inclusion and was much shorter than I was expecting.
There was a labyrinth and various mythologies featured a few times, which is always appreciated by this reader, as were ghosts and leprechauns. Snow White and Sleeping Beauty were in the same tale, but this time the women were the hero(ines) and things aren’t always what they seem.
There’s even a Sherlock Holmes tale that read quite true-to-source for me.
And of course there are creepy children, because children are creepy.
It’s difficult to choose a stand out, as the pieces were so different, but an homage to Ray Bradbury called ‘The Man Who Forgot Ray Bradbury’ was wonderful and touching. The background Gaiman shared only made it more so.
‘Feminine Endings’ was TERRIFYING. And the story behind that one was hilarious.
If you’re a Gaiman fan, this is a must-read. 5/5
If you haven’t read anything of his yet, I’d probably start with something else, though you’d still be able to find something in here to appeal. 4/5
“There are things that upset us…images or words or ideas that drop like trapdoors beneath us, throwing us out
What do we need to be warned about? We each have our own little triggers.”
So, given Neil Gaiman’s ability to write stories that are guaranteed to disturb, it is certainly appropriate that this latest collection of his short stories has been titled Trigger Warning. Most of the stories have been published previously but, unless you’re that intrepid super fan that has hunted for every crumb of Gaiman ephemera, there’s sure to be something here to please or better yet send chills up the spine.
Granted not all of these stories are creepy or scary or even a little spine-tingling and, as in every collection of short stories, I like some better than others but they are all great fun to read and they all have Gaiman’s signature twist, making even the most familiar tale seem new again. My personal favourites were The Truth is a Cave in the Black Mountains in which two men set out in search of gold and revenge and Orange which is a strange list of answers to a questionnaire about aliens, jam, and other assorted things. But I thoroughly enjoyed all of the others including a Sherlock Holmes tale, The Case of Death and Honey and a Doctor Who story, Nothing O’clock. There are also a couple of fairly well-known fairy tales that Gaiman has rewritten in very interesting ways.
Gaiman is that rare writer who never fails to enchant, entertain, and ensnare the imagination of his readers and Trigger Warning is typical Gaiman. If you’re a fan or even if you’re not, there’s bound to be something here to delight as well as disturb. Heck, I even enjoyed reading his Introduction almost as much as I did the stories.
The Shadow story suggests American Gods may be worth looking into, as well. Shadow's dialogue is quite clever, re-reading it I see how well every line double-tracks but without raising suspicions. It is an inflected style of speech, but convincingly as Shadow's stylised manner, and not because of the double duty it serves. And above this sentence-level craft, an interesting take on American messianism, a stand-in for modernity against the worldly wisdom of myth and tradition. If the novel captures this half as well, it will be something.
Gaiman in his Introduction provides a recollection or note for each story: I read each immediately after finishing its respective story (for fear of spoilers). It was good that I knew they were on offer, and I mightn't if they'd been put in an afterword, but I'm very happy to have read them after the story and not beforehand, though nothing there was crucial to understanding the tale. Chiefly his commentary heightens my appreciation for his creative process, though for those new to Gaiman it could also be useful to learn certain stories have links to other of his writings. There is also a very short story, a bonus by way of apology, which is nested within the Introduction before the story notes.
Something about the story "Cave" suggested to me the opposite of Truth may not be Error, or Lies, or Falsity, but: Meaning. Poles of a spectrum, Truth at one end and Meaning at the other, the more Truth one finds, the less Meaning there is. Gaiman does not say this, precisely, but somehow it emerges and is I think aligned with if not strictly necessary to his tale.
Something about "Click-Clack, the Rattlebag" reminds me of William Sansom's "A Woman Seldom Found". The lure, perhaps. The brevity.
I have a different opinion of the definition of Trigger Warning than Neil does; its not a warning against something that merely upsets, but against something that causes actual harm
I had previously read at least one of these pieces, but what made the book more
I am a fan now.
I
If you are a Dr. Who fan , "Nothing O'clock" is probably going to come in as a contender for first place. Lunar Labyrinth had excellent visual descriptions. It was which was the perfect mix of a little strange, a little creepy, and a little quirky.. three of my favorite ingredients in fiction. He narrated multiple characters in this selection especially well, and nailed their personalities. He is one of the few authors who can pull narrating his own work.
It is great when an author that the world adores puts a book in your lap that makes you suddenly feel like you are part the mainstream... a member of the club... one of the crowd. This Gaiman novel did that for me. It's the one I will be referring to when I say, " Neil Gaiman is the author of my favorite short story collection."
Many of the other stories were interesting but I think these 4 would be reason enough to read this book.
The first one was The Case of Death and Honey, a Sherlock Holmes homage. It takes place long after his famous escapades in London and ties in very well with his cannon ‘retirement’. It was very well done and I thoroughly enjoyed it.
Nothing O’Clock is a Dr. Who story, I haven’t watched a single episode since I was around 8, several decades ago (much to my shame) but I still felt like he was the Dr. It also reignited my curiosity and I’ll have to try watching some more. The Dr. once again needs to save the day and he has a rather interesting opponent with a unique ability to deal with time.
The Sleeper and the Spindle was a Snow White and Sleeping Beauty cross. Of course it never said that, and if you were not familiar with these fairy tales it could be easily missed. That was part of what made it good, and he put a very interesting twist in it as well. You think you know what is going on, but are likely going to be mistaken.
Black Dog I’m having to guess, since I haven’t gotten around to reading American Gods, but I do believe this is a short story related to that universe. Whether or not it is, I thought it was very good. The main character, Shadow Moon, is walking across Great Britain and stops for an evening at a small road side pub for a drink, but ends up staying several days and solves a crime no one knew happened.
By: Neil Gaiman Pages. 310
Published By: William Morrow &Company
Copy Courtesy of ReadingRoom Advanced Reader
Reviewed By: tk
Astounding accumulation of thought provoking and thrilling stories!
Neil Gaiman is a brilliant and gifted story teller. Once you open the cover and enjoy the
I usually avoid short stories, however this collection is superior.
A must have in you library!
5/5
A lunar labyrinth – creepy atmosphere but predictable
The thing about Cassandra – very good, especially the ending
Down to a sunless sea - ok
"The truth is a cave in the Black Mountains ..." – very good but a bit too long
My last landlady – excellent horror
Orange – interesting questionnaire format
A calendar of tales – some excellent, some average, particularly enjoyed the Anne Bonney tale
The case of death and honey – quite good but a bit predictable
The man who forgot Ray Bradbury – a beautifully written tale concerning one of my favourite authors from childhood – it almost brought a teat to my cynical old eye
Jerusalem – a little dull
Click-Clack the rattlebag – ok but predictable
An invocation of incuriosity – very good
"And weep, like Alexander" - humorous
Nothing o'clock – a fun Dr Who tale
Diamonds and pearls: a fairy tale - ok
The return of the thin white duke – quite good fairy-tale
Feminine endings – starts out as poignant love-letter but ends up as creepy stalker
Observing the formalities - ok
The sleeper and the spindle - ok
Witch work - dull
In Relig Odhráin - strange
Black Dog. – very good
Read in 2015.
The other stories are uneven, as they are in any collection. One, “Orange”, breaks with narrative form. It’s the tale of the unfortunate transformation of a teenaged girl, as told by her younger sister, and we only see the answers she makes to a questionnaire. It’s very effective and very funny. There is also a Sherlock Holmes story, one about Jerusalem syndrome, an homage to Ray Bradbury that’s touching, a marvelous story about time travel, a tale of an uninventor who makes annoying inventions go away (oh, how I wish he were real. I’m looking at you, The Clapper), a Dr. Who story (11th doctor), the fairy tale of Snow White and Sleeping Beauty, and a man who finds that his made-up girlfriend has come to life, which is not nearly as good a thing as it sounds like. There is also some poetry; I don’t know or appreciate anything about poetry so I shall refrain from commenting. Not nearly as atmospheric as his novels, but quite good.