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Description
Fiction. Short Stories. Suspense. Thriller. HTML:NEW YORK TIMES BESTSELLER � Get ready for the ultimate Jack Reacher experience: a thrilling new novella and eleven previously published stories, together for the first time in one pulse-pounding collection from Lee Child. No Middle Name begins with �Too Much Time,� a brand-new work of short fiction that finds Reacher in a hollowed-out town in Maine, where he witnesses a random bag-snatching but sees much more than a simple crime. �Small Wars� takes readers back to 1989, when Reacher is an MP assigned to solve the brutal murder of a young officer found along an isolated forest road in Georgia�and whose killer may be hiding in plain sight. In �Not a Drill,� Reacher tries to take some downtime, but a pleasant hike in Maine turns into a walk on the wild side�and perhaps something far more sinister. �High Heat� time-hops to 1977, when Reacher is a teenager in sweltering New York City during a sudden blackout that awakens the dark side of the city that never sleeps. Okinawa is the setting of �Second Son,� which reveals the pivotal moment when young Reacher�s sharp �lizard brain� becomes just as important as his muscle. In �Deep Down,� Reacher tracks down a spy by matching wits with four formidable females�three of whom are clean, but the fourth may prove fatal. Rounding out the collection are �Guy Walks into a Bar,� �James Penney�s New Identity,� �Everyone Talks,� �The Picture of the Lonely Diner,� �Maybe They Have a Tradition,� and �No Room at the Motel.� No suitcase. No destination. No middle name. No matter how far Reacher travels off the beaten path, trouble always finds him. Feel bad for trouble. Praise for No Middle Name �Captivating . . . classic [Lee] Child . . . This volume demonstrates what his fans already know: he�s a born storyteller and an astute observer.��Publishers Weekly (starred review) �Lee Child, like his creation, always knows exactly what he�s doing�and he does it well. Time in his company is never wasted.��Evening Standard.… (more)
User reviews
So yeah, kind of ridiculous. But compelling nonetheless, because I've read every one of the Reacher novels and enjoyed them in all their violent absurdity. I knew Child had published a number of e-book short stories featuring our favorite ass-kicker, but my library only has a handful of them. So some of the stories in this collection were familiar, and others were new to me although not actually new, if you know what I mean.
After reading the collection (which spans time between Reacher as a 13-year-old military brat and his current circumstances), I think Reacher may even work better in the short form. You get pure concentrated doses of Reacher with little secondary character development (not that there's a ton of that in the full-length books), and the plots aren't drawn out to such a ridiculous extent as they need to be to make a full novel.
If you like the Reacher persona, you will probably enjoy this collection. If you don't, nothing here will change your mind, I don't think. If you are curious about this Reacher creature, I'm not sure this collection is the best place to become acquainted; you'd probably be better off starting with the first novel, [Killing Floor] and seeing if he strikes your fancy.
Highly recommended.
Try and pick
As always, the Reacher stories are fun, fast-paced, and furious, with brilliant deduction, slightly odd considering these are action tales.
The only question I have is why do so many regular sized people feel it is going to be worthwhile trying to fight the 6' 6", 250 pound Reacher. I would turn and go the other way. I guess they sacrifice themselves for the good of the series.
I'm surprised people that are interested in books don't take the opportunity to step back and recognise the multi-cultic hogwash that has made contemporary literary criticism so
There are so many blatant untruths about human nature that people are expected to recite whenever they say anything that it just takes the edge out of everything, even when it comes to Lee Child and his Jack Reacher.
It's not unknown for writers of fiction to develop many characters over time, in order for them to have more structure, content, more substance, capable of exuding humanity from the innately indifferent pages of a novel. So, Pessoa was obsessed with character, a creative artist who took aspects of his art much further than anyone else? Look at a wide range of those who have or are considered to be the greats, Picasso, Dali, the great musicians and composers, most of them could have been considered obsessive in one way or another ... even Dulce Pontes could be called of as healthily obsessive with perfection, i.e. to the right degree .... I think this used to be called "hard work and perseverance" as well as "talent" and "creativity". I suspect both Pessoa and Lee Child may prove more reliable than cyberspace at delineating humanity's ever-changing face.
To be able to construct a persona to explore and reveal a way of thinking and feeling is an art, be it Bernardo Soares, Álvaro de Campos or Lee Child. Pessoa’s life was all about seeing the multiplicity of mind while Child’s is all about the down-to-earthness of mind. The great tragedy of many human lives is that so many minds are too lazy to explore themselves. Very few people create true heteronyms: mostly, through multiple pseudonyms, they return to the same few obsessions, quirks of style, political or philosophical beliefs. Following a few supposedly shifting personae over the years has for me rather reaffirmed the idea of an irreducible core to most human subjects. Which in turn reaffirms the artistic skill of a Pessoa when opposed to someone like Child, i.e., someone able to write somehow from a point "outside himself" not once but multiple times. Child can only write Jack-Reacher-Lee-Child novels while Pessoa can only write using Álvaro-de-Campos-Bernardo-Soares-Ricardo-Reis personas. Everyone develops different personas when writing. Even writing on this blog, the character that is presented isn't much like the myself url. In political discussions, I tend to strike a much more strident tone than is natural. In order to avoid the waffly “on the one hand this, on the other hand” that approach, attitudes are pared down and tend to the more radical than I actually am. In more light-hearted pieces, the sort of humour used is more suitable for the written word than for speech, so that is another persona of sort. I dare say this is very common with people writing reviews regularly, hence all the provocation that goes on.
The very fact that it is impossible, or at least extremely hard to arrive at a true voice (does such a thing even exist?) means that personae are unavoidable, deliberately or not.
To live as a persona attached to its narrow view of its world as WeAreTheWorld seems to do is so lacking in imagination. I imagine the fact that we respond to some books in a certain way give them validity in our own dull minds.
Or as the great philosopher Spike Milligan warned us:
“I talk to the trees. That's why they put me away.”
NB: Yep. I've read another Lee Child book. Deal with it! Yes, I'm looking at you, you trolls!
Not a lto else to say, if you've never met Jack Reacher (where have you been) this might not be the best introduction, but if you're already familiar with the style then there's little else to say - a few random encounters a bit of trademark violence, and a little clever thinking around the corners, eventually. There's no sense that these are deliberate reveals of his backstory and family, more that they've been opportunities to write in some of the other characters. It's the lack of continuous plots across the series that I dislike most about Reacher, and this collection does nothing to alleviate this. On the other hand they're all good stories, fun and written as well as any of the novels.
One for the fans, but still worth reading.