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Fiction. Romance. Historical Fiction. HTML: The Queen of Regency Romance, Georgette Heyer, delights readers with a charming tale of a duke who is tired of playing by the rules. The Duke of Sale is out to prove himself The shy, young Duke of Sale has never known his parents. Instead, his Grace Adolphus Gillespie Vernon Ware, Gilly for short, has endured twenty-four years of rigorous mollycoddling from his uncle and valet. But his natural diffidence conceals a rebellious spirit. A mysterious beauty provides the perfect opportunity When Gilly hears of Belinda, the beautiful foundling who appears to be blackmailing his cousin, he escapes with glee. But he has no sooner entered this new and dangerous world than he is plunged into a frenzy of intrigue, kidnapping, adventure, and surprises at every turn. Praise for Georgette Heyer and The Foundling: "What happens when a many-titled Duke decides to play hooky from his suffocating dignity..."�??Kirkus Reviews "Reading Georgette Heyer is the next best thing to reading Jane Austen."�??Publishers Weekl… (more)
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Georgette Heyer fills this book with some great characters that were a lot of fun to read about. From school boy Tom who finds trouble wherever he goes, to the totally empty-headed Belinda, even the villain of the piece, Mr. Liversedge was an interesting, full drawn rogue. The relationship between the duke and his betrothed was mature, believable and, I found, quite heart warming.
A coming-of-age story that is full of humor and adventure, Georgette Heyer has another winner with The Foundling.
The real strength of this book lies in the characters. A wide variety of personalities, each well drawn and each internally consistent. A real pleasure to read.
This is more a coming of age tale, combined with a comedy of errors than it is a romance. Gilly is our hero (although he's far more Buttons than he is Prince Charming), and while
This is such great fun. The story bowls along merrily, and there is an air of pantomime about this (that's not meant to be derogatory). Gilly is more Buttons than Charming, Gideon would be Charming (although he doesn't get the girl). For rogues we have Liversedge (boo) a highly personable rogue, but we also have Uncle Lionel, who could certainly be viewed as trying to suppress Gilly and keep him in the comfortable box of boy, not man.
I'm usually quite sparing with my stars, but this gets 5. It manages to be great fun and not leave you feeling that it's full of plot holes or daft writing.
Despite its similarity (in parts) to some of Heyer's other novels - Sprig Muslin and Charity Girl in particular - The Foundling provided a quick, entertaining read, with a gentle charm of its own. Gilly may have been somewhat too mild, but his rebellion against the strictures placed upon him, and his gradual transformation from boy to man, made for an engaging coming-of-age tale. His romance with Lady Harriet was somewhat less appealing, and had the feel of an afterthought. One has to wonder, moreover, at the similar names that Heyer gives all these trustworthy "older" female friends, who always stand ready to assist her heroes with the young runaways they have undertaken to help: Lady Harriet, Lady Hester, and Henrietta... An unconscious acknowledgment on the author's part that they are essentially all the same character? One has to wonder...
...So anyway, this book is a coming-of-age story, not a romance. It's lovely to read about Gilly
Once again I was charmed by Heyer’s tale and wit. I eagerly read the book from cover to cover in a very short time.
Belinda – the foundling herself – may not be the story’s focal point but she is an entertaining character. She’d be classed as a “dumb blonde” in today’s society. In this tale she is excessively beautiful yet devoid of intelligence. This makes for some superb humorous moments.
Tom is also amusing with his endless schemes and getting into scrapes. In fact, all characters are well-defined and humorous to varying degrees, and it’s the comedy aspects that appealed to me the most.
The plot itself was okay, if a little disjointed, but when the witty dialogue exchanges are not apparent the reader is often faced with lengthy narrative passages that are slow paced and mundane.
In short, the parts are better than the whole.
I liked this book a great deal. It's largely free of Heyer's love of Regency-era slang, and the main character is far from her usual tall-saturnine-sardonic-controlling hero. The only issue I had was that the love between Gilly and the woman he ends up marrying seems to come out of nowhere. It's a regency romance, Heyer, you've got to put *some* effort into the romance part, no matter how meticulously researched the "regency" part is.
I was expecting romance, and I was pleasantly surprised when this turned out to be more a coming-of-age story. There is a bit of romance as Gilly gets to know Harriet, the bride his uncle has chosen for him, and meets the beautiful but very air-headed Belinda. The parallels between Gilly and the young runaway, Tom, are a bit heavy-handed. Nonetheless, this was an enjoyable page-turner.
I was kind of bored by this one. I liked the Duke, but there weren't any good
And I genuinely liked Lord Sale and his cousin Gideon (him best of all, I
Lord Sale's staff were insufferable. Heyer meant them to be, of course; that's a big point of the plot from the beginning, but she did her job so well it was tedious to endure the reading of it.
Liversedge was probably brilliant and towards the end even I thought the situation was hilarious, but the first half of the book his character was just smarmy.
But the character I save most of my ire for is Belinda. It was coincidence that I was reading this book the same time I was reading Grey Mask by Patricia Wentworth, but it was also perhaps karma having a go at me: I claimed nobody could be as stupid as Margot in Grey Mask and so the fates brought Belinda into my reading life. Belinda makes Margot look like a genius; Belinda makes air look literate. Belinda, in short, should have been institutionalised. Nobody – nobody – could be that vacuous and still show signs of life.
If this book failed at all it was with Heyer's decision to make Belinda too stupid to be believed. I could not be sympathetic to her story at any point because she was not even believable as an automaton. And because she played such a huge part in the middle of the book, the story dragged dangerously midway through and at one point, I just didn't want to finish it. Fortunately, the POV shifted to Gideon, and the story picked up pace considerably. The last half of the book was great, in fact: even though Belinda got to let her stupid shine to the very end, there was a lot less of her and the story focused on the characters that were interesting - the sentient ones.
The moral of this story: stupid people can ruin even the best story.
2007 Heyer's improbable situations and humorous dialog make for the perfect escape from reality.