Carte blanche : the new James Bond novel

by Jeffery Deaver

2012

Publication

Pocket Star Books, c2011.

Status

Available

Description

A James Bond thriller set in the present day finds the iconic British spy engaging a horrific modern villain in a cat-and-mouse chase that takes him from the Balkans and London to the African Continent.

User reviews

LibraryThing member gaskella
In the latest addition to the Bond canon, Jeffery Deaver takes our favourite thirty-something secret agent, uproots him from the 1960s and transplants him firmly into the twenty-first century, in the same way that the film of Casino Royale did a few years ago. The Bond I envisaged though wasn’t
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the gorgeous Daniel Craig, but the original and best, Sean Connery, and Deaver has succeeded in bringing Fleming’s original character up to date. All the trademarks were there – cars, quality booze, jet-setting, and women, including the superfluously named Felicity Willing! As far as women go though, this modern Bond has a very slight vulnerability – he is deeply attracted to his new secretary, Ophelia (Phillly) Maidenhead – a girl who rides a motorcycle. She does have a fiancé though, and Bond isn’t going to intrude.

The plot moves on at a cracking pace in typical Deaver style with, as he puts it, a surprise ending every few chapters. The surprises are not always cliff-hangers either – there is even the odd anti-climax or two which ups the ante for the next biggie. We start in Serbia, before moving to London and environs, then Dubai and Cape Town – all perfect locations for action.

The main baddie is a typical megalomaniac with a modern field of business – recycling – in all aspects you can think of. He is a nasty man who has a peccadillo – a lust for examining death and decay – from still alive but ageing, beauty queens to exhumed corpses. This fetish leads him to need fresh newly killed bodies to explore, and a partnership with an skilled Irishman who, throughout the book, remains almost unreadable. Together they have hatched the ‘Gehenna’ plot, and Bond will have to go undercover and use all the technology and personnel at his disposal to foil it. The moment I heard the word ‘Gehenna’ though, my alarm bells started ringing. Surely, using names such as a Jewish word for Hell for one’s dastardly plot, would similarly set klaxons off at GCHQ and other monitoring stations. Why don’t baddies choose fluffy names for their dastardly deeds?

Fleming may have been one of the first authors to use branding to highlight the lifestyle of his hero – Dom Peringnon and Aston Martins spring to mind, but Deaver takes that concept and slight overdid it for me. He also never forgets to let us know he’s updated the scenario – I found the constant reminders that we’re now in the 21st century were all too plentiful. Mentions of Top Gear, Guy Ritchie films, and the Two Ronnies(!), which are all so of their time, will date this book in a way that keeping it classic, as Fleming did, won’t. The one area of direct homage to Fleming is Deaver/Bond’s creation of a new cocktail – viz the ‘Vesper’ inCasino Royale. For info, a Carte Blanche is a double Crown Royal over ice (a Canadian Whisky I’m unfamiliar with), half a measure of triple sec, two dashes of bitters and a twist of orange peel.

On the whole, I thought Deaver’s Bond was well done – he’s obviously researched long and hard to make sure he got it right, going back to the original novels. The result is a good hybrid of Fleming’s Bond in a Deaver thriller. A few little Americanisms appeared to have got through – a woman is ‘keyboarding’ rather than typing at a computer for instance – but that is small beer. Deaver’s expertise in modern tradecraft is also admirable, but does require much explanation for all the new technology at Bond’s disposal. One nice thing was that Deaver has delved into Bond’s back-story to bring tantalising glimpses of growing up to life.

The supporting characters were great – especially Philly, and Percy Osborne-Smith, Bond’s counterpart in MI5. The love interests though were rather subdued, sublimated to the driving pace of the plot; (if this gets filmed, no doubt, they’ll be more prominent). The villains may have been rather one-dimensional as regards their personalities, but the detail they brought to the plot was impressive. The bickering between the government agencies made up for any deficiencies there though, and we get reminded of M’s first name … first revealed in Moonraker, but my lips are sealed.

In summary, this book is not perfect, but it was great fun, and a must for any Bond fan. (7.5/10)
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LibraryThing member JeffV
James Bond, the movie star, might be shelved for unforeseeable future, but he lives again in literature. No, Zombie Ian Fleming didn't crack out a posthumous volume. Veteran suspense writer Jeffery Deaver takes up the mantle with another tail featuring our favorite secret agent.

Bond movies are
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pretty formulaic, and Deaver's book follows suit. Smart, powerful villains, impossible situations, and goofy gadgets are all here. This James Bond seems based on the hardened, terse Daniel Craig version. A combat veteran of Afghanistan, we find out a little more about his past, particularly his parents. This is the sort of content you just won't get in a movie -- it doesn't really promote the action, but it does flesh out the character.

Also to the formula the book ends with an unexpected twist. Is a twist unexpected if you expect it to be there? Hmm. In any case, Deaver executes it in style, and the book had a satisfying, entertaining end.
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LibraryThing member mountie9
The Good Stuff

* This is my first James Bond book ever and I was seriously impressed. I love spy movies but have never been a fan of spy books, usually way too much detail and bored with all the spy stuff. But this was fabulous
* Fast paced plot with lots of twists and turns to keep you guessing
*
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The right blend of action and intrigue for both the spy novel fan and those who usually are not keen on this sort of thing
* Stays true to the James Bond mythology but at the same time brings him into the modern age. Done without losing what makes you love Bond, fabulous cars, great gadgets, excitement and hot bond girls
* Great character names
* After reading this I am off to pick up some more Jeffery Deaver books, I really enjoy the way he writes
* Lots of intrigue and on the edge of your seat scenes - sort of like watching a Bond flick
* Writes a good Bond, sort of pictured him as a mix of Daniel Craig and Timothy Dalton with a little bit of Connery thrown in - would totally want to wake up in bed with him
* Nicely multicultural and not as misogynistic
* Interesting back history on James Bond's parents

The Not so Good Stuff

* M is a man -- I know historically he has been a Man, but I have loved that in the movies M is now a women
* Some boring spy descriptions -- now for true spy novel fans this point should go in above section, but hey I am being honest about MY particular enjoyment of the book

Favorite Quotes/Passages

"He shaved with a heavy, double-bladed safety razor, its handle of light buffalo horn. He used this fine accessory not because it was greener to the environment than the plastic disposables that most men employed but simply because it gave a better shave - and required some skill to wield; James Bond found comfort even in small challenges."

"Evil, James Bond had learned, can be tirelessly patient."

"And don't worry. My second favorite way to wake up is to the sound of champagne opening."

She responded to this with a subtle smile."

Who should/shouldn't read

* Perfect for James Bond purists and those new to the genre
* Great for fans of intrigue and spy stories

4 Dewey's



My Blog Post from the Jeffery Deaver signing

I received this from Bookalicious at the Yummy Mummy Club. Plus I bought my own copy to be signed for my hubby and me
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LibraryThing member maureen61
A wonderful addition to the James Bond collection. This modern day spy thriller focuses on the recycling industry and an evil mogul who strives to further enrich his bizarre passion for death and decay. Well written with unexpected twists and plot turns that keep you interested to the very end.
LibraryThing member Kevinspicks2011
Very disappointing. After all the hype I expected so much more than a basic plot for the ongoing film series. To be honest only Kingsley Amis' attempt is any good...always difficult to carry on a much-loved character. Still better than Sebastian Faulks' attempt.
LibraryThing member MSWallack
And yet another difficult book to review. As any of my followers know, I'm a huge James Bond fan. So, I tend to really like James Bond books but I also expect a lot from James Bond books. With Carte Blanche, Deaver has "rebooted" the Bond series (much as Daniel Craig's Casino Royale did). While one
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or two elements seemed a bit off, all-in-all, I liked the way Deaver moved Bond into the post-9/11 (and 4/11) 21st Century, in particular the way new technology was both utilized and relied upon. It's hard to think of Ian Fleming's James Bond using an iPhone, but to Deaver's Bond, that device is just part of the standard operating kit.

As a story, Carte Blanche brought some fresh ideas to the Bond canon, including an interesting villain that had some of the traditional quirkyness of a Fleming villain, but without going off into the ridiculous. The motivations of another important character were also left murky until the conclusion in a way that offered the reader a bit of surprise. I would have liked to have seen a bit more of the violent and morose elements of Bond's character, but his living in the high life was on wonderful display.

Hopefully, Deaver will return to Bond before too long.
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LibraryThing member WeeziesBooks
This was a very enjoyable book. I gave it an 4star rating and it is almost there for me. I have been reading Jeffrey Deaver's for quite some time but have been disappointed with his last few books. Reading ‘Carte Blanche,’ with 007James Bond as the hero, I feel as if Deaver may have come back
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to his previous style and high quality of writing. “Carte Blanche” is a completely modern thriller based upon today’s world concerns of personal and financial safety and privacy. This is a hot topic and plays into an ‘age-old’ fear of governmental intervention or big brother, except in this book, the villains are simply a number of unscrupulous and twisted individuals (men and women) whose love of money, power and strange personal eccentricities drive them to extreme acts of evil. The primary villain Severan Hydt is well developed evil character whose facade of passionate and committed businessman makes me glad that I don’t have to meet him in any context. I will be able to see his long yellow fingernails that caused such revulsion in Bond, to be a picture in my mind for some time.

The topic of data mining through a massive recycling and garbage collection business could cause us to feel as if we must smash old laptops, then shred, burn and pour water on our discarded personal documents and never place anything important on any other type of technological tool, email or social media again. I may think twice whenever I see a big green truck rolling down my street in the early hours of the morning.

James Bond is still living a fast paced, edge of the seat dangerous lifestyle with his usual fast cars, fine wines and brilliant, powerful, beautiful women as partners and foes. The personalization of Bond by bringing in his own private questions and fears about his parents and his past was a surprising good sub plot which I felt added depth to Bond’s character. This was a very good book and I will again look forward again to the next Jeffrey Deaver book.
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LibraryThing member cwlongshot
I've always loved the Bond films, even the corny ones with Roger Moore, but I'd never gotten excited about the Ian Fleming books. So, not being much of a spy novel fan in general, I was surprised how good this book was. Sure Deaver has to include a few Bond trademarks, but I like how he wove them
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in to prevent a cliche. The book feels fully modern the way the Daniel Craig movies have. I look forward to reading other books by Jeffery Deaver.
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LibraryThing member arjacobson
Carte Blanche: The New James Bond Novel by Jeffery Deaver (New York: Simon & Schuster, 2011. 432 pp) originally posted at wherepenmeetspaper.blogspot.com

Born outside Chicago, Jeffery Deaver earned a bachelor’s degree in journalism from the University of Missouri and a law degree from Fordham
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University. Prior to becoming a bestselling author, Deaver was a journalist, folksinger and attorney. Having written thirty books, Deaver has won numerous awards. For The Bodies Left Behind, he won Novel of the Year from the International Thriller Writers Association; The Cold Moon was named Book of the Year by the Mystery Writers Association of Japan and the Grand Prix Award. Additionally, he has received the Steel Dagger and Short Story Dagger from the British Crime Writers’ Association and the Nero Wolfe Award.

Old History and New Beginnings

When James Bond first stepped onto the pop-culture stage, the Cold War was in full effect. Ian Flemming created the character in 1953, and 007 stopped a speeding Serbian train loaded with hazardous chemicals. No tricky gadgets, no iphone app. Bond was a man’s man and a predecessor to MacGyver, without the cheesy mullet.

However, as the Cold War drew to an end, James Bond’s enemies fell from view. With no clear enemy in sight, the Bond series fell into disrepair. But, with the dawn of the insurmountable enemy that is global terrorism, James Bond came upon the scene again. Jeffrey Deaver, an American, tells a new tale of the technically supreme James Bond.

Homage

Perhaps in homage to the 1953 James Bond, Deaver starts the novel by having James Bond stop a train with hazardous chemicals on board.

“His hand on the dead-man throttle, the driver of the Serbian Rail diesel felt the thrill he always did on this particular stretch of railway, heading north from Belgrade and approaching Novi Sad...his imagination told him the noise was the metal containers of the deadly chemical in car number three, jostling against one another, at risk of spewing forth their poison. Nonsense, he told himself and concentrated on keeping the speed steady. Then, for no reason at all, except that it made him feel better, he tugged at the air horn” (3-4).

With trains hauling deadly chemicals, this novel starts the way every other bond tome begins. Not until later in the novel do we meet the new James Bond.

The Villain

Severan Hydt (Severan seems to always be a name indicative of evil – Harry Potter’s Severan Snape certainly alludes to this fact as well) is not your typical villain – he’s concerned about the environment, and also has a penchant for photographing dead bodies. Hydt is also responsible for spreading fear by threatening to inflict the Gehenna attacks, an unknown event that will place thousands of British lives in danger. The trick is that this threat is unknown; Bond and MI5 are trying to find both the details and the location of the attack.

“Estimated initial casualties in the thousands, British interests adversely affected, funds transfers as discussed” (156).

As the novel unfolds, the message becomes clearer,

“Confirm incident friday night, 20th, estimated initial casualties in the thousands” (366).

Using a typical spy cover as an arms dealer, Bond is able to infiltrate Hydt’s base of operations in South Africa in order to ascertain more about the scenario. While undercover, he forms a relationship with a policewoman named Bheka Jordaan in order to try to investigate the work of Hydt.

Knighthood

James Bond is a knight – simply driven by the knight’s code of right versus wrong and honor versus dishonor. He is willing to sacrifice himself, and to exercise his “carte blanche” when he needs to. “Carte blanche”, or the ability to operate outside of the law is something that Bond always struggles with in light of his knightly values. He always is curious: “at what point do I become just like the enemy if I continue operating outside of the law?”

Fast Food

All in all, Carte Blanche is a good book. I’ll liken it to fast food; it’s amazing, and you know it. But, you really don’t want (or at the very least shouldn’t want) a quarter pounder with cheese every day. If you do, I strongly urge you to seek medical attention soon, as your heart may have already stopped several times.

So, read it. Aside from the current global events that provide an intriguing setting for our hero, don’t expect any life changing revelations, or some moralistic platitudes. But, you can expect a novel that delivers James Bond, and with the lack of Double-Oh-Seven films lately, no one can really blame you. If some good, indulgent fast food interests you, read Carte Blanche.

originally posted at wherepenmeetspaper.blogspot.com
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LibraryThing member rjhscott2011
When Ian Fleming created the character of James Bond, he had no way of knowing just how popular Bond would become. With 12 Fleming novels and several short stories, 22 films, and numerous sequels, prequels, spin-offs and reboots after Fleming’s death, Bond is a character known across the world by
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just his last name.

In the newest official James Bond novel “Carte Blanche” by Jeffery Deaver Bond has resettled himself firmly in the 21st century. A veteran of the war in Afghanistan, 007 now works for a branch of the government innocuously named the Overseas Development Group. The ODG is responsible for protecting the British Realm “by any means necessary,” and in a world full of terrorist threats, the ODG agents are given carte blanche to do anything and everything, including breaking the law, to fulfill that mission.

Bond’s latest assignment comes from an intercepted message that reveals the existence of an upcoming attack that promises thousands of deaths, and with only five days to identify the location and the people behind it, Bond must race against time to prevent the threat from becoming reality.

Bond’s investigation leads him across the globe from Serbia to England to Dubai to Cape Town, South Africa, and to the man he must stop, recycling entrepreneur Severan Hydt, a villain obsessed with decay, destruction and decomposition. Bond must use every ounce of his training, intelligence and prodigious skills if he is to keep the Realm safe from the devastation Hydt has planned.

“Carte Blanche” is at once both a James Bond novel and a Jeffery Deaver thriller, filled with the fast paced twists and turns readers have come to expect from Deaver, but staying true to the spirit of the original Bond stories. Readers will see familiar faces from the Fleming novels such as M, Felix Leiter, Rene Mathis, Mary Goodnight, and Miss Moneypenny, but the new characters are just as at home in this tale as the old friends, and the updated time period of the novel lends itself well to the lightning quick speed at which Bond must work, utilizing fancy gadgets and state of the art technology to accomplish his mission.

“Carte Blanche” is a thoroughly entertaining and exhilarating journey through the world of James Bond, but it is not necessary to have even more than a passing knowledge of the Bond canon to enjoy the story. Just pick up the book and enjoy the ride.
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LibraryThing member twiglet12
I wasn’t expecting to, but I really enjoyed this book. I certainly enjoyed it more than Sebastian Faulks’ attempt with Devil May Care. Although Bond gets a reboot in much the same way as he did in the films, Jeffery Deaver has managed to stick fairly faithfully to the style and rhythm of the
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Fleming’s creation and the book contains many of the joys that the original novels provided; the sensual delights of fine food, expensive liquor, fast cars and flirtatious encounters with women, the fascinating details of tradecraft and the opportunity to be introduced to different countries, cultures and industries. This is the first time I have read a Jeffery Deaver novel and if his other books have the same way of making it impossible to put the book down at the end of a chapter, then I am more than tempted to pick up one of his own creations.
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LibraryThing member aadyer
Started well & read very like Fleming & was almost the thought that you were reading a Bond for the modern age. The further it went on though, the more it became more Jeffrey Deaver than Ian Fleming. As a purist, I was a little let down
LibraryThing member mporterf
Jeffery Deaver doing James Bond is like having Robert Downey, Jr. play... Sherlock Holmes. Well done, but with serious disconnects on multiple levels. One needs to just enjoy the story as a story, and suspend complaints about deviations from Fleming's ideal. Though I am enjoying the story, I think
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Deaver needs to get back to Lincoln Rhyme.
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LibraryThing member TulsaTV
Very competent update of 007. Doesn't have the sparkle of Fleming, but I enjoyed the modern details of spycraft. The double-cross count was too high, as in John Gardner's 007 novel, "Icebreaker", which hurt believability. The windup was a bit too mystery novel-like. All in all, though, very
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"readable" (as M once conceded of Rex Stout's Nero Wolfe books).
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LibraryThing member Carl_Alves
James Bond finds a relaunch in Carte Blanche. This is not your father’s James Bond. This version uses spy cell phone apps and made his bones in military intelligence in Afghanistan. Early in Bond’s career, he is working in a special branch of Britain’s national security where he is given
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carte blanche to get the job done to protect the realm, no matter what he has to do. In this novel, he is trying to stop an incident from happening following a waste magnate and his hired gun, Niall Dunne, who it readily becomes apparent, is the brains of the operation and the adversary that Bond will ultimately have to stop. The story goes from Serbia to England to South Africa with lots of action in between.
I enjoyed the new style of James Bond. The modern update works fairly well. I also found the writing to be competent and professional. What the novel suffers from is a lack of believability. The technology the bad guys use is science fiction and has no basis in reality. Also, the characterization of all of the villains in the story is weak. The twist at the end doesn’t work very well. In the end, this is an entertaining but not really good novel.
Carl Alves – author of Blood Street
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LibraryThing member Con.Rad
A good read, the villains were a little underwhelming, and some of the reversals were very cinematic in the reading, the character update was OK, but looking forward to see how the writer develops with these characters. Did not so much like the call outs to all the stock characters, and the women's
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names were, well, unfortunate.
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LibraryThing member mausergem
This is a James Bond novel. While Ian Fleming's James Bond was a chain smoking ruthless killer and a womanizer, Jeffery Deaver's James Bond has a human side to him. This does go down well for me. The story overall is fast paced and keeps you interested all the time, this James Bond story doesn't
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hit the mark.
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LibraryThing member preston.whit
I do not want to ruin the ending for anyone interested in reading this book. However, I will say that the story is formulaic of 007. Like many of the more recent Bond films such as "Casino Royale", this book has many themes and is much grittier than classic 007 movies like Dr. No.

With that being
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said, I will answer the essential questions?

1. Is the book entertaining? YES

2. Are some of the themes believable? This one's a bit mixed.

I like one of the characters' interest in recycling old computers and saving its hard drives to reassemble classified information and metadata.

If you know about metadata or work for government agencies such as libraries, museums or the FBI, you will find the nefarious intentions, which I will NOT mention due to spoilers, a bit of a stretch. But regardless of what you might think, this is a decent summer read but not a life-changer, either.

If you are an archivist, you may break out into NARA hives at the thought of some of the "recycling" ideas.

Another enjoyable story, but nothing fantastic, either.
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LibraryThing member kvrfan
James Bond: Organization Man? Say it ain’t so!

Yet this is exactly what Jeffery Deaver has given us in Carte Blanche, his reboot of the 007 franchise.

And the result is a pretty terrible book.

While Deaver is intent on reiterating Bond’s tastes in fast cars, sharp attire, and quality booze, he
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misses what originally made 007 such an iconic figure. Ian Fleming’s James Bond, arising from the conformism of the 1950s, carried the appeal of being an outsider within the system, someone who exercised the freedom of his “licensed-to-kill” status to create his own rules, bucking convention. Fleming’s Bond worked on very long tether from HQ as he pursued his quarries, as in his search for his nemeses from SPECTRE. He could be cold and arrogant, definitely not a team player. While a reader certainly roots for him, there are occasions that same reader might not be sure whether he likes him. Critics even came to characterize him an “anti-hero.” (In contrast to Deaver, the cinematic reboot casting Daniel Craig as 007 actually captures these character traits quite well.)

Deaver, on the other hand, wants to have a likeable James Bond, who loves his parents, cares about world hunger, only wounds his attackers if he doesn’t absolutely have to kill them, and is always “phoning home.” His relationships with all his colleagues at HQ are warm and chummy. His apartment decorations reflect sentimentality. Even in pursuit of a bad guy, Bond takes time to “smell the flowers,” noticing the beauty of his surroundings. At one point, Deaver has Bond asked himself, “What would M do in this situation?”—something Fleming’s Bond would never be caught doing. This is a sanitized Boy’s Life version of James Bond (an appropriate metaphor in more ways than one, since the book feels like it was written at a sixth-grade level).

As for the central villain, he’s a cipher, nothing more than a cardboard cut-out. Again, one of things that Deaver neglects is that Ian Fleming created villains who were memorable because they were even matches with Bond. 007’s confrontations with Le Chiffre, Drax, Goldfinger, and Blofeld held tension because they were resolved through a battle of wits, not gadgets. Over and over again in Carte Blanche, Bond proves he’s at least one step ahead of his adversaries, having outthought them at every step. In every one of these instances, the reader feels cheated because even when it seems Bond in danger, it is later revealed he wasn’t in danger at all because 007 had taken all the options into account and already taken countermeasures to keep the upper hand.

Fleming's 007 was a character who would probably be pretty insufferable if you had him as a friend, but he made for some pretty riveting adventures. Deaver's Bond is someone who would probably prove to be a good friend, but all in all, that makes him pretty boring.
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LibraryThing member LaurieGienapp
Carte Blanche certainly had a James Bond feel to the book, but you tell it was not vintage Fleming. Having said that... those who have read and enjoyed the originals, should enjoy this. Those who have not read the originals, should still give this a shot... it's a good ol' spy adventure story, with
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lots of impossible and fun things going on.
And if you've read the originals and didn't like them, then this is not for you, as Deaver certainly pays proper homage to the originals.
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LibraryThing member PaulaGalvan
It was great to read a James Bond (who will forever be Sean Connery in my head) book again. I think Jeffery Deaver did it justice. The action was non-stop and the creepy villain, Severan Hydt, with his long, yellow fingernails and perversion for all things dead was captivating. I loved the sexy
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girl's name too - Felicity Willing. She didn't fool James though. Very entertaining.
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LibraryThing member robfreeze
Good read but not quite Fleming's Bond. The new adaption of Bond was good. I would have given the book a 3.5 if I had the option - not quite a 4 since it did not hold my attention from chapter to chapter like some books. Entertaining none the less.
LibraryThing member Andy_DiMartino
Nice addition to the 007 family

Language

Original language

English

ISBN

9781451629354

Original publication date

2011-05-28
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