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Fiction. Literature. Humor (Fiction.) HTML:Now a major motion picture starring Jude Dench, Bill Nighy, Dev Patel, Tom Wilkinson, and Maggie Smith. When Ravi Kapoor, an overworked London doctor, reaches the breaking point with his difficult father-in-law, he asks his wife: �??Can�??t we just send him away somewhere? Somewhere far, far away.�?� His prayer is seemingly answered when Ravi�??s entrepreneurial cousin sets up a retirement home in India, hoping to re-create in Bangalore an elegant lost corner of England. Several retirees are enticed by the promise of indulgent living at a bargain price, but upon arriving, they are dismayed to find that restoration of the once sophisiticated hotel has stalled, and that such amenities as water and electricity are . . . infrequent. But what their new life lacks in luxury, they come to find, it�??s plentiful in adventure, stunning beauty, and u… (more)
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The story basically portrays the lives and losses of a group of English elders: widows and widowers, divorcees, singles, and a well-traveled couple. For various reasons, most of them economic, these folk have decided (or their less than caring off-spring decided for them) that they can no longer afford to stay in Merry Old England, and accept the offer to move to a new retirement community in India (well after all, they speak English there!) billed as the Best EXOTIC Marigold Hotel.
The Marigold can best be described as a dowager empress....good bone structure, but the skin is sagging, and the bones are creaking. Each of the emigres brings a unique set of expectations, and is dealing with singular losses. How they handle the enormous changes and adapt themselves to a new culture, new food, lack of the plumbing, transportation, and energy standards to which they were accustomed at home, is portrayed with empathy, gentleness and wonderful respect for aging human beings. They eventually form a family unit as they muddle their way through their unexpected difficulties, and expand that family to include new friends from the Indian community.
It's a lovely book, an affirming story that helps us realize that "we're not getting older, we're getting better" and that the model of a society where all the generations live together and the elderly are esteemed and cared for is one much to be coveted.
Do go see the movie if you have a chance, and read the book too. They're different enough that one doesn't impinge on the other. They are distinct and delightful.
Slowly, we are introduced to all the characters who eventually come to stay Dunroamin (play on words from ‘done roaming’). We hear their stories about why they got there and about their family lives. Some of the stories are brutally honest and seem to be representative of the aged today. Their initial fears of moving to India and also their prejudices are eventually put to one side as they realise one culture is not that different to another. Wonderfully written with superb narrative and characterisations, there are definite highlights and lowlights to retiring to a residential home but moving to another country was not one of the lowlights. It had an effect on all of the residents, making them evaluate their lives and what was important to them. I got to the end of novel having felt happy and sad – all the signs of a good writer to instil emotions in their reader.
As the new arrivals touch down on Indian soil the plot takes a breather. At that point I fet there was no plot hook, nothing specific to force the reader to read on, beyond an interest in the characters and the way they are likely to react to eachother and their new environment.
Fortunately this is what Deborah Moggach does best - the development of fascinating characters through sharp and witty observation ('Look at that Mrs Greenslade, a vision in beige, so well mannered she hardly existed any more....'). There are so many of them clamouring for our attention; if anything the book was too short to accommodate them all - expand it a bit and we would have had more time to enjoy the individual stories branching off the main 'trunk' of the story. This said, everything was resolved with the help of some hectic head-hopping as the book headed for its conclusion
A jolly good read, as always from Deborah Moggach. She writes the sort of lively character-based fiction that Kate Atkinson writes with such commercial success, and she has been doing it for years and years.
The characters are all marvellously drawn, especially the rakish Norman Purse, and their adventures (or misadventures) are most entertaining.
I am now looking forward to seeing the film.
Ravi's father-in-law Norman is the bane of his life: blacklisted at all the local care homes for his lecherous attention to the female staff, he is once more living with Ravi and his wife Pauline in London. After he accidentally sets fire to their kitchen, Ravi pours out his troubles to his cousin Suni, a businessman on a visit from his home in India, who comes up with a solution to Ravi's problem and a idea for a new money spinning venture at the same time. Why not outsource the old people of England to India: Indian prices would be so much cheaper that their retirement savings would pay for a much better standard of living. The perfect venue is found: The Exotic Marigold Hotel, a slightly run- down establishment which is reminiscent of the last days of the British Raj. The old people are collected: Norman himself; Evelyn a self-effacing woman lost in the modern world without her husband; Dorothy, an ex BBC producer who was respected but not much liked in her profession life; Muriel, a working class woman from Peckham who lives for her son Keith; and several more. All are transplanted to India, where as seems usual in this sort of book about India, they undergo various transformations as they find their true selves in the community of the hotel. And that's one of the reasons that the book falls down for me: I'm not a great believer in a change of country being a huge life-transforming experience - the people themselves are still the same. Those who make a success of retiring abroad always seem the ones who were reasonably happy in the UK anyway - unhappy people generally take their unhappiness with them. Certainly with the film of the same name I get the impression that you were supposed to come away with a lovely fuzzy warm feeling, which I didn't get from the book.
Tells of a plan to set up an English retirement home in Bangalore, taking advantage of the low costs, the availability of staff and the better weather to entice a group of old people out of their unhappy situations and to try something new in the last stage of their life. It all felt just a
Because I am of that age... I found myself thinking ouch as I read the story. Fairly predictable.
Then the setting
The books seems to be just the tip of an iceberg of further plots and explorations.
I'm ready to read more.
I thought each of the characters had so much more room to be developed and expanded that this could be a series of books - like Alexander McCall Smith does - or made into a TV series.
Chose it because I want to see the movie (hopefully soon) and I enjoy reading the book first.
With that marvelous cast of characters - seems the movie has gotten great reviews and with that cast - could imagine this as the basis for a Masterpiece Theatre "At the Marigold"
Go ahead - read it!
Several British retirees move to Bangalore after falling for the promises made in a promotional video for The Best Exotic Marigold Hotel. This is a new type of retirement community, in a country where the elderly are revered. They are promised adventure, multiple activities, good food, on-site
The novel features quite a collection of characters – a randy old man, a slippery entrepreneur, a dissatisfied hotel owner, a whiny and beleaguered widow whose son may be a crook, an adventurous married couple whose life is just too perfect to be believed, a sweet elderly woman whose son and daughter have basically abandoned her and whose savings have dwindled, and an Indian-born doctor and his British wife whose marriage is at a crossroads. Moggach also sprinkles in a variety of minor characters that come and go but sometimes have a major impact on the plot.
There are some aspects of the story that I really enjoyed. I liked seeing the major characters come face to face with issues they had shoved aside for so long. Some of them really blossomed in the new environment. I liked that not everyone’s story ends nice and neat and tied up with a pretty bow. I liked the unexpected alliances and relationships that formed. What I didn’t like so much was that it felt disjointed and not fully developed. A few of the coincidences were just too far-fetched and unbelievable to me. Also, having such a large cast of characters meant that I could never get close enough to them to really understand or relate to any one of them.
I was intrigued by the premise and, much like the characters in the book, seduced by the promises of the movie version. On the whole I did not find the book particularly entertaining or charming. It wasn’t bad, but it was rather blah.
Jan 18, 2012 [edit]
Jan 06, 2012
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The plot had promise, the gist being of a retirement home ('hotel') being set up in Bangalore, India for old
However, the author continued largely with their individual stories and of their adaptation 'issues' -- which was perhaps the original premise of the novel -- drawing on each character's idiosyncrasies. The problem, for me, was that I felt the ending was too abrupt, a too hasty attempt to tie up loose ends, which didn't match the pace of the rest of the novel, hence the low rating. I have not yet watched the movie, and am interested in making comparisons.