Call number
Collection
Genres
Publication
Description
From the internationally best-selling, Pulitzer Prize-winning author, a superbly crafted new work of fiction: eight stories--longer and more emotionally complex than any she has yet written--that take us from Cambridge and Seattle to India and Thailand as they enter the lives of sisters and brothers, fathers and mothers, daughters and sons, friends and lovers. In the stunning title story, Ruma, a young mother in a new city, is visited by her father, who carefully tends the earth of her garden, where he and his grandson form a special bond. But he's harboring a secret from his daughter, a love affair he's keeping all to himself. In "A choice of accommodations," a husband's attempt to turn an old friend's wedding into a romantic getaway weekend with his wife takes a dark, revealing turn as the party lasts deep into the night. In "Only goodness," a sister eager to give her younger brother the perfect childhood she never had is overwhelmed by guilt, anguish, and anger when his alcoholism threatens her family. And in "Hema and Kaushik," a trio of linked stories--a luminous, intensely compelling elegy of life, death, love, and fate--we follow the lives of a girl and boy who, one winter, share a house in Massachusetts. They travel from innocence to experience on separate, sometimes painful paths, until destiny brings them together again years later in Rome.… (more)
Media reviews
User reviews
Most of the stories are set in the US, and the Indian immigrant characters are often in relationship with white Americans. Each one had strong emotional impact. The title story was one of the most moving. In it, an Indian widower visits his adult daughter, who lives in Seattle. He chooses not to tell her that he has found a new partner, and she is afraid he plans to move in with her and her young family. The man's love for his small grandson is very touching; his love for her is demonstrated indirectly through a garden he creates during his visit. Through small day-to-day acts, he shows his daughter a side of him that was not visible while she was growing up.
The novella, Hema and Kaushik, takes place over three separate time periods and follows an Indian immigrant boy and girl from the time they meet as children, through young adulthood, and into middle age. Lahiri is expert at conveying the loss and emptiness deep within each character, and building the reader's commitment to these characters in a very short number of pages.
I intentionally apprpoached this work one story at a time, reading during my lunch hour and savoring each story over the next 24 hours. When the novella -- and the entire book -- came to an end, all I could do was take a very deep breath and marvel at Lahiri's talent. Unaccustomed Earth is the most delicious fiction I have read in a very long time; a must-read.
- Nathaniel Hawthorne, "The Custom-House"
This quotation by Nathaniel Hawthorne graces the first page of Jhumpa Lahiri's Unaccustomed Earth, and is one of the ideas that unites the collection of eight short stories. Lahiri does not always seem to agree with Hawthorne's statement; though her characters are often looking for new places to live, new definitions of the word "home," this movement does not, as Hawthorne believes, cause human nature to flourish. Instead her characters live static, unfulfilled lives, and struggle to express themselves to the people they love.
Lahiri's stories are not about grand adventures or horrible tragedies; instead, she writes about domestic life, and the bonds between parents and children, brothers and sisters, and husbands and wives. Each story in Unaccustomed Earth contains characters of Indian descent who have immigrated to the US, and so the depiction of Indian culture is extrememly vivid. Lahiri writes beautifully. Her prose is descriptive and complex, and the emotions of her characters shine through as though they were actual people in your life.
In general, I love short stories, and Lahiri is exceptionally skilled with this genre. Each narrative is a complete story, and can stand on its own, yet always left me wanting more. The stories contain enough similarities that they form a unified collection; however, these similarities never detracted from the individual stories. Though all alike, they are also distinct. The last three stories contain the same two characters, and could be read as a novella on their own. They are, in my opinion, the strongest stories in the book - though all eight narratives are wonderful.
I went looking for Lahiri's Interpreter of Maladies yesterday after reading a favourable review of it here on LT. Alas, my book store did not have it in stock, so I picked up Unaccustomed Earth instead. This proved to be a blessing, as Unaccustomed Earth was a beautiful read that was perfectly suited to my needs yesterday. It was a satisfying way to spend a few hours, and I will be sure to read the rest of Lahiri's work in the future.
And Jhumpa Lahiri's skill continued with the rest of the stories. Each one had the same sense of wholeness and completeness to it. At the end of each story, I felt full and satisfied—never wanting more, never needing more. Each story was a perfect fully formed pearl.
The book itself is divided into two parts. Part One has five separate "stand alone" stories. Part Two, which is called "Hema and Kaushik," has three stories—one for Hema, one for Kaushik, and one that brings them together.
Although each story has its own feel and characters, Lahiri returns to and touches on similar themes in each story that tie the collection together as a whole. The experience of being an immigrant and coming from India to America is a common thread (specifically, a Bengali Indian). Marriage—arranged marriages vs. "chosen" marriages—is a theme that runs throughout each story. The "Americanization" of Indian children and parents is yet another recurring thread. In addition, Lahiri uses Cambridge, Massachusetts as the setting for several of the stories.
Yet even though you might accurately call this collection "an examination of the Indian immigrant experience," the truths and emotions of these characters are universal. I felt connected to each of Lahiri's characters. I recognized facets of my life in their lives. I heard my thoughts in their thoughts. I saw myself reflected in them. Although our culture, upbringing, location and families might be different, Jhumpa Lahiri's characters spoke to me and it rang true.
The story that most affected me was the third Hema and Kaushik story, "Going Ashore." This was a masterful piece of storytelling, and the ending just wrenched my heart out. The very last sentence of the story is so simple and stark yet reading it brought tears to my eyes, and I felt my heart ache a little bit.
If you have prejudices against short stories like I did, do yourself a favor and read Unaccustomed Earth. To me, these stories are perfect examples of what you can do with the short story form. I know that they will be the standard by which I judge all other short story collections in the future—and the bar has been set exceedingly high.
In the first part, each story is separate, the characters reminiscent of those she explored in Interpreter of Maladies, her first collection. The stories are lovely in and of themselves...but they are not so unique or powerful, maybe particularly to readers already familiar with her work since these stories pursue the same themes already so often explored in her works.
Yet, the second part of this collection is a trio of linked stories which are as unique, powerful, and disarming as anything else she has written. I admit: in the first portion of this work, I wasn't bored...but I wasn't so sure I'd seek her work out in the future. In the second portion, I couldn't bring myself to put the work down. As when I first discovered her work, her characters and her prose disarmed me and brought me near to tears, striking as anything I've read in recent years.
Read the first part for her lovely attention to detail, to characters, to emotion, and to polished writing. Read the second part for her unique power, and for what we look for in fiction with each story we escape to.
Recommended, absolutely.
My biggest criticism is the depressing
Overall, this is a collection I'm glad to have read, but not one that I'd read, as I did, on a rainy day.
I read this book for a book group that I was leading. We had not realised that they were short stories when the book was recommended so I was a bit concerened how it would fit into a book group setting. I need not have worried, the discussion was enthusiastic and varied, and
The theme of displacement was one we could all relate to, being ex-pats from around the world. Also the idea of making friends with people from all walks of life, with just our nationality in common. There was, however, a feeling that some of the characters lacked definition, hence the four, rather than five star rating.
Personally I favoured the triad of interconnected stories at the end. Here we had a chance to get to know the characters a little better and the ending was memorable - something that some of the other stories lacked.
I'm looking forward to reading Namesake, Ms Lahiri's only full length novel. Having sampled her short stories I'm keen to see how she developes her characters in this medium.
Recommended, especially for lovers of short stories.
Jhumpa Lahiri is Indian-American; more specifically from a Bengali background. She draws from this background as a basis for most of her
This book consists of two parts.
Part One consists of the five following stories:
“Unaccustomed Earth” : A young mother hopes that her widowed father will move in with her and her growing family; but finds out he does not want to, and the reason why.
“Hell-Heaven”: A young girl observes the relationship between her parents and a family friend, and comes to realize that her mother was actually in love with the family friend for many years.
“A Choice of Accommodations”: A man attends the wedding of a girl he grew up with and adored. The man’s wife also attends the wedding with him.
“Only Goodness”: About a woman dealing with her alcoholic brother and coming to grips with how, and why, he became that way.
“Nobody’s Business”: About two roommates, male and female; and what happens when one is involved in an unhealthy relationship.
Part Two : Hema and Kaushik
“Once in a Lifetime”
“Year’s End”
“Going Ashore”
Part Two, above, actually seems more like a novella to me. It’s about Hema and Kaushik and was my favorite section of the book. Their characters and their story really stayed with me, and I actually went right back and re-read Part Two after finishing it.
Hema and Kaushik were sort-of childhood friends: Hema’s parents allowed Kaushik and his parents to stay at their house for a length of time while the latter were looking for a house to buy and move in. After Kaushik and his parents move out, the two children lose touch over time. Eventually, Hema and Kaushik meet again by chance, when they are adults and have had a lot of life experiences behind them.
The first part is told by Hema’s point of view. The second part is then told by Kaushik’s point of view. The last part is narrated objectively–that is, by neither of them. Until the very last few paragraphs, when it is Hema telling the story. The ending came somewhat as a shock to me.
Here is a passage, from when Hema and Kaushik have run into each other again after all those years:
“After lunch he drove her back, inviting her to his place, in a quiet neighborhood where laundry hung between apricot-colored houses and old men sat in folding chairs on the streets. The men watched, silently, as Kaushik unlocked the bolts and Hema waited at his side. It was unquestioned that they would not part yet, unquestioned that though they had not seen or thought of each other in decades, not sought each other out, something precious had been stumbled upon, a new-born connection that could not be left unattended, that demanded every particle of their care”.
I strongly recommend that you give this short story collection a try!
My only problem with this book - and I should emphasize that it is MY problem - is that the characters from the eight stories herein began to run together and I found myself paging back and forth trying to figure out if I'd seen this character in a previous piece. And indeed, in the second part of the book, the viewpoints do shift between Hema and Kaushik, whose paths in life intersect periodically. I think perhaps the obvious answer to MY problem would have been to simply slow down and take some timeouts between stories. Which posed another problem: I couldn't wait to see what the next story would bring.
But what the hell. Lahiri is simply a story teller of the first order, i.e. damn good. I'm looking forward now to reading her first book of stories, the one that got her the Pulitzer, and also the new novel, THE LOWLAND. This book? Highly recommended.
In the title story, a young Bengali woman named Ruma relocates to Seattle with her American husband and son as they look forward to the birth of their second child. A visit from Ruma’s father stirs memories of her deceased mother, and forces her to consider her duty as daughter to invite her father to live with her.
Ruma feared that her father would become a responsibility, an added demand, continuously present in a way she was no longer used to. It would mean an end to the family she’d created on her own: herself and Adam and Akash, and the second child that would come in January, conceived just before the move. - from Unaccustomed Earth, page 7 -
But Ruma is unaware that her father has begun to move forward after the loss of his wife, and treasures his new found independence.
He stared out the window at a shelf of clouds that was like miles and miles of densely packed snow one could walk across. The sight filled him with peace; this was his life now, the ability to do as he pleased, the responsibility of his family absent just as all else was absent from the unmolested vision of the clouds. - from Unaccustomed Earth, page 8 -
During his visit, Ruma’s father connects unexpectedly with his grandson, and plants a garden for Ruma. The visit unfolds in an unpredictable way, bringing a deeper understanding of both father and daughter; and opening a door to a new relationship.
This simple first story, rich in detail and expertly crafted, introduces the stories to come with the common theme of growing and changing relationships over time and how these changed relationships accommodate, or not, the needs of the characters. Each story involves a Bengali family or individual who has immigrated to America. In some stories, the characters are drawn back to India; in others they find a place for themselves in America; in still others, they are drawn to seek their future far from either place. The stories are also about loss - the loss of innocence, or intimacy, or love, or even life itself.
But death too, had the power to awe, she knew this now - that a human being could be alive for years and years, thinking and breathing, full of a million worries and feelings and thoughts, taking up space in the world, and then, in an instant, become absent, invisible. - from Unaccustomed Earth, page 46 -
The final three stories of the collection - interconnected by character - are actually more of a novella. In Once in a Lifetime, Hema recollects her childhood in Massachusetts when she meets Kaushik, the son of her parent’s close friends. Hema speaks directly to Kaushik in the narration, a technique which while unsettling, serves to bind the two characters together. The second story titled Year’s End, picks up the narration years later from Kaushik’s point of view as he deals with his father’s second marriage after the untimely death of Kaushik’s mother. In the final story titled Coming Ashore, Hema and Kaushik meet unexpectedly in Rome only weeks before Hema is to become married via an arranged marriage in India. These stories once again emphasize the growth of the characters and how this growth impacts and changes their relationship to each other. Lahiri also examines the cultural conflict between America and India as it reflects on the characters’ decisions.
Lahiri is a gifted storyteller, one who writes effortlessly and ties together complex themes with ease. Her writing is often simple, yet beautifully constructed with rich detail and in-depth characterizations. Readers who might shy away from short stories will find themselves delighted with Lahiri’s ability to make them feel connected to her characters. She compacts their lives in such a way that the reader feels as though they have spent a longer time with them - feeling their joys, sadness, regrets and hopes in rare depth.
Highly recommended.
This
The one thing I appreciate most is how pain is ever present in life. In Hema and Kaushik, especially, it was an amazing experience to just sit back and read it. In my opinion, Jhumpa Lahiri has definitely reached the point where she could be equal to the likes of Rushdie and Vikram Seth.
I originally read this book for a book group that I was leading. We had not realised that they were short stories when the book was recommended so I was a bit concerened how it would fit into a book group setting. I need not have worried, the discussion was
The theme of displacement was one we could all relate to, being ex-pats from around the world. Also the idea of making friends with people from all walks of life, with just our nationality in common. There was, however, a feeling that some of the characters lacked definition, hence the four, rather than five star rating.
Personally I favoured the triad of interconnected stories at the end. Here we had a chance to get to know the characters a little better and the ending was memorable - something that some of the other stories lacked.
Hearing the stories read by Sarita Choudhury and Ajay Naidu, was enjoyable, but I don't think I got as much out of them the second time around. 4 stars for the book, 3.5 for the audio version.
Recommended for lovers of short stories.
Highly recommended.