E.E. Cummings: Complete Poems 1904-1962

by E. E. Cummings

Other authorsGeorge James Firmage (Editor)
Hardcover, 1994

Publication

Liveright (1994), Edition: Revised, Corrected, and Expanded, 1136 pages

Original publication date

1994

Description

This centennial edition of E.E. Cummings's Complete Poems, published in celebration of his birth on October 14, 1894, contains all of the poems published or designated for publication by the poet in his lifetime, including thirty-six poems that were first collected in the 1991 edition and 164 unpublished poems issued in 1983 under the title Etcetera. At the time of his death in 1962 E.E. Cummings was, next to Robert Frost, the most widely read poet in America. Born in Cambridge, Massachusetts, he lived most of his life in Greenwich Village and in Madison, New Hampshire, where he died in 1962. His imprisonment in a French detention center during World War I, which inspired his novel The Enormous Room, and his visit to Stalinist Russia in 1931, described in his EIMI, punctuated a career devoted entirely to his two passions of poetry and painting. Combining Thoreau's controlled belligerence with the brash abandon of an uninhibited Bohemian, Cummings, together with Pound, Eliot, and William Carlos Williams, helped bring about the twentieth-century revolution in literary expression. He is recognized on the one hand as the author of some of the most beautiful lyric poems written in the English language, and on the other as one of the most inventive American poets of his time - in the words of Richard Kostelanetz, "the major American poet of the middle-twentieth-century."… (more)

User reviews

LibraryThing member curtis
EE Cummings is my personal favorite poet. I could write essays about why I love his poetry- I will spare you that here. Suffice it to say that lovers of Cummings will find this edition clear, complete, and beautifully presented.
LibraryThing member agricolaoval
This got to be the poet who has meant most to me, and he has followed me through life. Cummings has this marvelous perceptiveness that make things stand out from the background as small gems and handfuls of reality. His sentences have the syntax of thoughts half thought and voices that murmur in
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the back of our minds. His imagery is as fresh and clear and wonderful as a day in spring, and his issues are always the only ones that really count; closeness, love, friendship, time, nature and death. This is the book that always makes me feel alive and happy to be so. It came to me the first time I fell seriously in love, and it never fails to revive the magic of those days. When I sit around reading it my wife laughs at me and says: "So it's that time of the year again!" Which it is. An incredible book.
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LibraryThing member terrybain
There is no poet that seems to speak to me more than e.e. cummings. I don't know how he does it (or did it) and examining it too closely is probably not the best idea. His poetry just frankly makes my stomach flop over. For good or ill.
LibraryThing member evanroskos
who knew? cummings writes some of the sexiest love poems around. move over Barry White. No. seriously. Move OVER.
LibraryThing member TaraMichael
Great poet. Favorite poem is "i carry your heart'.
LibraryThing member FourOfFiveWits
For every 25 poems I read, only one would really stir me. My 2 stars aren't a reflection of his poetry but my ability to enjoy. For the most part his kind of poetry is not the kind I wish to read.
LibraryThing member Salmondaze
Man, what's to say about e.e. cummings poetry? It's simply one-of-a-kind. I feel like the closest you get to it is James Joyce's Finnegans Wake and yet those are two wildly different beasts. The poet followed a path so many poets took, starting out at his strongest and then at different rates
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growing less and less sharp. Though this is almost never an absolute curvature, it does show in the trend. The difference in quality is most notable when the main part of the book ends (the poems published in collections presented in their entirety) and the uncollected poems start. The uncollected poems, like the collected poems, follow a chronological order until you reach the appendices which contain juvenilia that I can almost guarantee e.e. cummings didn't want to see the light of day. In fact, the uncollected poems contain perhaps some of the greatest verse in the book.

In terms of technique, cummings plays with type, line breaks, and even forces you to sound out the words piece by piece- often leading you to sound things out incorrectly before the word is completed. The creativity at first seems to suggest expansive possibilities but as I said before, somewhere along the line he got less inspired and for whatever reason it wasn't words that failed him but the tricks. Just kidding. It was the words, too.

Someone told me e.e. cummings was a genius. It might be a little bit hard to see that in the main experimental material in this book, but if you flip over to the appendices and read what he was writing at Harvard, the poems do show a great deal of technical acumen. I think to him, though, it was clear that he had to pursue a more original direction. None of that material is classic, per say, but it does show a considerable mind at work.
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Language

Original language

English

ISBN

0871401525 / 9780871401526

Physical description

1136 p.; 7 inches

Pages

1136

Rating

(301 ratings; 4.4)
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