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Fiction. Mystery. Suspense. Thriller. HTML:Elena Weaver was a surprise to anyone meeting her for the first time. In her clingy dresses and dangling earrings she exuded a sexuality at odds with the innocence projected by the unicorn posters on her walls. While her embittered mother fretted about her welfare from her home in London, in Cambridge�??where Elena was a student at St. Stephen's College�??her father and his second wife each had their own very different image of the girl. As for Elena, she lived a life of casual and intense physical and emotional relationships, with scores to settle and goals to achieve�??until someone, lying in wait along the route she ran every morning, bludgeoned her to death. Unwilling to turn the killing over to the local police, the university calls in New Scotland Yard. Thus, Detective Inspector Thomas Lynley and his partner, Detective Sergeant Barbara Havers, enter the rarefied world of Cambridge University, where academic gowns often hide murderous intentions. For both officers, the true identity of Elena Weaver proves elusive. Each relationship the girl left behind casts new light both on Elena and on those people who appeared to know her best�??from an unsavory Swedish-born Shakespearean professor to the brooding head of the Deaf Students Union. What's more, Elena's father, a Cambridge professor under consideration for a prestigious post, is a man with his own dark secrets. While his past sins make him neurotically dedicated to Elena and blind to her blacker side, present demons drive him towa… (more)
User reviews
The heart of George's stories are the deeply flawed characters. Lynley and Havers crackle with chemistry as usual and the rest of the players are equally entertaining. The description and atmosphere of Cambridge seemed very realistic. I think this is one of the best of the five books of the series and I'm definitely going to move on the #6, Finding Joseph.
While the story did resolve itself
The crux of this novel, even more than prior mysteries, is very centered on the victim, Elena Weaver, and her various identities and relationships: as a deaf woman who resists attempts to define her in such terms, as the daughter of an ambitious Cambridge don and as a student who has lodged a complaint of sexual harassment against a lothario professor. George is adept not just at tossing out red herrings and feints, but in weaving together psychological depth into characters and their motivations. This is the second time I've read this one. I didn't remember the murderer. I think because George isn't so jaw-dropping flashy in her resolutions as a Christie so some ultimate twist lodges it in your brain. But I remembered things like her portrait of an artist whose wellspring of inspiration had dried, the deaf student activist who made the distinction between "deaf" (a disability) and "Deaf" (a culture) the picture of academic politics, the depiction of the incredible damage murder leaves behind and even Helen's sister, Penelope, struggling to come back to herself while her husband is determined to have her define herself as his wife and a mother.
So this definitely is one Elizabeth George book that lingers in memory years afterwards. I wouldn't quite put George up there with the very best of the mystery genre when I compare her books to the masterpieces of Christie, Tey, and Sayers, but her novels are far ahead in writing style, solid plotting and psychological depth from what you can usually find in the mystery aisle, and anyone still writing mysteries today who I've tried. I certainly care a lot more about George's recurring detectives Havers and Lynley than say Adam Dagliesh of PD James.
Thus until almost the end reading this novel, I thought I'd probably give this a top rating. So what leads me to sink it down to three? Quite simply, George cheats. The resolution we get at the end just doesn't fit with what she gives us at the beginning. If this weren't so strong in other ways, I'd be tempted to lower the boom and give this one star.
Unwilling to turn the killing over to the local police, the university calls in New Scotland Yard. Thus, Detective Inspector Thomas Lynley and his partner, Detective Sergeant Barbara Havers, enter the rarefied world of Cambridge University, where academic gowns often hide murderous intentions.
For both officers, the true identity of Elena Weaver proves elusive. Each relationship the girl left behind casts new light both on Elena and on those people who appeared to know her best—from an unsavory Swedish-born Shakespearean professor to the brooding head of the Deaf Students Union.
What's more, Elena's father, a Cambridge professor under consideration for a prestigious post, is a man with his own dark secrets. While his past sins make him neurotically dedicated to Elena and blind to her blacker side, present demons drive him toward betrayal.
I'll keep reading the series but this one was a low OK dud
And, I am confused about where this
I would have rated it 2.5 stars, but I recognize the accuracy with which George describes the controversy of lip reading/speaking rather than pure signing amongst the deaf and their families.
In the last book, Havers is partnered with McPherson. She is completely anti-upper crust society, with a chip as large as a plank resting on her shoulder. In this one, she and Lindley have bonded. It clearly comes much later in the series.
And in this one, somehow Lynley and Lady Helen are an item. Garrgh.
The further Lynley and Havers get into the investigation of Elena's murder the less they understand. Elena's lifestyle attracted many potential suspects and more than one character had murderous intentions. Past hurts and resentments are played out and this ends up being a story of unrealized dreams and guilt and revenge. When I got to the final chapters I couldn't believe who the killer was, much less the motive.
The heart of George's stories are the deeply flawed characters. Lynley and Havers crackle with chemistry as usual and the rest of the players are equally entertaining. The description and atmosphere of Cambridge seemed very realistic. I think this is one of the best of the five books of the series and I'm definitely going to move on the #6, Finding Joseph.
Her father is a professor of history and is in the running for an important chair. He also has troubles lurking in his past. His second wife isn’t a fan of Elena and would not have minded the young woman’s death. Elena’s campus enemies spread from other students to members of the Deaf Student’s Union and into the faculty where her charms led to their troubles.
Havers has her ongoing situation with her mother to deal with while Lynley had his own”set” to contend with. The pair continue to contrast nicely and add a dynamic tension that is almost palpable.
For The Sake Of Elena is yet another winning entry in this great series.
Stay together, but apart please.
Elena, a deaf student and daughter of a highly regarded professor at Cambridge is found dead by a local artist out
The story centers on Inspector Lynley and Sargeant Havers' investigation and the plot revolves around deafness, infidelity, revenge and betrayal.
I plan to watch this episode on TV and I'm sure I'll like that better than the book. At less than 400 pages, this book was a chore to get through. I can't imagine what George's 700+ page books are like to read. I'm sure I won't find out.