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The award-winning and Number One bestselling Val McDermid crafts an electrifying psychological suspense thriller that mixes history, heritage and heinous crimes. A 200 year-old-secret is now a matter of life and death. And it could be worth a fortune. It's summer in the Lake District and heavy rain over the fells has uncovered a bizarrely tattooed body. Could it be linked to the old rumour that Fletcher Christian, mutinous First Mate on the Bounty, had secretly returned to England? Scholar Jane Gresham wants to find out. She believes that the Lakeland poet William Wordsworth, a friend of Christian's, may have sheltered the fugitive and turned his tale into an epic poem - which has since disappeared. But as she follows each lead, death is hard on her heels. The centuries-old mystery is putting lives at risk. And it isn't just the truth that is waiting to be discovered, but a bounty worth millions ...… (more)
User reviews
It kept me hooked &
It's the first of Val McDermid's books I've read & it definately won't be the last.
Jane Gresham is a university lecturer
There are several other story threads mingled with the main one. I found her ex-boyfriend Jake rather one-dimensional, but enjoyed reading about Tenille, the black teenager from Jane's London block of flats. Interspersed with the current day story are accounts from Christian himself of the period before, during & after the mutiny. These I lost interest in as the novel went on - I found myself skipping them in my eagerness to see how the plot progressed. There's a good twist at the end which I didn't see coming, but I felt the loose ends were a little too quickly wound up.
All in all, a good read. Took a little while to get going, but I stormed through the second half.
that the body could be that of Fletcher Christian. She returns to her home also in the Lake District to try to find the poem and/or proof that Wordsworth wrote it. Her ex-lover and others want to find the poem before Jane. When people who may have connections with Wordsworth are killed, Jane is accused of murder. Then book is not all that suspenseful and I suspect that other readers will figure who the villain is as I did.
Two of the three are going to find themselves suspected of murders they didn't commit, but their actions make them seem guilty. The third will discover crucial evidence.
Throw in misunderstood motives, coincidence, a father one should avoid crossing at all costs, an ex whose a real jerk, a murder attempt on one of the heroines, and a harrowing climax for a really good mix. There were times I wanted to reach into the CDs and shake those coppers, yelling that they've got the wrong end of the stick.
There are also chapter openings about Fletcher Christian that were interesting in their own right.
If you dislike multiple viewpoints, this book has them. I enjoyed that. My favorite suspect didn't do it. At least I'm not a police officer, so I didn't hassle an innocent person. Ms. Reading's narration was fine. Not everyone gets a happy ending, but not every character deserves one.
Notes:
When one character greets Inspector R at the door with, Ah, an inspector calls, I think she's making a slight joke because An Inspector Calls is the title of a J. B. Priestly play. It's a modern classic. I've listened to an audio version and it was very thought provoking as well as very good. Its message should have been heeded by some of the characters.
A British abbreviation that might not be familiar to American readers is 'mod. cons.'. It's short for 'modern conveniences'.
This intricately plotted novel seems to have something for every kind of mystery fan. Its core plot involves the 200-year-old body pulled out of a Lake District peat bog that a forensic scientist has cleverly nicknamed “Pirate Peat” because of the intricate tattoos still visible on the body. Interesting as the body already is, there is a strong possibility that it could turn out to be an even more important find than it appears to be at first glance. Local lore says that Bounty mutineer Fletcher Christian somehow survived the aftermath of that famous incident, made his way back to his home area, and disappeared there for good. Could this be the famous sailor’s body?
Wordsworth scholar Jane Gresham, who grew up near where the bog body was found, believes there is more to the Fletcher Christian story. Her research indicates a strong possibility that Christian told his story to William Wordsworth, an old classmate of his, before he disappeared. She believes it likely that Wordsworth wrote down what he was told by Christian before producing a long lost poem about his old friend's adventures. Jane knows how successfully the Wordsworth family guarded its privacy and reputation, so it makes sense to her that the poem and notes would have been hidden away rather than being made public during the author's lifetime. But they are out there somewhere, she thinks, and if it can be proved that Pirate Peat is really Fletcher Christian, it will prove that she is on the right track.
Intriguing as this story line is, it is easy for readers to lose themselves in McDermid's side plots involving Jane's friends and family. The most intriguing thread involves the thirteen-year-old mixed race girl whom Jane has befriended in the infamous London housing project she is forced to live in – being a Wordsworth scholar and college lecturer does not seem to pay particularly well and London rents are high, after all. Tenille is a pet project of Jane's, a kid she is trying to save from the future that already seems destined to be hers.
Wordsworth's papers, if they exist and can be found, will be worth millions to the right collector, and as is always the case, some are willing to do whatever it takes to get their hands on something so precious. Jane’s life gets complicated when characters from all the side plots start showing up in the Lake District for reasons of their own. Suddenly nothing makes sense to Jane. If she is to find the documents she is so certain exist, she will need lots of help – but whom can she trust? Her brother seems to be in a race to find the papers before she does; the police are accusing her of hiding a murder suspect; and people are dying all around her.
Meanwhile, Jane has found some tantalizing evidence that a maid in the Wordsworth household was given the papers about Fletcher Christian. Her initial attempts to trace the maid were frustrated by the fact that there were no records about her after she married. Her friend and colleague, Dan, comes up to help out and her brother, a local school teacher, has a crucial bit of evidence from his students. Unbeknownst to Jane, her ex-boyfriend, Jake, is also on the trail of the documents for his boss and new lover. When the descendents of the maid start dying soon after Jane talks to them, suspicion falls on Jane who is already suspected of harbouring Tenille. Someone is killing the descendents and if it’s not Jane, who is it?
I thought this book was fascinating for both the plot line about uncovering the lost documents and the who-dun-it aspects. Jane is a feisty and gutsy character. Her concern about Tenille shows she also has a tender side. Tenille is also a great invention as a young black woman who talks like a rapper but feels like a romantic poet. Even some of the minor characters are well-drawn; Dr. River Wilde, the forensic anthropologist who is examining the body from the peat is shown as a respected scientist and a sensual woman; DCI Ewan Rigston of the local police force is a no-nonsense officer but he doesn’t jump to conclusions.
I was caught totally off guard by the revelation of the murderer. If I have any quibbles about the book it is that I am getting a little tired of the device that has the murderer die before they are even charged. However, it does tie everything up in a nice neat bundle.
McDermid combines elements I love in a good mystery – history, literature, a strong sense of place, with a little bit of genealogy. I wasn’t surprised by the revelation of the villain’s identity near the end of the book. There were so few suspects that it was easy to figure out who it must be. And Jane really didn’t do much investigating. She mostly reacted to events as they unfolded. I was happy enough to go along with the ride.
I found the book quite boring. Although there's a bit of a genealogy theme in the book, it wasn't strong enough. The killer's obvious identity did not add to my enjoyment nor did Jane's lack of sleuthing. I expected to enjoy a book with historical, literary, and genealogical elements in an enjoyable setting more than I did. I know many readers enjoy Val McDermid's writing, but I suspect she's not for me. While I made it to the end this time, I previously put down another book she authored whose plot caught my attention because I could not connect with the writing. I debated doing so this time but kept at it to see if it improved. For me, it didn't. I think I'll remove any other McDermid books from my wish list.