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Fiction. Mystery. HTML:Maureen O'Donnell wakes up one morning to find her therapist boyfriend murdered in the middle of her living room and herself a prime suspect in a murder case. Desperate to clear her name and to get at the truth, Maureen traces rumors about a similar murder at a local psychiatric hospital, uncovering a trail of deception and repressed scandal that could exonerate her - or make her the next victim. "A shattering first novel... You can't look away from it."-New York Times Book Review "I can't think of a more interesting - and less likely - crime hero than Maureen O'Donnell, the damaged but determined center of Denise Mina's marvelous debut mystery. . . . The book bristles with angry energy and the spare urban poetry of its unique language." -Chicago Tribune "A groundbreaking book . . . its emotional rawness and visceral honesty pack a punch more potent than any boxer-turned-PI could provide."-Washington Post Book World "This raw, powerful story is an exceptional debut." -Kansas City Star "A compelling story. . . . This is the reason we read mysteries." -Rocky Mountain News.… (more)
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The main character in this story is a young woman, Maureen O'Donnell. Set in Glasgow, Scotland, the back story finds Maureen in a mental hospital for a nervous breakdown (for reasons explained but which I will not go
Normally, I'm not a reader of stories involving dysfunctional families, but this one really works. Although the subject matter is serious, the author's characterizations are nearly perfect, and at times I found myself actually laughing out loud. It's a very well-balanced book, a very good mystery, and I loved Maureen O'Donnell. I've already bought Exile, the second book because this one was so good. It's not really a hard-boiled crime novel, nor is it a police procedural, and it's not a cozy by any stretch of the imagination. However, it is well worth the reading time, and I can highly recommend it.
This book started slow for me, but gradually built up momentum. Maureen has had a hard life, and that has given her a steely edge, but inside she is compassionate and caring - especially with other mentally ill patients. She talks several times about how she had been treated when she was in hospital, and is especially unforgiving of her family for not believing her or supporting her. Not a lot of direct attention was given to the abuse from her father, but quite a lot of time is devoted to the repurcussions of that abuse. It is hard to tell sometimes, who is a "good guy" and who isn't. The mystery of the murder is revealed in the end, but lots of other lose ends were left hanging - I'll be checking to see if there is a sequel.
This was such an accomplished story that I was surprised that it was the author's début novel. The characters are first rate and the pacing was spot on. It was very easy to read in large chunks so was quickly devoured. I'll look forward to picking up more of another tartan noir author.
If I were supreme overlord of the universe (don’t think I haven’t dreamt of it) this is the kind of book that people would think of when they heard the term chick lit. Maureen is funnier than Bridget Jones, has better friends than Carrie Bradshaw and is the kind of practical, non shoe-obsessed woman that fiction needs more of. She is ‘pathologically independent’ (Mina has a way of describing things perfectly yet succinctly), a loyal friend, a helpful though perhaps misguided patient (she makes up stories that she thinks will make her therapist happy) and doesn’t define herself only terms of the bad things that have happened to her. In a nutshell she’s fantastic.
Fortunately Maureen has some helpful if unlikely allies. There’s her drug dealer brother Liam, her best-friend Leslie who volunteers at a women’s shelter and even one of the policemen working her case who all help her out and take risks for her. Just like any chick lit heroine’s mates would. Of course it wouldn’t be a great book if Maureen didn’t also have some crosses to bear including an alcoholic mother and several sisters who think she has a false memory of her father’s abuse of her. All of them though, the goodies and the not, the victims and the heroes are exquisitely depicted in a few of Mina’s evocative lines so that they all became quite clear images in my head while I was reading.
I know that not everyone likes humour in their fiction and also that humour is an elusive quality not easily shared. The humour here is of the dry, sarcastic ‘never let the bastards get you down’ kind that might not be for everyone but allowed me to relate to the characters far more than I would have if they’d been consistently earnest and worthy (as others in their predicaments might have had a yen to be). Plus it made me laugh out loud on more than one occasion.
But the book is not all laughs by any stretch of the imagination. It depicts the systematic abuse of a city’s dispossessed and tackles hefty issues like domestic violence against women far more realistically than is often the case.
The whodunnit aspect of Garnethill is solved almost as an afterthought, although it is a very satisfactory and quite unexpected resolution, because it’s the characters and their respective journeys through the crap life throws at them that make this book a page turner and a treasure.
It's a book with heavy subject matter besides murder: Maureen was hospitalized after recovering memories of being abused by her father, the crimes involved women institutionalized in psychiatric hospitals, and Maureen's family displays quite an array of dysfunction in reaction to Maureen's abuse. Thank goodness for the close relationships Maureen has in the book or the book would be exceedingly grim: her friends are funny and supportive, and Maureen herself has learned some productive coping mechanisms that help her as she is investigates the crime further.
My only quibble with the book is the rogue-PI turn the book takes: I've read that story before many times, and it seems a bit out of character for Maureen. The world the characters live in and their relationships is the strongest part of the book. I'm looking forward to reading lots more by Denise Mina. This book is the perfect antidote to the tortured-male-antihero books/shows I'm growing a bit bored of.
Maureen O'Donnell, who only recently was released from a mental health
Maureen, despite her struggles with the sexual abuse she endured at the hands of her father, is smart, funny and rough edged, making her a good foil for DIC MeEwan.
Mina puts a refreshing (though at times almost difficult to read) perspective on mysteries by letting the reader see the chain of events through Maureen's eyes as opposed to the inspector's.
And Maureen isn't pretty and perfect. She smokes, drinks too much, swears and (more often than not with terrible timing) tells it like she sees it. She doesn't understand everything about why the police are pawing through her life (though she has a good idea, and isn't a fan of it), has an alcoholic mother, a drug-dealing brother, and two sisters with their own issues.
Aside from her brother, they all think that not only is she going to have another psychotic breakdown, but that she did it.
Helped by friends she made while in the mental institution and her best friend Lizzie, a worker at a shelter for battered women, Maureen gets closer to a shocking truth.
If anything about this book sounds familiar, than I have failed in this review. Nothing, not the characters, the narrative style, the setting or the point of view, has ever been done in the contemporary mystery genre before.
As with other Mina stories, the sense of place is uncanny - she does have a real knack for describing places and moods to make you feel you're there and I quite enjoyed my visit to this very bleak Glasgow. I can't say I was very fond of Maureen herself, though. I found her somewhat unlikely in her switches from clever and strong to, in a second, weeping and doing utterly stupid things. I also have a problem with characters who get into trouble by acting stupider than they are, and, unfortunately, Maureen falls into this category from time to time. Luckily, she gets most things right and, overall, manages to be a captivating enough narrator for the story.
This is a murder mystery and I mostly had no idea how it
I wasn't able to give it my full attention. Had a
While I understood Maureen's motivation at the end I would like to think there was another way to catch and stop a predator.
I truly don't understand how Maureen could consider remaining in her apartment, and having anything to do with her family except for Liam.
I could not put this book down.
Denise Mina's first book is wonderfully dark, has all the grittiness of a Glasgow alleyway, ties in a dysfunctional and abusive family dynamic that plays into the story effectively and adds tension. Maureen is a tremendously likeable character, flawed and damaged
My heart broke a bit at the end, as the family acted as families often do, but I knew Maureen would somehow be okay.
Warning: may be triggering for some who have experienced family sexual abuse