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Fiction. Historical Fiction. HTML: Thirteenth-century Wales is a divided country, ever at the mercy of England's ruthless, power-hungry King John. Llewelyn, Prince of North Wales, secures an uneasy truce by marrying the English king's beloved illegitimate daughter, Joanna, who slowly grows to love her charismatic and courageous husband. But as John's attentions turn again and again to subduing Wales�??-and Llewelyn�??-Joanna must decide where her love and loyalties truly lie. The turbulent clashes of two disparate worlds and the destinies of the individuals caught between them spring to life in this magnificent novel of power and passion, loyalty and lies. The book that began the trilogy that includes Falls the Shadow and The Reckoning, Here Be Dragons brings thirteenth-century England, France, and Wales to tangled, tempestuous life… (more)
User reviews
The characters are memorable and aid the reader in becoming invested in this very early period of English history. One criticism that can be levelled, however, is that the cast of characters seems to be in the hundreds and sometimes it can be difficult to tell your Wills from your Richards from your Ranulfs.
I also found it difficult at times dealing with the idea of child brides - the fact that King John perhaps took a twelve year old bride to bed is anathema to those of us in modern times, and can make for uncomfortable reading. Penman writes readily about the role of women in those days, which can also create a sense of outrage - when daughters are married away to foreign countries for political expediency, it is hard to realise that this was a common occurrence and certainly one that women prepared themselves for.
Mostly, though, this book is a joy to read and I found that the 800+ pages passed in a flash. I was eager to find out what happened to Llewelyn and Joanna. The fact that their love was served up against an historical backdrop which had been lavishly researched only added to the pleasure of reading the events.
I would recommend this wholeheartedly.
Here Be Dragons is the first book by Sharon Penman I've ever read but it's enough for me to know that this author truly is a master of her art. She painted such a vivid physical and emotional landscape of the 13th century England and Wales, and people ruling them, that it was sometimes very difficult for me to return to the present without regrets. please, don't take it as gushings of a drama queen here, because I'm certainly no drama queen and I rarely love a book this much. That's why when it happens, it is all the more memorable.
Now, mind you, Here Be Dragons is probably not the book for people who are just trying to get into historical fiction. It's a chunkster with tons of characters, a lot of history packed into it, a lot of intrigue and events to pay attention to, and while those are the reasons why I love it so and I'm sure most history buffs do too, some who are just starting may get turned of by the 'too-muchness' of it all. Nonetheless, in the end, I found I cared for almost all characters, even the most vile, because Ms. Penman did a superb job of showing two sides to every story, two sides to every person. Even the cruel king John of England awoke feelings of pity and compassion even sometimes. By the same token, I also got mad and turned off by some of the things done by Llewelyn (the good character) or his wife, Joanna (who by the way, really pissed me off a few times there).
Thank goodness this book is the first in the trilogy of the Welsh Princes and the first of the many books Sharon Kay Penman wrote. Even though I've waited a long time to discover this writer, I now have hours upon hours of more splendid reading ahead of me, because I have no doubt that her other books will be just as good.
I have read this book several times and I never get tired of it. Highly recommended.
Here Be Dragons is one of this author's first
Riveting, a hard-to-put-it-down book of more than 700 pages, though it does not read as a typical "chunkster". Highly, highly recommended.
This is the first book I’ve read by Sharon Kay Penman, and it was a product of the Goodreads Effect—I’ve heard so many good things about Penman on Goodreads that I realized I was going to have to get acquainted with her work. This, I believe, was
Given its subject matter, it won’t surprise you to learn that the movement of the novel is chronological rather than thematic; it’s basically a straight telling of what happened during the period, primarily from the point of view of either Llewelyn or Joanna (but see below). If you’re the kind of reader who reads historical fiction to learn history, you will learn a great deal about the period, about Wales and about the personalities involved, and since I’m not a historian I can’t tell you whether it’s accurate or not.
Penman writes well, puts words into the characters’ mouths that don’t generally sound either too modern or too deliberately olde-worlde, and covers, as far as I can see, a great deal of the known history of the time. I can’t fault her on any of those points.
And yet…I wasn’t overly impressed. I read this book a few pages at a time over a very long period, which admittedly isn’t probably the best way to do it, but at no point did the story grab me enough that I wanted to bring this book with me wherever I went. I even tried starting it over after the first 50 pages or so, because I’d let a long time lapse, and then after that I kept doggedly perservering, determined to give Penman a fair try.
I should admit, though, that Welsh settings have never appealed to me much, and I had trouble dealing with so many names, character or place, with L or G or W in them. I kept trying to pronounce the names in my head, and since I haven’t spent much time in Wales this was a frustrating bit of OCD that hounded me constantly as I read. But maybe that’s just me.
I spent much of the 700 pages of this book wondering why I simply couldn’t work up any feeling for any of the characters, and it was only toward the end of the book that the answer began to dawn on me. I had a problem with the narrative voice. Penman writes in the third person omniscient point of view which, admittedly, is probably the best choice for a novel involving a great many characters and a large chunk of history—she is able to show us the inside of the heads of any character she wishes at any point in time. I have nothing against the omniscient POV when it’s done well, but I don’t think that Penman had really mastered it in this book. We are very often deep in Llewelyn or Joanna’s head, and I found it disconcerting to suddenly hop into the head of a minor character, as quite frequently happened. It’s like holding a telescopic device when someone else is playing around with the zoom, so that one second you’re looking at things from miles away, the next second you’re right up close, and then WHAM, back to miles away again. To make things worse, every so often she resorted to historian mode to get over long periods of time in which not much happened, or at least not much happened that she intended to show in the book. So suddenly we weren’t in any character’s head—we were listening to a disembodied storyteller.
And that, I figured, is why I couldn’t get to like any of the characters—the narrative technique made them all seem a bit like a cast of marionettes, not acting under their own free will but at the mercy of the narrated Historical Imperative. And that’s a shame because there was a lot of family drama that also, because of who that family happened to be, was historically important. The abiding impression of what I did like turns out to be King John, who doesn’t appear often enough for my liking but casts an awfully long shadow over Joanna and Llewelyn’s lives. I grew up with an impression of King John taken from the Robin Hood stories, and am glad to have received a more nuanced picture of this much-maligned monarch.
All this makes it very hard to rate this book, but I’m going for three stars because of the sheer struggle I had to stay engaged with the story. Which doesn’t mean I’m giving up on Penman—I have another of her books somewhere in the TBR pile, and I’ll admit that if I want to learn something about a period via historical fiction, she seems like a good author to go to.
Penman of necessity takes liberties with history--too many details are simply not known, and certainly the feelings and conversations can only be imagined. But they are well imagined.
The book is well researched by the author about the life and times of King John and his court as well as the court of Prince Llewelyn.
As all of her books the
Simply put, it is the best book I've ever read. I would recommend it to anyone interested in history although since first
Set in the time of Richard the Lionheart, Queen
I was drawn into the lives of Llewelyn, Prince of Wales, and Joanna, who was arranged to marry him to bring about a fragile alliance between England and Wales. Through this marriage the intricacies of political machines governed by Kings, family, Princes and Popes, weighs in the balance with the power of love and loyalty. So well is this complicated struggle weaved in and out of the relationships and lives of the characters, Penman is able to bring depth and strength to the people and the story.
I am already reading the second book in the trilogy, picking up where the last one left off! I am so glad to be able to stay connected and continue reading about these extraordinary people and the time in which they lived.
Lorie M.