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Fiction. Mystery. Suspense. Thriller. HTML:Madeline Fraser, radio talk show host extraordinaire, had a natural dread of dead air. So when one of her on-air guests signed off at the mike after drinking a glass of a sponsor�??s beverage, it was a broadcaster�??s nightmare come true. Enter Nero Wolfe. He agrees to take the case, with his sizable fee contingent on his solving the murder. But to Wolfe�??s surprise, everyone connected to the case now lies in unison about it. And as the portly detective soon discovers, the secret worth lying about only hides another worth killing for. Introduction by Maan Meyers �??It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore.�?��??The New York Times Book Review A grand master of the form, Rex Stout is one of America�??s greatest mystery writers, and his literary creation Nero Wolfe is one of the greatest fictional detectives of all time. Together, Stout and Wolfe have entertained�??and puzzled�??millions of mystery fans around the world. Now, with his perambulatory man-about-town, Archie Goodwin, the arrogant, gourmandizing, sedentary sleuth is back in the original seventy-three cases of crime and detection written by the inimitable… (more)
User reviews
I always enjoy Nero Wolfe mysteries - it always feels like I'm visiting old friends, because nothing ever changes. This one is no different.
Wolfe gets a phone call and according to other sources this is the first time we hear from "Zeck". The plot turns 180 degrees and then Wolfe invites all the usual suspects over to his office.
The end (without naming anyone) is the classic question all around the room and then name the murderer.
The dialogue was very good and once Wolfe got back to work so did the plot. Four Stars
The usual marvelous characters are in place: Inspector Cramer, Fritz (the incomparable cook,) Sgt. Stebbins, and delightfully the Asst. police commissioner O’Hara who, because the case is high-profile insist on horning in. (“Wolfe said to tell you. you’re a nincompoop but I’m too polite to mention it.”) For those not familiar with the series, Nero Wolfe (pay absolutely no attention to the execrable TV series with Timothy Hutton and Maury Chaykin - they make me gag) is an enormously fat and brilliant detective who never leaves his house (well, almost never) and his wise-cracking side-kick, Archie who follows Wolfe’s directions and reports conversations verbatim.
The language is precise and clever replete with comments such as “Someday, sir, you’ll get on the wrong train by trying to board yours before it arrives,” and “there was no finger pointed without wavering,” and finding a solution by “tramping down the improbabilities.”
One could argue that the books are formulaic and I suppose they are, but when you have such a perfect combination, what’s not to enjoy?
Nero Wolfe, armchair detective
In this adventure, a guest of a radio show is murdered live on air, and from the start it is obvious that the cast and crew of the show are hiding something, but what?
This is my second Nero Wolfe read, and I felt this one got a little bogged down in the middle. There was so much extemporaneous excitement regarding another, seemingly unconnected murder, the myriad secrets of the radio program staff, a game of cat and mouse with a young girl who is a member of the radio host's fan club and always around the set helping out, and a mysterious caller who advises Nero to drop the case for his own good. It all connects, of course, but it certainly takes its time with it. Even Archie, who works as narrator for these cases, gets fed up with how long it takes for things to come together.
Still, a fun read and definitely recommended if you like the classic detective tale.
The fee will come in handy to pay the IRS the large sum he owes. Wolfe and his assistant Archie Goodwin uncover additional criminal activity as they investigate the murder. As usual, they beat
I borrowed the audio version from OverDrive, and it has not been updated for the digital era. Every 30-40 minutes, the reader instructed us to either flip the cassette over or insert the next cassette. The reader's voice also reminded me very much of radio broadcaster Paul Harvey. If you think either of these things would annoy you, I suggest sticking with the print version.
As I began And Be a Villain, I had vivid memories of the Nero Wolfe and Archie Goodwin characters and the amusing relationship that developed between them over the years. Theirs was/is much more than an employer/employee relationship; the men respect each other, care for each other, and are real friends. That, in fact, is part of what makes their verbal sparring so much fun. But even though this is not the first time I’ve read And Be a Villain, I remembered very little about it’s actual plot, so reading it now was almost like reading it for the first time.
Nero Wolfe is almost literally an “armchair detective” — and he’s a good one. Wolfe is a large man (I picture him as someone approaching a weight of 300 pounds) who refuses to leave his New York City apartment for any reason. Archie Goodwin, considerably younger than Wolfe, and a whole lot more agile, does all of the leg work involved in a Nero Wolfe investigation. In the meantime, Wolfe happily follows his own schedule of meals at specific times and two daily sessions with his beloved orchids.
This time around, popular radio talk show host Madeline Fraser has had the unthinkable happen during one of her live broadcasts. A guest has dropped dead on-air after taking a sip of from a soda provided by one of the show’s sponsors. All the police know for certain is that someone slipped cyanide into one of the bottles, and that this particular guest drew the unlucky bottle. It is exactly the kind of case that appeals to Wolfe, and because he has a large tax bill due just when his cash flow is at a low point, he offers his services to the radio network and the show’s sponsors on a contingent basis. If he solves the case before the police do it — or if the police solve it only because of a Wolfe-provided clue — he cashes their $20,000 check. If he fails, they get the check back.
But when Wolfe gathers up all the principals involved with Madeline Fraser’s radio show, he makes his first discovery: they are all lying — maybe not all for the same reason, but each and every one of them is holding something back. And that’s a fatal mistake, because now Nero Wolfe is ticked.
Bottom Line: And Be a Villain (1948) is the thirteenth Nero Wolfe mystery, and by this time fans of the series were familiar with the Wolfe and Goodwin characters. Feature films based on the Rex Stout characters had been produced by 1948, and television was going to make Nero Wolfe a household name in various TV series over the coming decades. The Nero Wolfe novels are usually not very long, but they are always satisfying. Fans of character-driven mysteries will particularly enjoy them, I think, but the mysteries are always solidly constructed ones that readers will also enjoy trying to solve before Wolfe gives them all the answers.
This one is number 13: And Be a Villain. Always in need of money, big spending Nero Wolfe, the team takes on a possible case at another of those big businesses that could only really exist in New York City. Someone has died on a radio show and was it murder? Wolfe, for money, seeks to find out. More deaths, blackmail, some good meals, and Archie wisecrackery.
This is the one that made me want to read them all, so it did a good job. I re-read it recently, in order with the others, to see how it fit in to the Wolfe timeline: pretty good.