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The bestselling novel that introduces Margaret of Ashbury and launches a trilogy featuring this irrepressible woman Margaret of Ashbury wants to write her life story. However, like most women in fourteenth-century England, she is illiterate. Three clerics contemptuously decline to be Margaret's scribe, and only the threat of starvation persuades Brother Gregory, a Carthusian friar with a mysterious past, to take on the task. As she narrates her life, we discover a woman of startling resourcefulness. Married off at the age of fourteen to a merchant reputed to be the Devil himself, Margaret was left for dead during the Black Plague. Incredibly, she survived, was apprenticed to an herbalist, and became a midwife. But most astonishing of all, Margaret has experienced a Mystic Union--a Vision of Light that endows her with the miraculous gift of healing. Because of this ability, Margaret has become suddenly different--to her tradition-bound parents, to the bishop's court that tries her for heresy, and ultimately to the man who falls in love with her. "From the Trade Paperback edition."… (more)
User reviews
I should know better than to read medieval historical fiction: I am a medieval historian, and a historical novel has to be really REALLY good before it can distract me from its historical
But historical inaccuracies aside, I just didn't enjoy the book. It seems like there's a rape or a wife-beating on every other page, which gets depressing and tedious. The theological/philosophical discussions seem trite and forced (Riley just seems to be quoting basic textbooks about medieval theology, instead of really understanding the debates). The story was entirely uninteresting, but I just never knew where it was going. The characters were likable (well, the ones who weren't wife-beating rapists), but not very original (the wise old midwife, the hypocritical cleric, etc.) I thought there was lots of room for interesting development with Margaret's visions and her gift for healing, but Riley never took it anywhere.
So all in all, this book just didn't seem worth the bother to me.
This one is
Decidedly humorous and somewhat satiric tongue-in-cheek portrayal of mediaeval England. Recommended.
Riley's Margaret is so alive! This 14th-century Englishwoman is inspired in a "vision of light" to write her memoirs and do the unheard of - tell a
It's a fast-paced and interesting novel; most of all it's fun. It's also well-researched and authentic, but Riley's research is never a burden for the reader. Her touch is light, and her characters charming.
Setting: 14th century London, England
Series: #1 of a trilogy
First Line: In the year of our Lord 1355, three days after the Feast of the Epiphany, God put in my mind that I must write a book.
Margaret of Ashbury heeds a "voice" commanding her
I loved this book. The setting felt so real that I wanted to adjust my wimple, and the voices of Margaret and Gregory were perfect: Margaret seeing things as they never were and asking why, and Gregory wanting change in his own life--but not for women! Will I be reading the other two books in the trilogy? You can take it to the bank!
Back Cover Blurb:
A Vision....of 14th century England - a time of crude country villages, brawling towns, and splendid cities teeming with untold riches
A Vision....of demons and angels, simpletons, holy flagellants, and fools...of travelling players, corrupt priests, and merchant princes, of brave knights and pale ladies languishing for love.
A Vision....of one beautiful, unforgettable woman - Margaret of Ashbury. Twice bound in marriage, fated to be beaten, betrayed, taught rare arts of love and healing, and tried as a witch, she traversed a world overflowing with bitter sorrow and bawdy laughter to find a haven of love, safety, and triumphant joy.
Margaret’s life has many ups and downs, from complete wretchedness to bliss. She’s an intelligent, hard working woman who has a special gift- she can heal people, not just with herbs, but by channeling energy through her hands. And she speaks with a Voice, who she identifies as God.
The book is rich in historic detail, both the pretty and the ugly. Riley brings the era to life. The characters are mostly well done; while Margaret is strong on wanting to earn her own living and not be dependent on a man, she is still a product of her time and society. I have only one big problem with the book, and I cannot say exactly what it is without giving a spoiler. Suffice it to say that at the very end, Margaret accepts something without a struggle, which seems very much out of character for her.
Yet I forgive what I often find a deal breaker, because the story of Brother Gregory and his interaction with the unorthodox Margaret is so compelling in its own right and compliments the story she's telling; it illuminates the misogyny of the day, especially among the religious, who don't see women as capable of reason or whose only possible virtue is obedience.
The story is told with wonderful period detail bringing 14th Century England--the period of the Black Plague and its aftermath to life--lives high and low, from the nobility of the castle to rich merchants, clergy, even robber bands and traveling minstrels. And there's a winning humor lacing the entire tale throughout.
There's also a thread of the fantastical that tempts me to tag this as fantasy--as Margaret has a "vision of light" and afterwards develops powers of healing. But then that could be seen as not out of place in a century that produced such mystics as Birgitta of Sweden, Julian of Norwich, Catherine of Siena, and particularly Margery Kempe. Kempe dictated to scribes what is considered the first autobiography in the English language and her life has several points in common with the story of Margaret of Ashbury.
I feel mixed about the ending. Part of me wishes it has ended when Margaret put a "finis" on her memoirs--though it does end on a good note for further books in the series--I saw two more on the bookstore shelf. After this first book, I'll certainly be picking more up someday.
Yes, Ms Merkle Riley was a bit lenient with historical facts, I already knew as a teenager of thirteen that witches weren't burnt in the medieval times and other little things which were added because it fitted the narration better.
But honestly, I still love the story, it is such a nice feel good book, that didn't loose any of its charm in the nearly thirty years since I read it first. The story itself might not be something extraordinary special but the wit and humor make it a fine read.