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Fiction. Mystery. Suspense. Thriller. HTML:�??The Lynley books constitute the smartest, most gratifyingly complex and impassioned mysteries now being published.�?��??Entertainment Weekly The career of playwright Joy Sinclair comes to an abrupt end on an isolated estate in the Scottish Highlands when someone drives an eighteen-inch dirk through her neck. Called upon to investigate the case in a country where they have virtually no authority, aristocratic Detective Inspector Thomas Lynley and his partner, Detective Sergeant Barbara Havers, grapple for both a motive and a murderer. Emotions run deep in this highly charged drama, for the list of suspects soon includes Britain�??s foremost actress, its most successful theatrical producer, and the woman Lynley loves. He and Havers must tread carefully through the complicated terrain of human relationships while they work to solve a case rooted in the darkest corners of the past and the unexplored regions of the… (more)
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The Book Report: Inspectory Thomas Lynley, aka the eighth Earl of Asherton, is a hard-working man, but even he likes a few days' rest after chasing from pillar to post in solving brutal crimes. His rest is denied him by a call from his boss, at home, on a Sunday: A murder has
Uh-oh.
Yeah, uh-oh and in spades, as Lynley tromps ill-temperedly up to Scotland where Scotland Yard has no legal standing and no authority and no utility, except in the titled person of Lynley himself. He's quite clearly if subtly warned: Lord Stinhurst, eminence of the London theatrical world, isn't to be troubled about small things like guilt or innocence or such-like plebeian goings-on. He's to be softly and swiftly shuffled out of the line of fire. So what does Lynley do? He brings Sergeant Barbara Havers, well-known to have a classist chip on her shoulder, to assist him, and he allows her a *lot* of leeway to poke and snoop and generally cause discomfort to the comfortable uppercrusties. (I suspect Lynley, were he corporeal, would've worn a small, snarky smile throughout this investigation.)
As the investigation proceeds, awful truths come out, lives are ruined, others are altered, and some few are lost; but no one is spared from the terrible cleansing fires of truth. Even those one might wish could be. No bond, no tie, no feeling is safe when Elizabeth George goes to work.
My Review: Good stuff. Unless you don't like puzzles or suspense or characters so real you'd swear you have their cell numbers somewhere if you could just find 'em, don't hesitate to start this series!
There were times when it lagged a bit but I really did want to know who did it.
With a blend of jealousy and the instincts that make him a good detective, Lynley goes off on what seem like tangents to Havers, who is quite positive Lord Stinhurst did it. Suspicion of the upper class comes naturally for her. Both work their separate theories and uncover two different stories that people wanted hidden. The number of characters was a bit confusing at first and I did make a list to help keep it straight, but most of it became pretty easy to keep up with as the characters were fleshed out. A good mystery and I look forward to the next one in the series.
Mu usual George reaction: not bad, not great. Quite gripping and with plenty of
Yet, on reading this, what struck me was just what a good writer I find Elizabeth George and how enjoyable it was reading her novel. The narrative really flows, the prose style is clean and more literate than what you usually find on the mystery aisle of the bookstore. George, like me, is an American, so I can't really know if she gets the details of British culture right, but it certainly is a skilful enough facsimile of the classic British murder mystery (of the locked room variety and set in a Scottish manor no less) to fool me.
I also like the recurring characters of Detective Inspector Thomas Lynley and Detective Sergeant Barbara Havers. Both are interesting in their own right and especially in contrast and partnered together. Lynley is the wealthy titled suave golden boy, and Havers the dumpy working class gal with a bit of a chip on her shoulder. I liked their building working friendship, and that it is a friendship--one of those rare male/female fictional detective partnerships where the dynamic isn't romantic. And I like that even though both are good at their jobs that George shows both bring biases and baggage to their work. That investigating a crime isn't all about cerebral deductions but can be derailed by prejudices--and both in that respect balance the other. Who these people are matters; it's not just about them being dropped into a case and playing God.
So, this is definitely an enjoyable and intelligently written mystery and I'll definitely be reacquainting myself with the series.
The novel was so
A charming and elegant Scottish country inn is hosting their first guests, a famous theatrical producer and the stars, writer and director of the new play he is preparing. Later that night after everyone was seen arguing in the living room, the playwright is found murdered in her locked bedroom. When DI Thomas Lynley and his partner Sgt. Barbara Havers are sent to the scene in a highly irregular decision by their superiors at New Scotland Yard, the playwright's murder appears to have far reaching implications. It has personal implications for DI Lynley, who is shocked to find Lady Helen Clyde among the guests. As the complex plot unfolds, Lynley and Havers view the principal suspect from distinctly different, and class-based, points of view. The issue of social class is a continuing element of this series and the cast of regular characters continues to be developed.
This is a compelling and well written murder mystery. The complex personal relationships are contributing factors to the case as the story unfolds. There are lots of characters and at the beginning I found it difficult to keep them straight but once I was about twenty percent into the book I was completely under the spell of the story. I'm definitely planning to read more of this series and the two intriguing main characters.
This one sat in the pile for a long time. Note to editors and publishing houses – covers matter. The cover was a real turn off which was the off putting feature. It looks like a little old lady’s romance on the outside. But inside? Fantastic.
This read like any of the very best that Agatha Christie or PD James have written. A classic mystery in the fact that a theatre troupe, in an old house converted to an inn located in the Scottish hills, is locked down after one of their number is murdered. Inspector Lynley is called in from New Scotland Yard to investigate. He has some personal issues with this investigation which may impinge on his impartiality.
But, the investigation must go on and it does with many blind ends, twists, turns and a surprise finish that can’t be predicted like so many of these types of books. I too, like other readers started reading the series at number 2. This does not deter the reader because background is provided as one reads on.
If number 2 is this good, I can’t imagine how much better they get going forward. The writing will only improve and the details will only get crisper and the story lines more complex. Don’t let the cover fool you. This is no old lady book. It’s a great read for every mystery fan.
This book was a fun twist of the "locked room" mystery trope. Although the suspect pool was by default narrow, it was still anyone's guess for most of the book who the murderer was. There were a few places here and there where the text dragged a bit, but overall interesting characters and settings held my attention. The book is more on the "cozy" side of the mystery genre, but there is a bit of gore and other salacious details scattered throughout.
Since I watched the PBS series long before I read any of the books, Lynley will forever have the dark hair of Nathaniel Parker, the actor who plays him. And Havers, thank god, had a real makeover in the series from the homely Havers of George's imagination. And I prefer her to look like Sharon (don't know her name) from the series.
Will I read another? Yes
There is a great deal of backstory here and, while it slows the action it deepens the plot. Not only are the actors involved, but a few of their relations, townsfolk and at least one problematic son. A forbidden romance is quashed. Lynsey, the 8th Earl of… whatever, is sent primarily to shepherd Lord Stinhurst, a peer of the realm, away from the eyes of the local police. Havers is there to throw a spanner into the Scot’s police investigation and to aggravate Lynley.
Not the best of the series but once it gets some traction there is no stopping it. This is a nice series while waiting for the problems of the world to abate. The books are lengthy but that should not be a deterrent.
When the playwright gets a knife in her neck while in her locked bedroom, Scottish authorities call the
Though there are many characters and plot twists the author handles them smoothly and continues to sublety develop her recurring characters. This is just the second in the Lynley series and I'm more interested in following Lynley and Havers through the remaining eighteen than I was after reading the first.