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Classic Literature. Fiction. Mystery. HTML: Just after World War I, Tommy Beresford and Tuppence Cowley are desperately short of money. With a shortage of job opportunities, they form a partnership, hiring themselves out as "young adventurers, willing to do anything, go anywhere." In their first dangerous assignment, they must use all their ingenuity to save not only their own lives but also the life of a mysterious girl. The girl in the photograph has been missing for five years. Neither her body nor the secret documents she was carrying have ever been found. Now postwar England's economic recovery depends on finding her and getting the papers back. But the two young Brits working undercover for the ministry, Tommy and Tuppence, know only that her name was Jane Finn and the only photo of her is in the hands of her rich American cousin. They don't yet know about a mysterious and ruthless man called "Mr. Brown" or the beautiful but sinister older woman who knows all about Jane Finn�??and therefore must die.… (more)
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World War I is over and Tommy Beresford and Tuppence Cowley find themselves out of work and with no prospects. The two friends hit upon a scheme that is sure to pay off, advertising themselves as adventurers willing to undertake any task for appropriate pecuniary remuneration. And suddenly they land in an international intrigue involving a stolen treaty that could start a war, a missing woman, an American millionaire, and a bland, elusive criminal mastermind. It is, in short, rather more than they expected.
Christie is much wittier than I remembered, and shows off her knack for humor especially in Tuppence's dialogue. And though she uses stereotypes to quickly delineate her characters, somehow they aren't flat. Or at least, the story is engaging enough that any flatness is well disguised.
Okay, it's true that Tommy and Tuppence call themselves the "Young Adventurers" (a bit cutesy), and the plot hinges on several highly unlikely coincidences. As a mystery it really doesn't shine, but that needn't interfere with the sheer fun of the story. And there are certainly creative elements that Christie pulls together to draw the reader in. The mysterious "Mr Brown" is a master villain, and though I did eventually suspect the solution, there were enough red herrings along the way to throw me off the scent for quite awhile.
Though The Secret Adversary is no heavyweight in mystery fiction, sometimes a fluffy read is just the thing. Quick moving and fun.
The mystery, though constructed out of sensationalistic and dated elements, has an excellent form. We are told quite frankly in the first few chapters that we will meet and actually come to trust the plotting, conniving, almost legendary Bad Guy before we know that he IS the Bad Guy-- and then we spend the rest of the book trying to figure out which of these friendly and sympathetic characters he is. Also, as in all good Christie, everyone's got their fingers in the pot somehow-- it feels active and alive at every moment. Christie manages to keep each character's critical discoveries secret from us until the end, but even though we're lagging far behind most of the characters we don't quite feel stupid because we, as the readers, have our own theories that we don't necessarily want to be spoiled.
A very very short one. Read it in an afternoon for a good laugh.
An altogether fun book to read, the two main characters are delightful, and make excellent foils for each other. If you are a fan of Agatha Christie, I think you would enjoy reading about this young couple as they battle Bolsheviks and revolutionists, and come to realize how important they are to each other.
Originally published in 1922, The Secret Adversary is a light, short read, a little dated to be sure, but I enjoyed the concept, timing and setting immensely. High in entertainment value, this is an enjoyable book to curl up with for a few hours and escape to a different time and place.
And so I did. That is, I did manage to plow through Adversary, right to the very end. But did so doing change my mind about this series? No, I’m afraid there I must report failure.
This story of wartime espionage carried out by plucky and amusing amateurs has its moments, but there’s something that’s just off kilter in its combination of portentous plot with lighthearted badinage and flirtation. Tommy and Tuppence’s mission to thwart geopolitical catastrophe feels too often like Hello Kitty and Garfield being thrown into the Labyrinth to take on the Minotaur.
We should all be very glad indeed Christie didn’t waste too much time working this vein. Not recommended.
This was my first encounter with
This was only Christie’s second published book, written almost as a whim after the surprising success of The Mysterious Affair at Styles (1920). It’s far from a polished plot—coincidences strain the reader’s incredulity almost to the snapping point—but it certainly zips along with trademark Christie efficiency.
The Secret Adversary opens aboard the sinking Lusitania in 1915. On the deck, a man approaches a young girl of about eighteen, and asks her to take a packet of papers since, per “women and children first,” she stands a better chance of surviving the shipwreck than he does. The girl takes the papers and climbs into the lifeboat.
Next, we jump to a scene on a busy London street where two old acquaintances, Tommy and Tuppence, run into each other. They haven’t seen each other in several years and each is feeling a bit desperate and penniless in the postwar depression. Agatha’s description of the pair is priceless:
(Tommy’s) face was pleasantly ugly—nondescript, yet unmistakably the face of a gentleman and a sportsman. His brown suit was well cut, but perilously near the end of its tether. They were an essentially modern-looking couple as they sat there. Tuppence had no claim to beauty, but there was character and charm in the elfin lines of her little face, with its determined chin and large, wide-apart eyes that looked mistily out from under straight, black brows. She wore a small bright green toque over her black bobbed hair, and her extremely short and rather shabby skirt revealed a pair of uncommonly dainty ankles. Her appearance presented a valiant attempt at smartness.
They decide to pool their resources for a bite to eat and over lunch they devise a harebrained money-making scheme: The Young Adventurers, Ltd. They plan to put an ad in the newspaper—“Two young adventurers for hire. Willing to do anything, go anywhere. Pay must be good. No unreasonable offer refused.”
Before they can get too far, however, adventures come their way. Tommy and Tuppence attract escapades like a light draws a moth. The plot tangles are too complex for me to explain here—and, besides, I wouldn’t want to rob you of the delicious delights of discovering them for yourself—but in a nutshell, they involve Tommy and Tuppence trying to track down a missing girl by the name of Jane Finn who, the British government believes, is carrying the packet of papers from the Lusitania. The papers contain embarrassing contents for the government and could be used by revolutionaries to stir unrest in the country. Joining T & T in their quest are an American millionaire, Julius P. Hersheimmer, and a distinguished British chap, Sir James Peel Edgerton. Vying against them is the mysterious, but ultra-nefarious “Mr. Brown,” the puppet master of a villainous criminal gang.
Tommy and Tuppence get into and out of scrapes with head-spinning frequency. Nearly every chapter sees them either falling into the clutches of Mr. Brown’s men or being rescued by the “good guys.” Agatha keeps the pace spinning even faster as she splits up Tommy and Tuppence early in the book, thus broadening the series of adventures in which they find themselves.
Agatha obviously had a lot of fun creating these non-Poirot, non-Marple characters, and the reader definitely reaps the benefits of her enjoyment. Though they’re still in the developmental stages in The Secret Adversary, Tommy and Tuppence show distinct signs of becoming the classic husband-and-wife spy team (yes, I’m giving away the fact that they get married in a later book). One British government official describes them thusly:
Outwardly, he’s an ordinary, clean-limbed, rather block-headed young Englishman. Slow in his mental processes. On the other hand, it’s quite impossible to lead him astray through his imagination. He hasn’t got any—so he’s difficult to deceive. He worries things out slowly, and once he’s got hold of anything he doesn’t let go. The little lady’s quite different. More intuition and less common sense. They make a pretty pair working together. Pace and stamina.
“Pace and stamina” is an accurate description of the novel’s qualities, too. Yes, the book has some pretty big leaps of logic and jaded readers will find their eyes soon becoming sore from all their rolling at all the heaps and heaps of coincidences; but setting those beginning-writer errors aside, The Secret Adversary can be an enjoyable read. It moves along from page to page with a light touch and nearly every chapter ends with a cliffhanger, which demands that you read “just one more chapter” before turning in for bed. Those who can’t resist will find themselves staying up way past their bedtime.
A good read for anyone who wants to understand how much times have changed in the last century but not for some who wants a well-plotted mystery. Indeed the greatest mystery to this reader was the question as to whether Christie thought that any of her readers would be surprised by the various twists and turns of story.
This is the first "Tommy and Tuppence" adventure. Christie didn't write as many mysteries with them as Hercule Poirot or Miss Marple, but she did write several, and unlike those detectives they aged--from young twenty-something flappers to aged married partners in a book 50 years later. They're likable together and separately and there's an exuberant young spirit to the book--this is only the second novel she wrote, published in 1922.
This is a tale of espionage and secret treaties and far fetched coincidences. And four chapters in, the couple walks into an interview with someone Tommy recognizes as in British intelligence--and without any security clearance or background check at all, without their having any intelligence training or experience as detectives, because they fell into some information regarding a sensitive case they're given classified information and hired. Oh, and it involves a supervillain who is inciting a "Bolshevik Revolution"--in England. Maybe that was a credible plot line in 1922, but in 2011 that flunks the laugh test.
I guess this should be taken as just a light-hearted romp, but this story strained my credibility much too far too fast.
Americans seem to fascinate and baffle the narrator. When one Yankee character, a multi-millionaire, suggests to an English psychiatrist that they recreate the sinking of the Lusitania to jolt the memory of an amnesiac, the doctor remarks that the same suggestion coming from an Englishman would cause him to question the latter’s sanity, but that coming from an American, it almost makes sense.
Some of the dialogue is highly melodramatic and even awkward, but the plotting and the prose show the emerging power of the world-famous author Christie would later become.
It's a fun mystery that has some great characters and good twists to the story. It'll have you wondering whodunit yourself.
The story then jumps to a chance meeting near Picadilly in London early in 1919 between Miss Prudence Cowley (Tuppence) and Major Thomas Beresford (Tommy). Both have been involved in the war effort, but the war ended in late 1918 and so did gainful employment.
Tuppence and Tommy were childhood friends and met up briefly in 1916 when Tommy was hospitalised and Tuppence was working as a nurse. Over afternoon tea they decide to form a business partnership trading under the name of the Young Adventurers.
They decide to place an advertisement in the daily papers saying they are willing to do anything, go anywhere. After they go their separate ways, Tuppence is walking across St. James' Park when a man, who had overheard their conversation in the tea shop, approaches her with the offer of a job.
The next morning Tuppence follows up the job offer even though she doesn't particularly like the man making the offer. Unwilling to give her proper name, she gives the name Jane Finn, a name she had heard Tommy refer to on the previous afternoon, simply as a strange name he'd overheard some people discussing. At that the tone of the interview changes and the interviewer, Mr. Whittington, quickly gives Tuppence a large amount of money and arranges to meet her the next day. When Tommy and Tuppence go to keep the appointment the next day, Mr. Whittington has scarpered. Tommy and Tuppence decide to advertise for information about Jane Finn and so the plot gathers pace.
This is Agatha Christie's second novel, and the first featuring Tommy and Tuppence, who feature in four other Christie books and one collection of short stories written throughout her writing career.
Christie's books really vary for me, and it seems audio may not be the way to go (I
However I gave this book four stars because despite its faults it delivers a quality pacing rhythm. It's a shame Agatha Christie neglected her less popular characters, instead being bent on milking Poirot dry. These adventuresome spy novels of hers are a delight to read. I had no problem with Tommy and Tuppence, they were fine too. I remember quite a few Christie novels to which I gave 5 stars and they weren't perfect, so I'm sticking to my guns.