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Fiction. Mystery. Suspense. Thriller. HTML:From a beloved master of crime fiction, The Deep Blue Good-by is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat. Travis McGee is a self-described beach bum who won his houseboat in a card game. He�??s also a knight-errant who�??s wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out, and his rule is simple: He�??ll help you find whatever was taken from you, as long as he can keep half. �??John D. MacDonald was the great entertainer of our age, and a mesmerizing storyteller.�?��??Stephen King McGee isn�??t particularly strapped for cash, but how can anyone say no to Cathy, a sweet backwoods girl who�??s been tortured repeatedly by her manipulative ex-boyfriend Junior Allen? What Travis isn�??t anticipating is just how many women Junior has torn apart and left in his wake. Enter Junior�??s latest victim, Lois Atkinson. Frail and broken, Lois can barely get out of bed when Travis finds her, let alone keep herself alive. But Travis turns into Mother McGee, giving Lois new life as he looks for the ruthless man who steals women�??s spirits and livelihoods. But he can�??t guess how violent his quest is soon to become. He�??ll learn the hard way that there must be casualties in this game of cat and mouse. Featur… (more)
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This is very much in the hard-boiled detective style--first person with a protagonist who deals with shady characters, a mysterious past with
And the hero-narrator Travis McGee is intriguing and is embedded in an indelible setting. As the second line of the novel tells us his home "is the Busted Flush, 52-feet barge-type houseboat, Slip F18, Bahia Mar, Lauderdale." His ship is "named after the poker hand" which led to the streak that won it for him. He describes himself as a "boat bum" and a "retriever." He only takes jobs when he's running low on funds--he finds things stolen that can't be legally regained, and splits the proceeds when he returns them.
His latest project has him on the trail of one of the most despicable and memorable villains, Junior Allen, I've ever encountered in fiction--and that was the case before Travis finally catches sight of him about three-quarters through the book, just on the basis of the human wreckage Allen leaves behind in the form of abused women.
Travis himself is a complex mixture of the compassionate and tender with the ruthlessly violent; he calls himself "wary of all earnestness" but despite his cynicism has a streak of protectiveness and more than a hint of vulnerability. He's not politically correct--and some of his takes on women make me go "Huh?" Particularly when Travis seems puzzled why a raped, abused women should be traumatized since her rapist "had become her lover, and had, in time, induced sensuous response in her." Given her own reactions and description of her time with the man, not exactly how I'd see it... Nevertheless, there's something about the character that (unlike Chandler's Marlowe) makes me forgive the chauvinistic streak. (This was written in 1964 and is very much of its time.)
I'm certainly interested in seeing how McGee might develop in the later books of the series. On the other hand, so far just about every woman in this book is a victim or predator--if that's the case in the next book, well, I doubt I'll continue to read in the series.
When we meet Travis McGee, he is already deep into his chosen career and lifestyle. The lifestyle is houseboat-dwelling beach bum with plenty of air-conditioning, steaks and good liquor. The career, engaged in only as needed, he describes (as quoted by a friend) as "...if X has something valuable and Y comes along and takes it away from him, and there is absolutely no way in the world X can ever get it back, then you come along and make a deal with X to get it back, and keep half." So McGee is not exactly a private eye, although he uses some of the same skills and methods.
"X," in this book, is a young dancer in a nearby club in Fort Lauderdale. Her imprisoned (and now dead) father had always promised the family riches after his return from World War II. It now appears the mysterious treasure, along with much of the woman's self-respect, was stolen by one Junior Allen, who had served time in Leavenworth with her father. Although he doesn't need the money yet, McGee feels sorry for her and agrees to try to retrieve the treasure; at this point he doesn't even know what it is.
During the hunt for Junior Allen, McGee finds a second "X." Lois Atkinson has not lost any money to Allen; what is far worse, she has nearly lost her sanity when McGee finds her. After beginning the process of nursing her back to health -- and falling in love with her, which is not part of his plan -- McGee is more determined than ever to stop Junior Allen. His efforts to do so make for a compelling novel.
THE DEEP BLUE GOOD-BY came out in 1964. The Florida it portrays is not today's Florida, but, according to Carl Hiassen's introduction to the edition I read, it carried the seeds of the state as it is today. From the ongoing party that is Lauderdale to the sleepy towns in the Keys, MacDonald describes Florida with love tinged with regret. Since I've never been to Florida, the atmosphere in THE DEEP BLUE GOOD-BY is exactly what I was looking for when I started this project -- an author's evocation of a place he loves and knows well.
The character of McGee has this in common with the classic private eye: he has his own code of ethical behavior, which may not always coincide with society's laws. In fact, societal rules of almost any kind are anathema to McGee; that's why he lives the way he does. McGee has obviously inspired great loyalty in his many fans -- indeed there was a section at the back of this edition with "Wisdom of Travis McGee." I'm afraid I might get a little sick of that if I read all the books in one big gulp, so I'll move on to something else for a while, but I do fully intend to read the remaining McGee stories over time.
But it was a little misogynistic, even in this damsels-in-distress genre; all the women either needed saving or else were beyond
The entire book is almost an internal monologue, which suited me fine. The sex and violence was pretty intense for a book
MacDonald's ability to create an engrossing, character-driven narrative is one of the strong points of the book.
20 more to go in the Travis McGee series...
Travis McGee reminds me of The Equalizer or The A-Team with Jim Rockford's personality. He's also a bit of a philosopher:
These are the playmate years, and they are demonstrably fraudulent. The scene is reputed to be acrawl with adorably amoral bunnies to whom sex is a pleasant social favor. The new culture. And they are indeed present and available, in exhausting quantity, but there is a curious tastelessness about them. A woman who does not guard and treasure herself cannot be of very much value to anyone else. They become a pretty little convenience, like a guest towel.
Although this isn't my usual type of crime novel, the strong sense of place in South Florida and McGee's depth of character will eventually draw me back to the series.
In this book Travis is approached by Cathy who ia a friend of a friend.
MacGee gets on the trail of Allen where he discovers him to be fond of vulnerable, naive women. Lois is one of Allen's victims whom Travis takes under his wing. Lois slowly opens up to Travis revealing Allen's dangerous and perverted personality. Travis faces of with Allen in a superb and chilling finale.
This is a very well written book. The build up is fabulous and the finale is breath taking. A must read for mystery and thriller fans.
On the other hand, I wasn't all that fascinated by the plot. I'm glad I read it but I probably won't read any more in the series.
No, this really isn't a 4 star book, but it gets an extra one for being so popular & making such a wonderful break from the prudish 50's. One of the interesting things about McGee is that he has plenty of opportunities for casual sex with beach bunnies ready to hand &, while he occasionally indulges, he does so without much enthusiasm, more like a man who drops by McDonalds to simply satisfy his hunger. The meal isn't great, but it will do until he gets around to finding something better & he knows it. He's somewhat disappointed in himself for doing so. Of course he does find more meaningful relationships, but things rarely work out the way he plans.
McGee is no James Bond, more like Paladin in "Have Gun Will Travel". Our self-professed tough guy doesn't like to work & lives in semi-permanent retirement. He only takes on a job when there is a good chance of a substantial return & then takes 50% plus expenses - or so he says. It's fun watching him give in & rationalize his departures from his hard-hearted intentions.
The action is pretty well done & quite believable. McGee can take care of himself & he's a pretty big guy, but he's no superman. He lives aboard a house boat, so there is a lot of marine action off the Florida coast, too. It all seems pretty accurate to me & not terribly dated. Oh, it's set firmly in the 60's but he's a fairly progressive sort.
Not great literature, but a fun, filling, quick read - a bit more than just a candy book. Some of McGee's observations of people are quite interesting & somewhat thought provoking. I'm going to try to find some more of these from my local library, hopefully for download. Cassettes are such a PITA after dealing with MP3's.
Fast interesting adventure. Great writing style. There is a reason MacDonald is praised by men and women authors alike. He is the gold standard of this genre.
Sure, some of the things referenced wouldn't apply now in the world
Women are pretty much helpless victims, but I don't know that they have much more power in modern books in this same genre anyway. These books are about a man's man fixing problems - sure, we can complain if the problems usually stem from women being so helpless, but then we wouldn't have very many vigilante books to read...
Cathy Kerr comes to him with an interesting case. She knows her daddy brought something back from the War and hid it but then was sentenced to life in prison for killing an officer. After her daddy dies, Junior Allen comes around and moves in on her and her sister. He wants what her daddy hid. Along the way he wants to rape and brutalize Cathy and other women too.
Travis takes the job and begins to backtrack Cathy's daddy to figure out what he had hidden. He also discovers another of Allen's victims in divorcee Lois Atkinson who is near to death from Junior's attentions. Travis becomes Nurse McGee to take care of her and try to build back what Junior Allen destroyed.
This was a fascinating series beginning. McGee is a great character who has dropped out of the society of his day and has a keen eye for people. He doesn't trust much. Not politics, not credit cards, not the daily grind that occupies so many. He is tough on the bad guys and tender with the helpless victims and a proponent of tough love. He's trustworthy but not someone to build long-term plans with. He keeps his distance and tries to remain emotionally detached.
I first read this book somewhere around 1972. My paperback copy has a $.60 cover price but a notation inside the cover says I paid $.40 for it. I bought the Audible version when it was on sale for $5.00 the other day. Listening to this one brought back the time when I read it and the time when it was written. It hasn't lost anything in excitement and action and intriguing characters.
So here is book one in the Travis McGee series. Its full of miserable people that run, more or less, in the same circles as the main character – no hero, but at least aware of his rôle. It is a rough read for content, the sex and the 60s zeitgeist is layed on quite heavily. Recommended for mature readers. Recommended for all noir/crime readers.
Fast read, good trim on the words. I own book two and when ready, I’ll read it.
4 Stars for a fun read.