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Classic Literature. Fiction. Romance. Historical Fiction. HTML: An altogether unsatisfactory arrangement After their father's death, Miss Judith Taverner and her brother Peregrine travel to London to meet their guardian, Lord Worth, expecting an elderly gentleman. To their surprise and utter disgust, their guardian is not much older than they are, doesn't want the office of guardian any more than they want him, and is determined to thwart all their interests and return them to the country. With altogether too many complications But when Miss Taverner and Peregrine begin to move in the highest social circles, Lord Worth cannot help but entangle himself with his adventuresome wards... Praise for Regency Buck: "Clever!"�?? Library Journal "Georgette Heyer is unbeatable."�?? Sunday Telegraph "Light and frothy, in the vein of the author's other Regency novels, this follows the fortunes of Miss Judith Taverner and her brother, Sir Peregrine. A good introduction to Heyer's period stories..." �?? The Booklist "Reading Georgette Heyer is the next best thing to reading Jane Austen."�?? Publishers Weekly "A writer of great wit and style... I've read her books to ragged shreds"�?? Katie Fenton, Daily Telegraph "Wonderful characters, elegant, witty writing, perfect period detail, and rapturously romantic. Georgette Heyer achieves what the rest of us only aspire too."�??Katie Ff… (more)
User reviews
This is a charming book. The characters are three-dimensional and interesting, and Heyer's descriptions of the locations, fashion, and people add a great deal to the atmosphere of the book. The building attraction between Judith and Julian is fun to follow, especially as Judith denies it for most of the book. We are not let as frequently into Julian's thoughts, but it is obvious from his actions when he starts caring for her. The last third of the book is exciting, and although the villain is somewhat obvious, it is a satisfying conclusion nonetheless.
A good and entertaining read!
Georgette Heyer was one of the originators of the Regency Romance genre and she was a master at her craft. Her ability to people her book with many interesting and amusing characters allows the familiar plot to appear fresh. Her settings, from cock-fighting to a Prince’s drawing room are so well written as to place you on the spot.
I found Regency Buck to be a delightful read and I was charmed by it.
Before long a game is afoot to murder the young Percy. Is the culprit the free spending Lord Worth are there other villains in the family such as a dipsomaniac uncles whose pockets are to let? The book is filled with such interesting turns of phrase which are well researched by Heyer, at heart a historian.
These stores are well worth reading.
To be honest, there was not much by way of plot - it resembles that of a placid MB. Also, much of the twist reader can guess since end is already known. Yet, as they say, pleasure lay in journey rather than the destiny. I am hooked - I will read more of Heyer if only to learn the difference between a tilbury and post-chaise. Such pursuit of trivia is strangely satisfying. :)
Although it's characterized on the listing in the front matter as a "historical romance" rather than a "thriller," and was in the Guardian's "Love" category, there was definitely an element of suspense and crime in this tale. An orphaned, but very wealthy, brother and sister, Peregrine, 19, and Judith, 20, decide to remove to London from their native Yorkshire. They find that their guardian, thought to be an elderly Earl, is in fact the new Earl, a man of 35. He and our heroine Judith clash from their first meeting. Anyone who has read a few romance novels, no matter what the setting, will at once assume that these two will end up together. But Heyer keeps us guessing -- perhaps the Earl is even worse than he seems? It's certain that *someone* has a plan: to murder Peregrine, thus increasing Judith's already considerable value as an heiress, and then to marry her. Peregrine's engagement and Judith's approaching majority speed events to a climax. The clues are there, but Heyer is a mistress of misdirection and that kept me reading. What tempted me at times to give up (instead, I just skimmed) were the seemingly endless pages of description that did not advance the plot, but rather appeared to be simply showing off the author's research skills. Three full pages describing the Royal Pavilion at Brighton, just at a point in the narrative when the reader wants to know what's going to happen next -- maddening! The excessive descriptions of dresses, hats, and gentlemen's wear, complete with fabrics unknown today, made parts of this book a "page-turner" in quite the wrong way for me.
I wonder if the faithful readers of Heyer also just skim the pages of description and concentrate on the nuggets of plotting and characterization, which are the real gold in this book? That her readers are legion is certainly true based on the copy I read -- purchased in 1966, when the first American edition came out (oddly, as the book was published in England in 1935), it's been checked out at least 10 times in the past 6 years, and has had to be rebound at some point because of heavy use.
I won't be rushing to read another Georgette Heyer, but now I think I can see the attraction. And I've spent some mostly enjoyable hours and checked one more book off my list.
This is a charming book. The characters are three-dimensional and interesting, and Heyer's descriptions of the locations, fashion, and people add a great deal to the atmosphere of the book. The building attraction between Judith and Julian is fun to follow, especially as Judith denies it for most of the book. We are not let as frequently into Julian's thoughts, but it is obvious from his actions when he starts caring for her. The last third of the book is exciting, and although the villain is somewhat obvious, it is a satisfying conclusion nonetheless.
A good and entertaining read!
Long third-person explanations don’t appeal to me, whereas
A very good read.
A great admirer of Georgette Heyer's skills as a writer, I am nevertheless constrained to acknowledge that she frequently displays, through her characters, a contemptible class prejudice, particularly as it pertains to women. I am perfectly aware that women of a lower socio-economic status were considered "fair game" by the upper class men of the period which Heyer depicts - it is a sad reality that these attitudes are still with us today - but however historically accurate it may be, this is not an attitude I look for in a romantic hero, and when coupled with arrogance it is - in a word - insufferable.
That Worth feels free to accost Judith at the beginning of the novel - having determined that she will be open to his advances because she is wearing less-than-fashionable clothing, is unaccompanied by a maid, and happens to be passing through a town where a boxing match is to be held - is disgusting. His more reserved behavior once he discovers that she is his ward, I took, not as as evidence of principle, but of hypocrisy. In short: I find Lord Worth one of Heyer's most obnoxious creations, and although I have read Regency Buck a number of times, and enjoy some aspects of the story, I am unable to understand how anyone could find him an appealing character.
Julian, for his part, is just as unhappy at being saddled with the role of guardian as they are at having him as one. However, this does not to prompt him to leave them to their own devices. On the contrary, he is most insistent on reining them in, turning down Judith's many marriage proposals, and curbing Perry's dissolute tendencies in gambling and fighting.
This is the first Georgette Heyer novel where up to the penultimate chapter I wasn't quite sure which way it was going to go, which leaves me curious to attempt one of her mystery novels as she mastered suspense and continuous second-guessing on my instincts as a reader with great aplomb. While this particular title won't rank among my favourites of her Regency romances (detailed descriptions of a boxing match and a cock fight were not what I was looking for), she still crafts delightful characters as ever and her historic details are exquisite. Not where I'd recommend starting if you've never tried Heyer, but an entry that fans of hers should try at least once.
Oh, it's just a delight. The sparring, the attraction of the heiress and her fortune as well as her determination not to bow to rules, be they of society or Lord Worth's invention, make Judith a real character. Love it.
For me the novel is only redeemed by the presence of Worth's brother, Charles Audley, who I will love for ever, and Heyer's excellent writing style and command of historical detail.
Why have I re-read it? It's easy reading when I'm feeling in need of something undemanding, but it's not my first choice out of Heyer's Regency canon.
Media reviews
And oh, it’s awful.
Well, maybe not awful. Let us just say not very good. ...
The failed romance and