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Winner of the Pulitzer Prize and the National Book Critics Circle Award for Fiction, and a finalist for the National Book Award: Alison Lurie's supremely entertaining masterwork about two American scholars, both alone in London, who find romance in the most unlikely places Prim, divorced, and middle-aged, Vinnie Miner gave up on love long ago. On her way to London to research a book about children's folk rhymes-a scholarly pursuit that even her fellow academics sneer at-she finds herself sitting next to the man who will change the course of her life. Brash and na�ve, he is a sanitary engineer from Oklahoma on a package vacation. Also in London is Vinnie's colleague, the young, handsome English professor Fred Turner. His marriage and self-esteem are both on the rocks, but he is about to find consolation in the arms of the most beautiful actress in England. Stylish and highborn, she introduces Fred to a glamorous, yet eccentric, London scene that he never expected-or prepared-to encounter. This ebook features an illustrated biography of Alison Lurie including rare images from the author's personal collection.… (more)
User reviews
Fun story of three Americans in London, exceedingly well written and funny and sad in
Lurie's writing is exquisite. In particular in Vinnie's
At the same time that the writing has so much depth, the plot doesn't have as much. It's a romance ultimately. So it's all about the style and the insights.
Their lives in London intertwine somewhat, but what is interesting is that they are both changed by their time there. And both have romantic flings ("foreign affairs") before returning to America.
One doesn't identify with, or particularly like either main character initially, but you may as the novel goes on. Secondary characters are also interesting. All of the characters are believably flawed.
And I would say the city of London, and other parts of England, become characters in the novel.
Besides, this man looks like someone Vinnie would hardly want to converse with for seven-and-a-half minutes. His dress and speech proclaim him to be, probably, a Southern Plains States businessman of no particular education or distinction; the sort of person who goes on package tours to Europe. And indeed the carry-on bag that rests between his oversize Western-style boots is pasted with the same SUN TOURS logo she had noticed earlier: fat comic-book letters enclosing a grinning Disney sun.
Vinnie, not to put too fine a point on it, is a snob. But her London life will entwine with that of Chuck Mumpson, her erstwhile travel companion. And it will also entwine with that of Fred Turner, her younger colleague, who is supposed to be in London researching the eighteenth century author John Gay, but who is instead bemoaning the break-up of his marriage.
This was a beautifully written and engaging book which I read for my November book club meeting. I had a couple of petty annoyances. Vinnie’s circle of friends in London seemed just a little unlikely, and why, oh, why do American visitors to London always end up at some grand country house party? So clichéd! But well worth the read nonetheless.
Quote
On being 54: "English literature, to which in early childhood she had given her deepest trust, and which for half a century has suggested what she might do, think, feel, desire, and become, has suddenly fallen silent. Now, at last, all those books have no instructions for her, no demands - because she is just too old.
In the world of classic British fiction, the one Vinnie knows best, almost the entire population is under fifty, or even under forty - as was true of the real world when the novel was invented. The few older people - especially women - who are allowed into a story are usually cast as relatives; and Vinnie is no one’s mother, daughter, or sister. People over fifty who aren’t relatives are pushed into minor parts, character parts, and are usually portrayed as comic, pathetic, or disagreeable. Occasionally one will appear in the role of tutor or guide to some young protagonist, but more often than not their advice and example are bad; their histories a warning rather than a model.
In most novels it is taken for granted that people over fifty are as set in their ways as elderly apple trees, and as permanently shaped and scarred by the years they have weathered. The literary convention is that nothing major can happen to them except through subtraction. They may be struck by lightning or pruned by the hand of man; they may grow weak or hollow; their sparse fruit may become misshapen, spotted, or sourly crabbed. They may endure these changes nobly or meanly. But they cannot, even under the best of conditions, put out new growth or burst into lush and unexpected bloom."
It felt dated -- formal, anglophile, restrained -- but then spoke frankly about sex. But still dated: in 1984, was it still common to conduct business by paper mail rather than phone?
Mostly, by a character who investigates children's rhymes, the book made me curious about another Lurie title, on the subversive power of children's literature.
Her Pulitzer winner was Foreign Affairs a small novel about two Americans abroad.
Vinny is an older single woman an academic a scholar of nursery rhymes who loves England and is believed me when i say this really set in her
But as Chekov might have said if you meet a garrulous vulgar American in Act I, you'd better have someone wind up in bed with him in Act III.
Fred is a younger man and QUITE attractive to women coming over to England after a rather improbable fight with his free-spirited wife and looking for - what? - himself? He's studying John Gay the playwright who came up with "Mac the Knife". He falls in with Lady Rosemary a popular actress swanning her way through Societywhose most interesting performance may have only been enjoyed by a few people.
The cast of characters is vast and interesting, from American Tourists to English demimondes and they all have things to say. Her writing about sex and sexuality in "older" women is compassionate and understanding and warmly sympathetic. She understands Vinne and Fred and brings us to understand them too.
The ending is sad, but lovely. Makes you want to go right back and read it again from the beginning.
Loved her The War Between the Tates which was made into a pretty good movie. But this is her most wonderful book.
Two academics, one toward the end of her career and one at the beginning of his, fly off to London to work off grants in their respective fields. The first could be described as a spinster, although there's more nuance in her life than that word describes, and the other a particularly good-looking young man fleeing a rift in his marriage. Their paths cross in London, and he gets caught up in her circle of London friends. She evades an Oklahoman who talked to her on the flight in; he falls for a beautiful actress. Complications and enlightenments ensue, to varying degrees, for both our protagonists. At least one of them will change.
The novel plays with the idea of surface, depth, the idea of self, and (I think) London as an urban Forest of Arden, where it is possible to 'feeling pursuade' those who visit it what they are, which is why I need to revisit it.
I was not sure what to expect with this title. This book is about two very different love affairs. Vinnie Miner is a very proper American professor who strangely enough falls in love with a Oklahoma cowboy who is a sanitation engineer. Vinnie is in England to write a children’s book. Chuck is visiting England on a vacation tour. Vinnie is fifty-four and divorced and feels she will never find the love of her life. What do they have in common? They seem an unlikely couple.
Fred is a fellow co-worker of Vinnie’s. He is also in England. He meets a beautiful actress and falls in love. He is swept up into her social circle. Things aren’t always what they seem though as Fred will later find out.
This book is a mature love story. It takes real life down to earth characters and puts them in real life situations. We have a glimpse of the realities of love and the consequences. The characters are all trying to find themselves. They are all learning about the give and take of love and relationships. This book is very believable.
I did find the language a little raw. The F word was used frequently, but I’m not sure why Lurie does this? It is not impressive. There were a few words I had to look up. The book pokes along until the middle of the story. The characters are well-developed and we have a good sense of who they are. It is a relaxing read. I found it to be a different type of novel. When I say different, I don’t mean bad, just different. This is not the book for you if you like a lot of action or sex scenes. It does contain many issues for discussion. It could be a good book club selection. The reviews I looked at prior to writing this are very controversial. Opinions on this work are varied. I give it 3 out of 5 stars. I have to say that I wonder what her other novels are like??
Poor Vinnie finds happiness but doesn’t appreciate it, and her fellow academic falls terribly in love with an inappropriate target
Lovely, well-rounded characters with serious issues but who feel so very familiar I wanted to sit down with them for a brew. Well, Vinnie anyway.
An excellent read for fans of Britain, academe, and the minute but persistent snobberies we all carry about for no known reason.