Series
Publication
Original publication date
Collections
Awards
Description
"In 1901, the word 'Bondmaid' was discovered missing from the Oxford English Dictionary. This is the story of the girl who stole it. Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the 'Scriptorium', a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme's place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word 'bondmaid' flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world. Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women's experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words."--Publisher.… (more)
User reviews
This is a very calm novel, filled with the everyday needs of drinking tea, doing errands, and talking with friends. Through Esme's experiences, we become conscious that men and women have different experiences, sometimes using the same words differently, and sometimes with different words. Esme collects those words, allowing herself to see and define words that the Victorian white men creating that dictionary didn't include. In the course of the book, the women's suffrage movement reaches Oxford, and then the World War. And life goes on.
A stunning book - quiet and revolutionary.
I love words
The dictionary sections are delightful: finding words (literally, slips of paper with words written on them fluttered to the floor to be forgotten or lost or discarded), thinking about words, talking about words, and their meanings - and why some words are "worthy" and some aren't, especially when it comes to "women's words" - words used by or about women, who understand them in different ways. Esme is one of a very few women involved in the production of the Oxford English Dictionary, and she collects these "lost words," because to her, they are important, even as the mostly intelligent, decent, well-intentioned men around her may not think so.
But I think Williams tries to do too much. There is a subplot around the women's suffrage movement in the early 20th century, but it doesn't really go much of anywhere within this particular story. Esme falls pregnant by a man she likes but isn't in love with (occasioning some rather purple erotic maundering), refuses an abortion, and gives birth to a daughter (further and even more treacly maundering about "Her" - Williams's capitalization) who is given over to an admirable couple for adoption. Finally Esme does fall in love, awkwardly and rather heavy-handedly unable to find words for it, with a perfectly nice, kind, patient, loving fellow... [SPOILER!] just in time for World War I to kill him off, and the opportunity for Williams to write up some eloquent letters about the horrors of the war. In these sections, Williams teeters precariously on the brink of "historical fiction chick lit," a genre that tends to subtract stars for me.
Nevertheless, I looked forward to picking it up in the evenings. I enjoyed it in a not-very-emotional way... the only incidents that plucked at my heartstrings were the sudden death of a gentle-hearted lexicographer who always wore mismatched socks, and of Esme's lovely, kind father. Still, a much better-than-average piece of historical fiction that is not about the middle ages or WWII, with lots of little pleasures for the word nerds among us.
In many ways, this is a coming of age novel. We watch as the rather privileged Esme learns how life is very different for Lizzie and the female vendors in the market, and she becomes fascinated with the particulars of their language. Many of the words she collects are "women's words" that she has never heard before. She begins to collect them as the lexicographers do: on a slip of paper with a definition and a sentence using the word that is attributed to the writer (or in many cases, for Esme, the speaker). As one would expect in a coming of age story, the book includes a school experience that deeply affects Esme, several meaningful friendships and a couple of lust/love stories, and a growing awareness of her place in the world and the inequality of classes and genders. The novel's time frame brings in key elements of roughly 1907 to 1928, including World War I and the struggle for women's suffrage. Through all this, Esme's love of words and their various meanings and usages continues to grow.
I can't mention the few things that annoyed me about this book without giving away too much, but overall, I thought it was quite well done and a very enjoyable read.
The task started in 1887 in a scriptorium, a glorified shed, which is likened to a writing room in a monastery. The monks in this monastery are known as lexicographers. Along with their assistants it will take them a lifetime before they will celebrate
Pip Williams has found a way to impart the history of how the Dictionary was created while weaving an interesting story about Esme, a young girl who, as a child, plays under the lexicographer’s table collecting fallen slips of paper with words on them. Growing into a role she has unwittingly been groomed for Esme becomes a natural and astute collaborator always willing to work a little harder hoping for just a little more than what Victorian society allows. She develops her own contacts, some outside the pall of acceptable society. She has a keen ear for words and phrases foreign to her experience, some rough and crude of the lower working class. Without judgement she begs the question; “Can you put it in a sentence?” She knows she has to get it right because “everything that comes after the first utterance is a corruption.”
William’s brilliant proposition that women’s words are treated differently to those of men gives this book great depth and perspective. She leaves no doubt that the Oxford English Dictionary is a man’s work and true to their gender while greatly overlooking a meaningful female interpretation. It begs the question whether each gender will have a more equitable and complete representation in the newest rewrite and revision.
The Dictionary of Lost Words is a treasure. It is interesting, informative, well researched while successfully telling a women’s coming of age story at the onset of the twentieth century. Thank you NetGalley and Ballantine Books for a copy.
Esme and her father are fictional, but the majority of the book is historically accurate, including the Suffrage movement and WWI. Early on, Esme discovers that some words, lacking verifiable evidence in print, are left out of the dictionary. Many of these words are more relevant to women than to men, apparently, and many that Esme decides to collect independently are informal, used in speech, generally by people without much traditional education. Esme is fortunate to have three strong women as friends: Lily, a servant; an actress suffragette, and the unforgettable Covered Market vendor Mabel.
Some readers may find the detailed description of the Scriptorium work too slow, but Oxford, Bath, the Women's Vote movement, World War I, love and loss all animate this work. Today, we know the words entered in Esme's Dictionary were important to record, lest they be forgotten along with, perhaps, the time, people and context in which they lived. The Dictionary of Lost Words colors the world of the OED more brightly and fully than any other book to date.
I received this book from Random House and Netgalley. This is an honest review.
At the end of the 19th century, Esme spends her days beneath the Sorting table in the Scriptorium, where her father and other
Now you might think a book about words in a dictionary might be, I don't know, boring? Slow-paced? Ho-hum? Oh how wrong you'd be. Australian author Pip Williams has managed to write a compelling tale of such excellence, that I was completely immersed from beginning to end. Esme is a wonderful character, one of several terrific characters that emerge in this very accurate historical fiction about the ways the OED came to life.
Along the way we delve into the suffragette movement and WWI, and the effects both had not only on the population but on the OED too. Throw in a good love story and you've got it all, really.
I could go on and on because this was one wonderful book. Richly drawn characters, interesting plot lines, beautiful language. Oh and there may have been a need for Kleenex. Just saying.
This was a well written and engaging book. Esme was a dynamic character, who grew throughout. The author did a great job with the passing of time and time transitions. I look forward to reading more from this author. Overall, 5 out of 5 stars.
It was a difficult time for women. They didn't have the vote, and they were fighting for it. They didn't get paid anything near what men were paid. They had no sexual freedom. An unintended pregnancy in a single young woman could destroy her for life. Some women had virtually no choice but to be "in service" -- employed by a household as a maid or cook and stuck there for life -- which leads to fascinating discussion of the term "bondmaid," a touchstone for the entire novel.
I loved Esme, who tells her story in a first person narrative, though letters and other documents provide us with other viewpoints from time to time. I loved her independence and her determination. Most of all, I loved her collecting "women's words" -- some profane, some slang, many of which are alternative meanings for words in ways that men never use them. The book is a fascinating meditation on how words form us, our expectations, our thoughts, our senses of what is possible without ever lapsing into a full-fledged disquisition on this topic -- it's all in the story.
This is undoubtedly one of the best books I will read in 2021. I'm tempted to say that it's a marvelous book for women -- and it is -- but men will enjoy it, too, particularly if they're interested in finding out about women's lives. It would be a great book club book, too, especially as it's apparently already out in paperback.
I received an advance reading copy of this book from NetGalley in exchange for an honest review.
Brilliantly written, thoroughly researched, deeply emotional. The Dictionary of Lost Words is an incredible work of literary and historical fiction.
The lead character, Esme, grows up with the Oxford English Dictionary. Motherless,
This is a profound book, truly. It's about words, and people, and love, and loss. It's never preachy, but the messages are there. The way everything is delicately laced together is a marvel. The end of the book made me weepy more than once. There are some terrible tragic turns, and then--the very ending is a surprise culmination that resolves everything with stunning sweetness.
Readers will enter the world of words through Esme, a young girl without a mother, who goes to work with her father until she is old enough for school. Her father is a lexicographer who is working on the first dictionary. It is painstaking work and takes several workers years to complete. During this time Esme grows up amongst the words, fascinated by the different meanings and becoming attached to some of the words.
Once old enough, there is no question Esme will work with her father. It’s all she knows, it’s her world and she is qualified. As Esme enters her adult years, she faces a devastating time in her life. Through the love of her Aunt Dittie, her father and Lizzie, her friend and longtime caretaker, Esme is cared for and loved until she is strong once again.
Esme falls in love and marries, but WWI gets in the way of her life with her new husband. During this challenging time, Esme uses words and their meaning to comfort wounded soldiers. Through it all, Lizzie, Aunt Dittie and Esme’s work family of lexicographers offer her support and encouragement as many changes come her way.
I loved the caring and supportive relationships portrayed in this novel. I also learned so much about what was involved in publishing the first dictionary. Of course, the dictionary will never be finished as our language is constantly changing, but rest assured, there are people who are taking note and adding our new words and dropping those that have fallen out of use. I highly recommend this to historical fiction lovers and those who are intrigued by words.
Many thanks to NetGalley and Random House Publishing-Ballantine for allowing me to read an advance copy and offer my honest review.
The writing is crisp and sharp. The obvious enjoyment of playing with words is a delight. The different voice of the godmother's letters is brilliantly done.
The emphasis on the role of women might suggest a predominantly female audience, but this aging male loved it.
This is engrossing -- a poignant story of childhood during the late 19th century and womanhood in the early 20th century, and an absolutely fascinating insight into the decades-long process behind the first Oxford English Dictionary.
I liked that Esme has people in her life who love and support her and are there for her in difficult times. But I thought the ending was intensely sad and I am trying to work out why that made me disappointed and unhappy. There are stories I love which have sad endings? And this ending fits its story?
(Have I just encountered my fill of such endings?)
The Scriptorium felt magical, like everything that ever was and ever could be had been stored within its walls. Books were piled on every surface. Old dictionaries, histories and tales from long ago filled the shelves that separated one desk from another, or created a nook for a chair. Pigeon-holes rose from the floor to the ceiling. They were crammed full of slips, and Da once said that, if I read every one, I’d understand the meaning of everything.
In 1887 work begins on the first [Oxford English Dictionary]. Esme's father is one of the
Esme enjoys being under the table because words that won't be included will come floating down under it as they are discarded. After the word bondsmaid comes down Esme realizes this word could apply to a kind woman who among other things, makes their lunch. Esme begins saving the discarded slips and hides them in a trunk. As she becomes older she realizes that a large number of the words that won't be included are related to women or common people.
Esme begins to think about publishing her own dictionary and begins to search for words that would not be included in the Oxford Dictionary. She talks to market vendors and other common people, collecting their words. The plot follows Esme through experiences all young women did and still do experience, friendships, relationships with men, war, pregnancy, death, and women's rights including suffrage.
There are so many reasons I like this book. It was well researched and learning the process the lexicographers used and the dedication they had to this incredible undertaking was fascinating. Some characters were drawn from actual people although Esme and her father were not. The author successfully captured the time and the social restraints placed on women from the late 1880s through the early 1900s. For sure this will be one of my favorite books this year.
I know "The Dictionary of Lost Words" is receiving high praise but I felt disconnected all the way through. The plot was slow, especially in the middle, and was quite dry in places jumping quickly through the years. Also, Esme never resonated with me. I found her fairly one dimensional and boring. Instead, I preferred Lizzie and Dittie, two secondary characters.
However, this was a debut novel and the author deserves recognition for the detail, research and love she put into this book. It just wasn't for me.
Esme Nicoll is the fictional protagonist dropped
Esme’s life revolved around the development of the dictionary, and this is a very interesting story indeed. But The Dictionary of Lost Words delivers even more through interesting, well-developed characters -- some real, some imagined -- who had a profound impact on her life. The historical backdrop, which included both women’s suffrage and World War I, added even more interest. I was totally immersed in Esme’s life, and strongly affected by her life choices and relationships. This is a lovely, memorable novel -- highly recommended.