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"Introducing an extraordinary female lawyer-sleuth in a new historical series set in 1920s Bombay. Perveen Mistry, the daughter of a respected Zoroastrian family, has just joined her father's law firm, becoming one of the first female lawyers in India. Armed with a law degree from Oxford, Perveen also has a tragic personal history that makes her especially devoted to championing and protecting women's legal rights. Mistry Law has been appointed to execute the will of Mr. Omar Farid, a wealthy Muslim mill owner who has left three widows behind. But as Perveen is going through the paperwork, she notices something strange: all three of the wives have signed over their full inheritance to a charity. What will they live on if they forfeit what their husband left them? Perveen is suspicious, especially since one of the widows has signed her form with an X--meaning she probably couldn't even read the document. The Farid widows live in full purdah--in strict seclusion, never leaving the women's quarters or speaking to any men. Are they being taken advantage of by an unscrupulous guardian? Perveen tries to investigate, and realizes her instincts about the will were correct when tensions escalate to murder. Now it is her responsibility to figure out what really happened on Malabar Hill, and to ensure that no innocent women or children are in further danger."--… (more)
User reviews
What is good about it is the insight it provides into India in the early 20th century: the culture and customs of the various religions and the poor relations between the British and the Indian people.
There's really two stories in the book with little, if any,
There's a basis for a series here, depending on how Perveen develops in any sequel.
Highly recommended.
The case she is working on is the estate settlement of three widows living in the Malabar Hill neighbourhood of Bombay and the four young children of Mr. Omar Farid. Once all debts have been paid the settlement is a mathematical division of the assets starting with the children and the return of the dowry to the widows. Mr. Faisal Mukri, the appointed estate trustee, sent Perveen a letter stating the widows wished to give up their assets as a donation to the family trust. She is puzzled by this for a couple of reasons, the signatures on the attached documents are questionable and on what do the widows plan to life if they fore go their assets. To complicate matters the widows live in seclusion and will only deal with another woman. On Perveen’s first visit Mr. Mukri is murdered and it has to have been done by someone with in the house.
A subplot of the book is Perveen’s marriage, in 1916, to Mr. Cyrus Sodawalla of Calcutta and subsequent seperation. This episode contains interesting information on some female customs as well the legal standing of women in India in the 1920’s.
The book requires the readers’ attention as there are many characters that move the plot along as well as provide background information. As I wrote that it came to me that that is appropriate for an Indian novel as it reflects the large, busy society of the country.
Massey is also the author of the award winning series featuring Rei Shimura, an antique dealer in Japan, originally from California. A series I greatly enjoyed.
Reviewed 2018-1-11
⭐️⭐️⭐️⭐️1/2
The story is a mystery, but embedded in the story are cultural insights into Indian society in the 1920s. The position of women in both Parsi and Muslim cultures, the food, and domestic arrangements all add depth and color to an engaging read.
The story begins when Perveen Mistry opens a letter pertaining to an estate settlement. Omar Farid had died, leaving behind three widows and four children. All continued to live in seclusion in the family home, their only contact with the outside word via a window within the house. The family agent said the widows all wanted to give up their dower inheritance to a family charity.
And so a tale of intrigue and murder begins.
The Widows of Malabar is a very good read, well-researched and well written.
I enjoyed the setting and details about tensions between religions - Perveen and her family are Parsi and Zoroastrian, while others in their community are Hindu or Muslim - as well as the law in India in that time. The story takes on dual timelines and explains Perveen's history, which was interesting but didn't really add to the story or the mystery and instead felt a bit more contrived than a straightforward narrative might have been. The lengths in the shifts of timeline were varied and seemed to have no rhyme or reason, leaving me feeling a little out of rhythm and impatient with the story. I will most likely continue the series, as the setting intrigues me and I'm interested in seeing how Perveen's story unfolds.
If you like historical fiction, especially India in early 20th century, and learning about different cultures and ways of life, you will like this book. While it is a murder mystery, it is also an exploration of the various cultures active in India from
The situation of women of all faiths becomes integral to the plot, as do marriage customs, inheritance, family practices, the law, the role of the English in India, Indian independence, class strictures and even education and employment for women. While the plot moves slowly, the descriptions of a way of life unknown to most Americans, keeps the reader interested and reading. Besides a murder, there are also two kidnappings, financial shenanigans, jewelry theft, families in crisis, and other plot devices to keep interest high.
The noises, smells and flavors of Bombay and Calcutta set the scene. Clearly drawn characters and lively writing add to a tale well worth spending time with tea, curry and Perveen as she navigates the path forward with three widows who are clearly not sisters of the heart.
4 of 5 stars
The story itself is a version of the locked room mystery. The widows live in purdah on Sea View Street. They stay in the women's section of the house, they do not leave their home, and they do not speak to any man who is not part of the immediate household. When a man dies inside a house where few people are admitted, it's going to take knowledge of the interior workings of the place to learn the truth. As a woman, Perveen is perfect for the role of investigator. She's also perfect in another way: she's become a feminist who's passionate about the rights of women and children. She shows us how such restricted lives are led and the intricate maneuverings that must be done in order to conduct an investigation. (Some policemen are much less willing to conduct themselves according to the beliefs of those who have become a part of their investigation.)
The mystery is a strong one because readers must acquaint themselves with this unfamiliar world in order to piece together what happened. And what can I say about the setting? Massey pulled me right into this world, and I was almost on sensory overload. The old ways versus the new. Bombay's rapid growth into a vibrant major city. The various political, religious, and social factions that chafed against each other on a daily basis. And one woman, with the support of her parents, who's strong enough to stand up for what's right.
I can't wait to get my hands on the next book in the series!
The story has a ring of authenticity about it, taking readers into a world we will know very little about. Perveen is a recently
Highly recommended.