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Earthling Sutty has been living a solitary, well-protected life in Dovza City on the planet Aka as an official Observer for the interstellar Ekumen. Insisting on all citizens being pure "producer-consumers," the tightly controlled capitalist government of Aka--the Corporation--is systematically destroying all vestiges of the ancient ways: "The Time of Cleansing" is the chilling term used to describe this era. Books are burned, the old language and calligraphy are outlawed, and those caught trying to keep any part of the past alive are punished and then reeducated. Frustrated in her attempts to study the linguistics and literature of Aka's cultural past, Sutty is sent upriver to the backwoods town of Okzat-Ozkat. Here she is slowly charmed by the old-world mountain people, whose still waters, she gradually realizes, run very deep. But whether their ways constitute a religion, ancient traditions, philosophy, or passive, political resistance, Sutty is not sure. Delving ever deeper into her hosts' culture, Sutty finds herself on a parallel spiritual quest, as well.… (more)
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I can't exactly say that Le Guin's handling of these societies is heavy-handed or clunky. She's too good a writer for that, and she does make a point of adding in a bit of complexity. But, still, I could never quite manage to fully believe in either of these cultures, or to accept them on their own terms. It was never, ever far from my mind that the author had invented these societies to contrast with each other, to compare with our own societies on Earth, and to make some sort of point about what she believes to be good and bad in human civilizations, and that awareness made me feel a bit too detached from it all. I did find a few aspects of the traditional culture she describes to be interesting, appealing, even mildly insightful. But, for me, it just never quite came together into something satisfying or particularly profound.
It wasn't an unpleasant read or anything, and I'm not sorry I picked it up. But it's definitely not the first Le Guin novel I would recommend to anyone.
I enjoyed the book, but must confess that I am a long-time Le Guin fan, and this is a work in a larger spectrum of life-long brilliant writing.
I was so looking forward to reading
The novel is set on the planet of Aka, where a dystopian, corporatist society has been established in which all religion has been outlawed. The protagonist, Sutty, is an observer from Earth who feels somewhat untethered; the change in government occurred while she was traveling to Aka, so the planet she arrived at in no way matched the planet she had prepared to observe. After a while, she is able to escape government minders and travel to the country to get some insight into the religious culture of the Akans before it was forced underground. The primary expression of religion is through storytelling, in which stories are related over and over by knowledgeable "priests/priestesses" to all willing listeners in a process called the "telling." Eventually, Sutty journeys with some of these "priests" to see the last existing library, which is hidden in a remote mountain peak.
Of course, I appreciated this appreciation of storytelling and oral history. But the contrast between the two forms of Akan culture seemed too stark; it was clear that the old way was Good and the new way was Bad. I expect more shades of gray, more ambiguity from Le Guin. Also, I was far more interested in the little snippets of Earth's future history that Sutty related than in what was happening on Aka. I was left wanting.
Well, so-so Le Guin is better than the best of many other writers. This is not a bad book, by any means. It is no Left Hand of Darkness or Dispossessed either. I worry that there is so much in Le Guin's head that she is not letting out. I am so fascinated by this universe she has created. I want more!
Read because I like the author, particularly her books set in the Hainish universe (2013).
Dogged by an Akan Monitor who is fanatically devoted to the new way of life, Sutty nevertheless gains the trust of the traditional Akans in the mountains, and begins to immerse herself in their deeply beautiful, poetic, and all-pervasive ethos, which Sutty dubs the Telling. Deeply touched by this way of life, Sutty finds herself on a pilgrimage to the Akans’ most sacred site and simultaneously embroiled in the fight to preserve the Telling from the Monitor and those he serves.
A parable for our own culture’s willingness to abandon its cultural heritage, “The Telling” is a lyrical and affecting examination of the conflict between traditional values and technological progress, with no clear winner on either side.
"Unexpectedly she received permission to leave the modern city where her movements were closely monitored. She travels up the river into the countryside, going from howling loudspeakers to bleating cattle, to seek the remnants of the banned culture of Aka. As she comes to know and love the people she lives with, she begins to learn their unique religion -- the Telling. Finally joining them on a trek into the high mountains to one of the last sacred places, she glimpses hope for the reconciliation of the warring ideologies that have filled their lives, and her own, with grief.
"The Telling is a reflection on the conflict of politics and religion in our modern world, and the story of a spiritual journey through a landscape that is at once very strange and very familiar."
~~front flap
Ursula Le Guin is probably my favorite author, and I have and cherish almost all the books she wrote (and am working on having them all.) I've noticed that as she grew older, her books became simpler, and yet more profound. The book is a thinly disguised warning about the consequences we would all suffer if any fundamental religion became the state.
It's written with her usual spare, poetic language, and the trip into the mountains had echoes of Tibet: the country that has been taken over by China and has had its culture and religion banned. Our hearts bleed for Tibet, just as Sutty's heart grieved for Earth taken over by a fundamentalist religion, and for Aka, taken over by a materialistic state.
The ending promises hope, but it's a slim one. Governments aren't generally willing to give up their power. Since the book was published in 2000, and is the last in the Hainish cycle, we'll never know if the promise came to fruition, or not.
I miss her. Terribly.
I feel like LeGuin conceived of The Telling and wrote the plot around it in order to convey The Telling to us. Which, great. Frankly, I’d like to have heard more of it, but again, much more philosophical and thought-experiment-y than science fiction, per se. Fans of LeGuin will like it. Fans of more science-y, tech-y sci fi will probably not.
I was way more connected to Sutty than I have been to Le Guin's other protagonists that I have read. I to understand the Akans with her almost immediately. I enjoyed her growth and the Akan cultural system immensely.
On this second reading, I am more critical of the naivete of Sutty. Surely a
Favorite quote is really 2 pages (134-5) where Maz Uming explains why people need to keep reminding themselves of the right way to live, i.e. why the Telling is so important in their culture.
There's not really a LOT of conflict – there is some – and the novel all wraps
The first Hainish Observers happened to be Terran, and their reports were sent to Earth instead Hain. Those initial reports were largely lost due to Unist sabotage of the ansible communication system, so that only the language report survived for Sutty to study in transit to her first Observer post. She is dismayed to find that she had left a planet and its societies being destroyed by religious fundamentalists to arrive at a planet that is under the totalitarian control of a corporate government destroying its societies in the name of anti-religious accelerated capitalism and industrialization in a "march to the stars" spurred by the transmission from Earth of all its technical knowledge. The literature and ideograms that Sutty had studied had been outlawed and destroyed as relics of a primitive past.
Sutty is convinced that she is failing in her role because she is unable to be neutral, to be nonjudgmental of what's happening on Aka. As she put it, "maybe a Terran was a bad choice. Given that we on Terra are living the future of a people who denied the past...I trained as a linguist and in literature. Aka has one language left and no literature. I wanted to be a historian. How can I, on a world that's destroyed its history?"
Fifty years after first contact, Aka restricted offworld presence to four people who must stay in the main city. But then Sutty is given permission to travel up into the hills into a small village far from the city. Will she find relics of the suppressed indigenous culture and history and knowledge?
Well, it wouldn't be much of a story if she didn't. Sutty settles into that distant village and begins learning the forbidden culture that can't be completely erased from hearts and minds and walls and more. The events of this story seem very reminiscent of China's Cultural Revolution, and the indigenous culture seems very much modeled on Taoism and associated traditional Chinese medicine, qigong, cuisine, calligraphy, etc.
Sutty cannot flee her past, her own trauma and loss and grief. As she journeys first into the hills and later to the mountains she is shadowed by the Corporate Monitor, and eventually their journeys and their stories become intertwined. And the secret behind the rise of the Corporate State and the destruction of Akan religion and culture is revealed. Terra and Aka are dark reflections of the same human impulses of domination and resistance and the all too human cost of state violence and what it takes to survive.
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Dust jacket in Mylar.