Status
Call number
Genres
Collection
Publication
Description
Selected for a Pharos Editions' reissue by T.C. Boyle and featuring a foreword by Kurt Vonnegut Jr., Pharos Editions is proud to announce the long awaited revival of William Kotzwinkle's cult comic classic,The Fan Man. And just in time it is, too, man. If you haven't read it you are in for a rare and wondrous treat. If you have, isn't it about time you returned that copy you borrowed from your best pal Pete back in '74 and replace it with this stunning new edition, man? I am all alone in my pad, man, my piled-up-to-the-ceiling-with-junk pad. Piled with sheet music, with piles of garbage bags bursting with rubbish and encrusted frying pans piled on the floor, embedded with unnameable flecks of putrefied wretchedness in grease. My pad, man, my own little Lower East Side Horse Badorties pad. . . . . . .And so it begins Badorties' narration of his down-at-the-heels drug-fueled befuddlement in New York City circa 1970.… (more)
User reviews
He uses the word "man" in every utterance, every sentence, man, the way Valley Girls used to use the word "like," man. Like all the time, man. Like, way too much, man. Like it is so not bitchen, man, how often "man" is used, man, in William Kotzwinkle's The Fan Man. Like he never stops saying the word "man" in every sentence of the entire novel, man, so that after a while, man, reading about Horse Badorties and his goomba-ish absurd shenanigans in The Fan Man, man, you find yourself starting to talk like him not just inside your head, man, but to your wife and kids, man. To your dog, man. It's so sad, man, talking like that around the house nonstop, man.
Horse Badorties' hippie vernacular, man, becomes damn near impossible, man, to get out of your fucking head, man, once its gotten inside you, the fucking infection of hippie inflection, man, like some hippie-language-virus, man, gone global. That voice of his, of Horse Badorties, man, gets stuck inside you, man, just like that wretched Taylor Swift song gets stuck inside you once you've heard it even just once, man. Weeeeee. Are never ever ever ever ever, getting back together, weeeeeee, are never ever ever ever EVER. See what I mean, man? Book is a far out trip, man. Gonna heed The Fan Man's advice, man, of Horse Badorties, and go buy me some "Peruvian mango skins," man, to like cleanse the inorganic toxins out of my aura, man, so I'll only receive the purest, most precious and positively freshest vibes from the cosmos, man. You dig, man?
The Fan Man is also Horse Badorties. He is a slob, obsessed with 15 year old "chicks" he can introduce into his "love choir", fans (the Japanese hand-held folding kind) and phones. At one part of the book he spends an entire night in a phone booth making random phone calls. At first I thought the obsession with 15 year olds was a metaphor for something else, something spiritual - especially in the context of a love choir. All in all, I think it's safe to say I didn't get this book.
Horse lives in New York City and he intends to have a unique musical concert in Tompkins Square with a choir of 15 year old chicks (i.e. young girls), drums, a saxophone player and battery operated fans for everyone. He even talks someone at NBC into filming it. He has other ideas for the concert but some things, like a decrepit school bus, don't make it to the final chapter. T. C. Boyle calls Horse Badorties the Don Quixote of modern time albeit without Sancho Panza and that seems appropriate. Horse may not have windmills to tilt at but other things get in his way.
You just have to laugh out loud at some of the scrapes Horse gets himself into. And other things make you shake your head. I'm glad I read this but I'm also glad that it wasn't any longer than 147 pages.