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Fiction. Literature. Short Stories. HTML:WINNER OF THE NOBEL PRIZE® IN LITERATURE 2013 The only novel from Alice Munro-award-winning author of The Love of a Good Woman�??is an insightful, honest book, "autobiographical in form but not in fact," that chronicles a young girl's growing up in rural Ontario in the 1940's. Del Jordan lives out at the end of the Flats Road on her father's fox farm, where her most frequent companions are an eccentric bachelor family friend and her rough younger brother. When she begins spending more time in town, she is surrounded by women-her mother, an agnostic, opinionted woman who sells encyclopedias to local farmers; her mother's boarder, the lusty Fern Dogherty; and her best friend, Naomi, with whom she shares the frustrations and unbridled glee of adolescence. Through these unwitting mentors and in her own encounters with sex, birth, and death, Del explores the dark and bright sides of womanhood. All along she remains a wise, wit… (more)
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This the third Munro book I've read, and although I really like her as a person (she's very well known here in Canada), I haven't loved her books. I've appreciated them, I've seen their merit, but there was something that didn't quite click with me. One reason is that I've had trouble identifying with her characters, and the other is that at times she writes about some very uncomfortable material in a very stark manner. I've been heard to say that I feel like taking a shower after reading some of her stories.
I can confidently say that I've turned a corner her. On the surface I don't have much in common with her characters, but she writes about such very human experiences and emotions that I can't imagine anyone not identifying on some level if they're being honest. There were so many fabulous characters in Lives of Girls and Women--I especially had a soft spot for her odd, hopeful, encyclopedia-selling mother.
People's lives, in Jubilee as elsewhere, were dull, simple, amazing, and unfathomable - deep caves paved with kitchen linoleum.
If you change "people's lives" to "Munro's writing", that sentence pretty much sums up how I feel about Munro's writing in her own words.
I'm not generally a short story fan, but I'd consider making an exception to read more Munro.
That being said, it's not a criticism of the book, just an explanation. The book itself is very well written and I thoroughly enjoyed Munro's lyrical and evocative style. Her characterizations are vivid and believable; Munro is clearly very observant about every small detail of a person's visage and demeanor and is able to then articulate these into a character of her own making. For what it's worth, in an author's note, Munro describes this book as "autobiographical in form but not in fact. My family, neighbors and friends did not serve as models."
In terms of plot, there isn't much of one in Lives of Girls and Women. The story follows the life of narrator Del Jordan as she grows up in a small rural town in Ontario, Canada, beginning with her elementary school years (which correspond roughly with the World War II years) through to the end of her high school days. We see through her eyes as she narrates about her early years on a farm just outside of town and then when she moves into the small town and becomes accustomed to life there as well.
Although it is the name of one of the chapters, it feels like a bit of a misnomer for this book to be called Lives of Girls and Women as it's about all the people in Del's life, which ends up being pretty equally male and female. These people include family members, friends, lovers, neighbors, and so on. Throughout the book, we watch Del grow and hear her thoughts as she struggles with her issues in life, which largely stem from being the daughter of a fairly conservative, don't-rock-the-boat type of father and a very liberal, wants-to-get-out-of-this-small town kind of mother. Del is often torn from trying to fit in with her father's traditional family and longing for more, just like her mother.
Even though some references are clearly dated, it was interesting to see how a lot of the struggles surrounding growing up are still the same. Del tries out different religious, explores sexual relationships, tries to find her place among the other kids at school, etc. - all identity roles that we most of us probably grappled with at some point in our own childhoods and adolescences.
The book ends on a hopeful but vague note, which may bother some who like a more tied-up ending. The epilogue seemed like a bit of an odd fit to me, as it went backwards in time and left the book with even more of a 'huh' kind of ending. Nevertheless, overall I really enjoyed this book and would recommend it for those who read more based on character and writing style than strictly for plot.
Another 1001books success.
⭐️⭐️⭐️⭐️1/2
The author captures many of the thoughts and feelings that females go through as they grow from little girls to young women. The uncertainty of maturing at different rates from one’s friends, the feelings of being left behind by one’s peers, the curiosity about life in general and sex in particular are told with humour, pathos, and drama. In writing about everyday events, Munro’s talent for remarkable and relatable prose is highlighted.
Lives of Girls and Women was my introduction to Alice Munro and this empathetic story about one young girl’s rites of passage was a pleasure to read.
Like Munro's "The Beggar Maid," published later, this book consists of interconnected stories. However, the time frame here is much shorter than the later one and, therefore with fewer gaps in time, reads more like a novel.
It is the coming-of-age story of Del Jordan, from her early years at home on the farm, through her school days in town and, finally, graduation from high school. We learn of her early interest in reading and writing, and see her shaping her spiritual beliefs, sharing tittilating secrets with her best friend, her first crushes and first loves. Vignettes of people and events give a nostalgic and often very funny view of small town life.
The characters in the story are so carefully drawn with Munro's characteristic turn of phrase that they are brought vividly to life. None is more alive than Del's mother and her relationship with Del. While often disparaging of the remarks and advice of her mother, Del grows up with her own version of her mother's worldview.
An epilogue, a story in itself, describes Del's imagining her first short story, how it would be about her small town, and how she would change names and places to create something new, but based on truth. I suspect it is how this novel was constructed.
This early book is one in an oeuvre of work worthy of the Nobel Prize for literature, which Munro won in 2013.
There really wasn’t much to this book. I’ve been wanting to try Alice Munro for a while, but am not a fan of short stories, so that pretty much left me
Briefly, as follows, the stories are:
THE FLATS ROAD--Del and family are living out of town on a fox farm This story focuses on Uncle Benny's disastrous marriage.
HEIRS OF THE LIVING BODY--Del's mother's failure to be accepted by her father's family: "My mother went along straight lines. Aunt Elspeth and Auntie Grace wove in and out around her, retreating and disappearing, and coming back...."
PRINCESS IDA--Again the focus is on Del's mother, who becomes an encyclopedia salesperson. "I felt the weight of my mother's eccentricities as something absurd and embarrassing about her--the aunties would just show me a little at a time." Del, her mother, and her brother are now living in town while her father is out at the fox farm.
AGE OF FAITH--Del wants to know if there is a god. "Sometimes I thought of the population of Jubilee as nothing but a large audience for me...."
CHANGES AND CEREMONIES--Del and her friend Naomi are becoming interested in boys and the mysteries of sex. In Jubilee, "reading books was something like chewing gum, a habit to be abandoned when the seriousness and satisfactions of adult life took over. It persisted mostly in unmarried ladies, would have been shameful in a man."
LIVES OF GIRLS AND WOMEN--As a teenager Del is sexually molested by the boyfriend of her mother's boarder.
BAPTIZING--In high school, Del has boyfriends; loses her virginity.
EPILOGUE: THE PHOTOGRAPHER--A story imagined by Del, who has failed her college scholarship exams, but who wants to be a writer. "And no list could hold what I wanted, for what I wanted was every last thing, every layer of speech and thought, stroke of light on bark or walls, every smell, pothole, pain, crack, delusion, held still and held together--radiant, everlasting."
4 stars