Status
Available
Call number
Genres
Collection
Publication
Michael Wiese Productions (1999), Paperback, 300 pages
Description
A revised and expanded sequel to Stealing Fire from the Gods, this 2nd edition includes important new revelations concerning the ultimate source of unity, the structures of the whole story passage, the anti-hero's journey, the high-concept great idea, the secrets of charismatic characters, and the analyses of many important new stories and successful films.
User reviews
LibraryThing member ZenPatrice
Phenomenal Jungian approach to writing
Language
Physical description
300 p.; 9.08 inches
ISBN
0941188655 / 9780941188654
Similar in this library
500 Ways to Beat the Hollywood Script Reader: Writing the Screenplay the Reader Will Recommend by Jennifer Lerch
The 101 Habits of Highly Successful Screenwriters: Insider's Secrets from Hollywood's Top Writers by Karl Iglesias
Writing the Romantic Comedy: from “cute meet” to “joyous defeat”: how to write screenplays that sell by Billy Mernit
Aristotle's Poetics for Screenwriters: Storytelling Secrets From the Greatest Mind in Western Civilization by Michael Tierno
Writing Treatments That Sell: How to Create and Market Your Story Ideas to the Motion Picture and TV Industry by Kenneth Atchity
The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problems by Syd Field
The Art of Dramatic Writing: Its basis in the creative interpretation of human motives by Lajos Egri
Inner Drives: How to Write and Create Characters Using the Eight Classic Centers of Motivation by Pamela Jaye Smith
Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know by Jennifer Van Sijll
Story Structure Architect: A Writer's Guide to Building Dramatic Situations and Compelling Characters by Victoria Lynn Schmidt
The Writer's Guide to Writing Your Screenplay : How to Write Great Screenplays for Movies and Television by Cynthia Whitcomb
The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry by Brooke A. Wharton
Plot by Ansen Dibell