Status
Call number
Genres
Collection
Publication
Description
Classic Literature. Fiction. Literature. From Boston's social underworld emerges Verena Tarrant, a girl with extraordinary oratorical gifts, which she deploys in tawdry meeting-houses on behalf of "the sisterhood of women." She acquires two admirers of a very different stamp: Olive Chancellor, devotee of radical causes and marked out for tragedy; and Basil Ransom, a veteran of the Civil War who holds rigid views concerning society and women's place therein. Is the lovely, lighthearted Verena made for public movements or private passions? A struggle to possess her, body and soul, develops between Olive and Basil. The exploitation of Verena's unregenerate innocence reflects a society whose moral and cultural values are failing to survive the new dawn of liberalism and democracy. When it was first published in 1886, The Bostonians was not welcomed by Henry James's fellow countrymen, who failed to appreciate its delicacy and wit. But over a century later, this book is widely regarded as James's finest American fiction and perhaps his comic masterpiece.… (more)
Media reviews
It's the liveliest of his novels, maybe because it has sex right there at the center, and so it's crazier—riskier, less controlled, less gentlemanly—than his other books. He himself seems to be pulled about, identifying with some of the characters and then rejecting them for others. I think it is by far the best novel in English about what at that time was called "the woman question," and it must certainly be the best novel in the language about the cold anger that the issue of equal rights for women can stir in a man. I first read the book when I was in my early twenties, and it was like reading advance descriptions of battles I knew at first hand; rereading it, some forty years later, I found it a marvelous, anticipatory look at issues that are more out in the open now but still unresolved.
User reviews
One obstacle stands in their way, though: Olive's cousin Basil Ransom, a Southerner visiting from Mississippi with the hope of beginning a law practice in Boston. He happens to be at the same salon, noticing Verena more for her looks rather than her vocal abilities. Something about her lights a fire in his heart, and he sets out to win her heart -- much to the dismay of Olive who vows to keep Verena at the forefront of the suffrage movement any way she can.
What makes the story worth reading is the characters. Olive Chancellor comes across as cold and determined, knowing exactly what she wants and how to get it. Her hold on Verena and her need to mold her into a figurehead of the suffrage movement borders on obsessive, in a Mrs. Danvers kind of way. As for Ransom, he gently laughs away the thought of women having the right to vote, burying his real feelings behind slick Southern charm, and he would like nothing more than to prove to Olive that her struggle will never succeed by making Verena his wife. Two perfectly drawn warriors, and neither is at all likeable -- which may be how James intended it. But I found some mad delight in watching the two of them try to outmaneuver one another, using Verena as the rope in their tug-of-war.
"The Bostonians" displays this struggle between the two cousins, making for an interesting battle of the sexes played out during the late 19th century. Definitely worth a read.
But my reading group wanted to read James, and we picked The Bostonians.
OK
Fade in on post Civil War Boston --
We meet her distant cousin Basil Ransom from Mississippi. He is a none to well off lawyer (and a "Manly Man") currently trying to make his way in New York City.
Quite by chance Olive invites Basil to a meeting at the home of a none-too-wealthy but lifelong committed activist named Miss Birdseye. There they meet a young woman named Verona who turns out to be a passionate and effective speaker for the cause of woman’s rights. (But is she just a performer - or does she really believe in it? Hmmm).
(We forget that in the days before movies and radio going to a platform lecture was a popular form of entertainment.)
Olive and Basil are each in their own ways drawn to this young lovely, and the book is basically their tug of war over her life and fate and freedom.
James was one who never used one word when twenty could do, and the book reads long. He is alternately snarky and sympathetic to the woman’s movement and its place in the Boston community.
But he writes well and with tiny elegant strokes of the brush builds up a complex portrait of this very insular society in this time and this place.
Still thinking about the ending. You will too.
Still in two minds about Henry James. But I'm not sorry we read this.
The whole thing is very uneven. To begin with, we sympathise with the Southern gent. At the end, you want nothing so much as to kick him in the head. Did James change his mind? Is this change intentional? It's certainly infuriating. It was always obvious that Ransom (the Southerner) was a horrible human being, just as it was always obvious that Olive was at least partially good.
The final forty pages are brilliant, but the 400 or so before them are pretty tough going. I wouldn't recommend this to anyone, really. You're much better off with the other novels of this period- Portrait of a Lady, Washington Square - and, before them, The Europeans. Still, it's James. So I can't go below three stars.
This type of environment exists up until the day of today: magical healers, homeopaths, veganists, religious fanatics, environmental activists: and the three characters as embodied in The Bostonians are also still found in the same scene: Olive Chancellor as the establishment within a movement but possible with a hidden agenda, some personal interest, Verena Tarrant, the child who grew up within the movement, lacking critical judgement, and Basil Ransom, the common-sense skeptic.
While the scene itself is described to make it amusing, neither pro nor contra, the substance of the novel focuses on the competition for Verena's heart.